Physiological correlates of the perceptual pitch shift for sounds with similar waveform autocorrelation

A perceptual experiment shows that random click trains with a uniform interclick distribution can be reliably pitch-matched to pseudo-periodic click trains. The pitch matches cannot be explained on the basis of mean rate, power spectrum, or autocorrelation of the waveform. The matches are qualitatively, but not quantitatively, consistent with the most common interspike interval present in responses of single units from the ventral cochlear nucleus of anaesthetised guinea pigs. The physiological recordings also demonstrate that at the level of the cochlear nucleus, similar cues are found in either first-order or all-order interspike interval statistics.

[1]  Alain de Cheveigné,et al.  Perceptual pitch shift for sounds with similar waveform autocorrelation , 2002 .

[2]  Brian R Glasberg,et al.  Derivation of auditory filter shapes from notched-noise data , 1990, Hearing Research.

[3]  Astrid van Wieringen,et al.  Temporal pitch mechanisms in acoustic and electric hearing. , 2002, The Journal of the Acoustical Society of America.

[4]  A R Palmer,et al.  Level dependence of cochlear nucleus onset unit responses and facilitation by second tones or broadband noise. , 1995, Journal of neurophysiology.

[5]  J. Licklider,et al.  A duplex theory of pitch perception , 1951, Experientia.

[6]  A. Palmer,et al.  Responses of chopper units in the ventral cochlear nucleus of the anaesthetised guinea pig to clicks-in-noise and click trains , 1997, Hearing Research.

[7]  B. Delgutte,et al.  Neural correlates of the pitch of complex tones. II. Pitch shift, pitch ambiguity, phase invariance, pitch circularity, rate pitch, and the dominance region for pitch. , 1996, Journal of neurophysiology.

[8]  C. Kaernbach,et al.  Exploring the temporal mechanism involved in the pitch of unresolved harmonics. , 2001, The Journal of the Acoustical Society of America.

[9]  J. Smurzyński,et al.  Pitch identification and discrimination for complex tones with many harmonics , 1990 .

[10]  W. Shofner,et al.  Regularity and latency of units in ventral cochlear nucleus: implications for unit classification and generation of response properties. , 1988, Journal of neurophysiology.

[11]  H. Helmholtz,et al.  On the Sensations of Tone as a Physiological Basis for the Theory of Music , 2005 .

[12]  R. Patterson,et al.  The lower limit of melodic pitch. , 2001, The Journal of the Acoustical Society of America.

[13]  W. Yost Pitch strength of iterated rippled noise. , 1996, The Journal of the Acoustical Society of America.

[14]  C Kaernbach,et al.  Psychophysical evidence against the autocorrelation theory of auditory temporal processing. , 1998, The Journal of the Acoustical Society of America.

[15]  W Jesteadt,et al.  An adaptive procedure for subjective judgments , 1980, Perception & psychophysics.

[16]  R. Meddis,et al.  A unitary model of pitch perception. , 1997, The Journal of the Acoustical Society of America.

[17]  B. Delgutte,et al.  Neural correlates of the pitch of complex tones. I. Pitch and pitch salience. , 1996, Journal of neurophysiology.

[18]  J. L. Goldstein An optimum processor theory for the central formation of the pitch of complex tones. , 1973, The Journal of the Acoustical Society of America.