Animating the Language Machine: Computers and Performance

A range of inter-disciplinarydiscourses consider the computer-mediatedwriting space as a unique performance mediumwith characteristic protocols. Drawing oncontemporary performance theory, literarycriticism, and communication theory, the authorproposes that technologists, academics, andartists are developing idiomatic rhetorics – alingua franca – to explore the technicaland expressive properties of the new ``languagemachines'' and their hypertextual environments.The role of improvisation – and itscross-disciplinary protocols – provides afurther focus in the discussion of computingpractice and performance.

[1]  N. K. Hayles Flickering Connectivities in Shelley Jackson's Patchwork Girl : The Importance of Media-Specific Analysis , 2000 .

[2]  David H. Jonassen,et al.  Computers in the Classroom: Mindtools for Critical Thinking , 1995 .

[3]  S. Turkle Life on the Screen: Identity in the Age of the Internet , 1997 .

[4]  Brenda Laurel Technological humanism and values-driven design , 1998, CHI Conference Summary.

[5]  H. Gates,,et al.  The Signifying Monkey: A Theory of African-American Literary Criticism , 1988 .

[6]  Barbara Wasson,et al.  Actor Interdependence in Collaborative Telelearning. , 1998 .

[7]  William H. Calvin,et al.  How Brains Think , 1996 .

[8]  R. Zacks DANCES WITH MACHINES , 1999 .

[9]  George P. Landow,et al.  HyperText: The Convergence of Contemporary Critical Theory and Technology , 1991 .

[10]  V. Turner Body, Brain and Culture , 1983 .

[11]  Philip Auslander From Acting to Performance: Essays in Modernism and Postmodernism , 1997 .

[12]  M. Mcluhan,et al.  Laws of Media: The New Science , 1988 .

[13]  Wade Rowland Spirit of the Web: The Age of Information from Telegraph to Internet , 1997 .

[14]  Pierre Boulez,et al.  Boulez on Music Today , 1972 .

[15]  A. R. Stone,et al.  The War of Desire and Technology at the Close of the Mechanical Age , 1995 .

[16]  William H. Calvin,et al.  How Brains Think: Evolving Intelligence, Then and Now , 1997 .

[17]  J. Bolter,et al.  Remediation: Understanding New Media , 1999 .

[18]  H. Innis The Bias of Communication , 1964 .

[19]  Katherine Hayles,et al.  How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics , 2001 .

[20]  Marvin Carlson,et al.  Performance: A Critical Introduction , 1996 .

[21]  Victor Turner,et al.  The anthropology of performance , 1986 .

[22]  Perry Hoberman Bar code hotel , 1996 .

[23]  J. Murray Hamlet on the Holodeck , 1997 .

[24]  Donna McCabe,et al.  Digital Mantras: The Languages of Abstract and Virtual Worlds , 1994 .

[25]  Mark Bernstein,et al.  Patterns of hypertext , 1998, HYPERTEXT '98.

[26]  Brenda Laurel,et al.  Computers as theatre , 1991 .

[27]  Harold A. Innis,et al.  Empire and Communications , 1973 .

[28]  Brenda Laurel,et al.  Placeholder: landscape and narrative in virtual environments , 1994, COMG.

[29]  A. Murray Stomping The Blues , 1976 .

[30]  Carol L. Winkelmann Serious hypertext , 1995, LINK.