Review of objective room acoustics measures and future needs

ISO 3382-1 describes a number of objective room acoustics parameters that are generally accepted as useful for rating some specific aspects of concert hall sound fields. They include measures of decay times, energy ratios, measures of sound strength and several quantities related to the spatial aspects of sound fields. In most cases there are details of the measures, or their application, that raise questions. In general, there has not been a lot of practical research to explore how best to develop and use these objective measures to evaluate conditions in concert halls. For some well established measures such as Early Decay Time (EDT), we are not really sure how best to calculate their values. For other measures such as energy ratios, modifications are often proposed but without the support of subjective evaluations of the proposed changes. In other cases, such as measures of spatial impression, two approaches have been suggested, but their relative merits are not well understood. It is easy to propose ever more complex measures, but it is much more difficult to demonstrate their general utility. On the other hand, some commonly described characteristics do not have accepted related objective measures. Many more important and more general problems relate to the need, for design criteria in terms of each quantity, and for an improved understanding of just noticeable differences for each measure. This paper discusses each measure illustrating particular problems with measurements in various halls.

[1]  G. A. Soulodre,et al.  Objective measures of listener envelopment , 1995 .

[2]  Beranek,et al.  Objective and subjective evaluations of twenty-three opera houses in Europe, Japan, and the Americas , 2000, The Journal of the Acoustical Society of America.

[3]  John S. Bradley Using ISO 3382 measures, and their extensions, to evaluate acoustical conditions in concert halls , 2005 .

[4]  J. S. Bradley Comparison of concert hall measurements of spatial impression , 1994 .

[5]  A. H. Marshall,et al.  Spatial impression due to early lateral reflections in concert halls: The derivation of a physical measure , 1981 .

[6]  Leo L. Beranek,et al.  Concert hall acoustics , 2011 .

[7]  Manfred R. Schroeder,et al.  Comparative study of European concert halls: correlation of subjective preference with geometric and acoustic parameters , 1974 .

[8]  Helmut Haas,et al.  The Influence of a Single Echo on the Audibility of Speech , 1972 .

[9]  John S. Bradley,et al.  The effect of late reflections from above and behind on listener envelopment , 2001 .

[10]  Michael Barron,et al.  Late lateral energy fractions and the envelopment question in concert halls , 2001 .

[11]  J. S. Bradley Some further investigations of the seat dip effect , 1991 .

[12]  Michelle C. Vigeant,et al.  Investigation of the just noticeable difference of the clarity index for music, C80. , 2009 .

[13]  J. S. Bradley Auditorium acoustics measures from pistol shots , 1986 .

[14]  John S. Bradley,et al.  The influence of late arriving energy on spatial impression , 1995 .

[15]  M. Barron Balcony overhangs in concert auditoria , 1995 .

[16]  Scott G. Norcross,et al.  Factors influencing the perception of bass , 1997 .

[17]  Bishnu S. Atal,et al.  5'congres international d'acoustique ueqe 7-14 septembre 1965 suejective reverberation time and its relation to sound decay , 1965 .

[18]  Robert S. Shankland Architectural acoustics in America to 1930 , 1976 .

[19]  John S. Bradley,et al.  Subjective evaluation of new room acoustic measures , 1995 .

[20]  Michael Barron When is a concert hall too quiet , 2007 .

[21]  John S. Bradley,et al.  Contemporary Approaches to Evaluating Auditorium Acoustics , 1990 .

[22]  Leo L. Beranek,et al.  Concert Hall Acoustics—2008* , 2001 .

[23]  Wj Davies,et al.  The sensitivity of listeners to early sound field changes in auditoriums , 1993 .

[24]  M. Morimoto,et al.  Contribution of reverberation to auditory spaciousness in concert halls , 1989 .

[25]  Kazutoshi Fujimoto,et al.  The influence of total and directional energy of late sound on listener envelopment , 2005 .

[26]  Adrià Giménez,et al.  Room acoustical parameters: A factor analysis approach , 2009 .

[27]  Leo L. Beranek,et al.  Concert halls and opera houses : music, acoustics, and architecture , 2005 .

[28]  John S. Bradley,et al.  A just noticeable difference in C50 for speech , 1999 .

[29]  M. Barron,et al.  Subjective study of British symphony concert halls , 1988 .

[30]  M. Barron The subjective effects of first reflections in concert halls—The need for lateral reflections , 1971 .