Creation and Control in the Photographic Process: iPhones and the emerging fifth moment of photography

This article underlines some aspects that relate, on the one side, to the technological devices necessary to photography production and, on the other, the kind of practices that shape and are shaped by those devices. It discusses how those relationships have shaped different visual regimes. Based on theoretical approaches like Science and Technology Studies (STS) and the Socio-technical Interactions Network (STIN) perspective, the article starts with a brief historical description focusing on the production of photos as a three-step process: 1) infrastructural elements of image production; 2) technologies of processing images; and 3) distribution/showing of images. It is proposed that photography has had four moments in this history. Finally, the article discusses the latest socio-technological practices, and proposes that the iPhone is the best example of the kind of devices that are possibly opening a fifth moment in photography technologies.

[1]  Alan Trachtenberg,et al.  Classic Essays on Photography , 1981 .

[2]  Susan Murray,et al.  Digital Images, Photo-Sharing, and Our Shifting Notions of Everyday Aesthetics , 2008 .

[3]  J. Johnson Mixing Humans and Nonhumans Together: The Sociology of a Door-Closer , 1988 .

[4]  N. Phillips,et al.  The Birth of the 'Kodak Moment': Institutional Entrepreneurship and the Adoption of New Technologies , 2005 .

[5]  Marc Olivier,et al.  George Eastman's Modern Stone-Age Family: Snapshot Photography and the Brownie , 2007 .

[6]  Abigail Sellen,et al.  © Copyright Hewlett-Packard Company 2004 Approved for External PublicationHow and Why People Use Camera Phones , 2004 .

[7]  Jonathan L. Zittrain,et al.  The Future of the Internet - And How to Stop It , 2008 .

[8]  E. Meyer SOCIO-TECHNICAL PERSPECTIVES ON DIGITAL PHOTOGRAPHY Scientific digital photography use by marine mammal researchers , 2007 .

[9]  Jonas Larsen,et al.  Practices and Flows of Digital Photography: An Ethnographic Framework , 2008 .

[10]  Ej Iversen Knowledge, Technology and Policy , 2004 .

[11]  Stuart Hall Representation: Cultural representations and signifying practices. , 1997 .

[12]  Shu-pei Tsai,et al.  Integrated marketing as management of holistic consumer experience , 2005 .

[13]  Peter Buse,et al.  Polaroid into digital: Technology, cultural form, and the social practices of snapshot photography , 2010 .

[14]  Fred Ritchin,et al.  After Photography , 2008 .

[15]  Don Slater Marketing mass photography , 2002 .

[16]  R. Chalfen Snapshot versions of life , 1987 .

[17]  Amparo Lasén,et al.  Digital Photography and Picture Sharing: Redefining the Public/Private Divide , 2009 .

[18]  Dona Schwartz,et al.  Camera Clubs and Fine Art Photography , 1986 .

[19]  Douglas Harper Photography: A Middle-Brow Art.Pierre Bourdieu , 1991 .

[20]  Susan Leigh Star,et al.  Introduction: The Sociology of Science and Technology , 1988 .

[21]  Mike Robinson,et al.  The framed world : tourism, tourists and photography , 2009 .

[22]  Eric T. Meyer Socio-Technical Interaction Networks: A Discussion of the Strengths, Weaknesses and Future of Kling's STIN Model , 2006, HCC.

[23]  J. Krige How Users Matter: The Co-Construction of Users and Technology , 2006 .

[24]  Rob Kling,et al.  a Bit More to It: Scholarly Communication Forums as Socio-technical Interaction Networks , 2003, J. Assoc. Inf. Sci. Technol..

[25]  K. K. Cetina,et al.  The Practice Turn in Contemporary Theory , 2001 .

[26]  J. Urry The Tourist Gaze , 2002 .

[27]  Patrick Maynard The Engine of Visualization: Thinking through Photography , 1997 .

[28]  B. Latour Technology is Society Made Durable , 1990 .

[29]  Marc Davis,et al.  The uses of personal networked digital imaging: an empirical study of cameraphone photos and sharing , 2005, CHI Extended Abstracts.

[30]  P. Frosh The Image Factory: Consumer Culture, Photography and the Visual Content Industry , 2003 .

[31]  Christine Urquhart Computerization Movements and Technology Diffusion: From Mainframes to Ubiquitous Computing , 2009, J. Documentation.

[32]  Anne Beaulieu,et al.  Image as Interface: Consequences for Users of Museum Knowledge , 2011, Libr. Trends.

[33]  Richard W. Christopherson From Folk Art To Fine Art , 1974 .

[34]  Kris Cohen,et al.  What does the photoblog want? , 2005 .

[35]  Martin Lister,et al.  A Sack in the Sand , 2007 .

[36]  M. Hirsch Family Frames: Photography, Narrative and Postmemory , 1997 .

[37]  Sarah Kember THE VIRTUAL LIFE OF PHOTOGRAPHY , 2008 .

[38]  Mor Naaman,et al.  Over-exposed?: privacy patterns and considerations in online and mobile photo sharing , 2007, CHI.

[39]  Shelly Errington,et al.  Photographs Objects Histories: On the Materiality of Images , 2006 .

[40]  Perseville U. Mendoza The Social Construction and Usage of Communication Technologies: Asian and European Experiences , 2009 .

[41]  Ole Hanseth,et al.  Actor-network theory and information systems , 2004 .

[42]  James R Clark,et al.  Digital photography. , 2004, Journal of esthetic and restorative dentistry : official publication of the American Academy of Esthetic Dentistry ... [et al.].

[43]  J. Burgess Vernacular creativity and new media , 2007 .

[44]  Mary Warner Marien,et al.  Photography : A Cultural History , 2002 .

[45]  E. G. Cruz,et al.  De la cultura Kodak a la imagen en red: una etnografía sobre fotografía digital , 2012 .

[46]  Eric T. Meyer Making Digital Cultures: Access, Interactivity, and Authenticity , 2010 .

[47]  Reese V. Jenkins Technology and the Market: George Eastman and the Origins of Mass Amateur Photography , 1975 .

[48]  Bruno Latour,et al.  Visualisation and Cognition: Drawing Things Together , 2012 .

[49]  Mizuko Ito,et al.  Camera phones changing the definition of picture-worthy , 2003 .

[50]  J. Law A Sociology of monsters: Essays on power, technology, and domination , 1991 .

[51]  K. Munir The Social Construction of Events: A Study of Institutional Change in the Photographic Field , 2005 .

[52]  José Carlos Avellar La cámara lúcida , 2011 .

[53]  Peter Buse,et al.  SURELY FADES AWAY , 2008 .

[54]  J. Wajcman Feminism Confronts Technology , 1991 .

[55]  Marc Berg,et al.  Guest editors' introduction: Actor-network theory and information systems. What's so special? , 2004, Inf. Technol. People.

[56]  Rob Kling What Is Social Informatics and Why Does It Matter? , 2007, Inf. Soc..

[57]  Trevor Pinch,et al.  How users matter : The co-construction of users and technologies , 2003 .