How Can Inspiration Be Encouraged in Art Learning ?

Inspiration has been regarded as an important phenomenon in research into artistic creation and art learning (Tyler & Likova, 2012; Chemi, Jensen & Hersted, 2015). Active art appreciation inspires people and facilitates the creativity of art-making, as shown by psychological experiments on drawing (Okada & Ishibashi, 2016). Our recent studies on inspiration in artistic activities have shown that the core of inspiration through art appreciation (ITA) is a dual focus on the artwork (and artist) and the viewer’s own artmaking. In this chapter, we outline our model of the psychological process of ITA. We list factors that promote ITA, in particular, those inducing a dual focus in the context of educational practice. Some factors – instruction, methods of appreciation, and methods of selecting and showing artworks – may contribute to educational interventions in museums and schools. Finally, we described a case of art educational practice for undergraduates, designed to promote inspiration.

[1]  K. Holyoak,et al.  Analogical problem solving , 1980, Cognitive Psychology.

[2]  D. Gentner,et al.  Structure mapping in analogy and similarity. , 1997 .

[3]  Michael C. LeFew,et al.  The scientific study of inspiration in the creative process: challenges and opportunities , 2014, Front. Hum. Neurosci..

[4]  M. Csíkszentmihályi Implications of a Systems Perspective for the Study of Creativity , 1998 .

[5]  T. Okada,et al.  The Importance of Cultivating People's Creative Literacy , 2013 .

[6]  H. Leder,et al.  A model of aesthetic appreciation and aesthetic judgments. , 2004, British journal of psychology.

[7]  Nicolas J. Bullot,et al.  The artful mind meets art history: Toward a psycho-historical framework for the science of art appreciation , 2013, Behavioral and Brain Sciences.

[8]  Tatiana Chemi,et al.  Behind the Scenes of Artistic Creativity: Processes of Learning, Creating and Organising , 2014 .

[9]  A. Elliot,et al.  Inspiration: core characteristics, component processes, antecedents, and function. , 2004, Journal of personality and social psychology.

[10]  Jonathan Cagan,et al.  On the benefits and pitfalls of analogies for innovative design : Ideation performance based on analogical distance, commonness, and modality of examples , 2011 .

[11]  E. Langer,et al.  The mindlessness of social comparisons. , 2010 .

[12]  Takeshi Okada,et al.  Emergence of control in artistic expressions and the process of expretise , 2012, CogSci.

[13]  Takeshi Okada,et al.  The Effects of Art Experience, Competence in Artistic Creation, and Methods of Appreciation on Artistic Inspiration , 2015, CogSci.

[14]  Akihiro Kawase,et al.  Formation of an art concept: A case study using quantitative analysis of a contemporary artist's interview data , 2015, CogSci.

[15]  Effects of Role Exchange between Task-doing and Observing Others on Insight Problem-Solving , 2006 .

[16]  H. Leder,et al.  Visualizing the Impact of Art: An Update and Comparison of Current Psychological Models of Art Experience , 2016, Front. Hum. Neurosci..

[17]  A. Elliot,et al.  Inspiration as a psychological construct. , 2003, Journal of personality and social psychology.

[18]  K. Holyoak,et al.  Mental Leaps: Analogy in Creative Thought , 1994 .

[19]  R. Weisberg Creativity: Understanding Innovation in Problem Solving, Science, Invention, and the Arts , 2006 .

[20]  Jonathan Cagan,et al.  THE MEANING OF "NEAR" AND "FAR": THE IMPACT OF STRUCTURING DESIGN DATABASES AND THE EFFECT OF DISTANCE OF ANALOGY ON DESIGN OUTPUT , 2012 .

[21]  Yu-Chun Huang,et al.  An Immersive Virtual Reality Museum via Second Life - Extending Art Appreciation from 2D to 3D , 2014, HCI.

[22]  Christian D. Schunn,et al.  Do the best design ideas (really) come from conceptually distant sources of inspiration , 2015 .

[23]  Lora T. Likova,et al.  The Role of the Visual Arts in Enhancing the Learning Process , 2011, Front. Hum. Neurosci..

[24]  K. Holyoak,et al.  Surface and structural similarity in analogical transfer , 1987, Memory & cognition.

[25]  T. Okada,et al.  Eye Movements during Art Appreciation by Students Taking a Photo Creation Course , 2016, Front. Psychol..

[26]  Takeshi Okada,et al.  Imitation, Inspiration, and Creation: Cognitive Process of Creative Drawing by Copying Others' Artworks , 2017, Cogn. Sci..

[27]  D. Gentner Structure‐Mapping: A Theoretical Framework for Analogy* , 1983 .

[28]  T. Poze Analogical connections: the essence of creativity , 1983 .