ACOUSTIC CUES FOR 3-D SHAPE INFORMATION
暂无分享,去创建一个
[1] C. Carello,et al. Perception of Object Length by Sound , 1998 .
[2] Mikael Fernström,et al. Listening to Rooms and Objects , 1999 .
[3] Davide Rocchesso. The Ball within the Box: A Sound-Processing Metaphor , 1995 .
[4] R. Caussé,et al. The representation of auditory source characteristics: simple geometric form. , 1996, Perception & psychophysics.
[5] Michael R. Moldover,et al. Gas‐filled spherical resonators: Theory and experiment , 1986 .
[6] H. Levitt. Transformed up-down methods in psychoacoustics. , 1971, The Journal of the Acoustical Society of America.
[7] Davide Rocchesso,et al. Generalization of a 3-D resonator model for the simulation of spherical enclosures , 2000, ArXiv.
[8] Richard F. Lyon,et al. On the importance of time—a temporal representation of sound , 1993 .
[9] W. B. Joyce,et al. Exact effect of surface roughness on the reverberation time of a uniformly absorbing spherical enclosure , 1978 .
[10] Stephen McAdams,et al. Recognition of sound sources and events , 1993 .
[11] Daniel J. Levitin,et al. Experimental design in psychoacoustic research , 1999 .
[12] M. Turvey,et al. Hearing shape. , 2000, Journal of experimental psychology. Human perception and performance.
[13] Hanna Järveläinen,et al. Perceptual Study of Decay Parameters in Plucked String Synthesis , 2000 .
[14] Stephen McAdams,et al. The representation of auditory source characteristics: Simple geometric form , 1997 .
[15] Davide Rocchesso,et al. Generalization of a 3-D Acoustic Resonator Model for the Simulation of Spherical Enclosures , 2001, EURASIP J. Adv. Signal Process..
[16] S. J. Chapman,et al. Drums That Sound the Same , 1995 .