Bringing Digital Curation to Archaeological Projects: Evidence from the BeArchaeo Project

This paper addresses the importance of the curation of cultural heritage data that bear the content of the visual interfaces. Digital curation is an operational process that has been recently appointed as a practical method for the account of digital data that arise in cultural heritage projects. The goal of the paper is to state the importance of digital curation for the archaeological projects and to illustrate how it works in the case the Beyond Archaeology (BeArchaeo) project, an on-going European project, where all the interfaces that allow for the interactions with the digital objects will be based on a centralized database. Here we address all the phases that concern the archaeological activities, from the excavation to the exhibition of the findings, and we show how we develop the centralized data repository that undergoes the development of the communication interfaces.

[1]  Michael Ashley López,et al.  Last House on the Hill: Digitally remediating data and media for preservation and access , 2009, JOCCH.

[2]  Maria Collins Evolving Workflows: Knowing when to Hold'em, Knowing when to Fold'em , 2009 .

[3]  Maurizio Forte,et al.  3D Archaeology at Çatalhöyük , 2012 .

[4]  Georges Dumont,et al.  Immersia, an open immersive infrastructure: doing archaeology in virtual reality , 2014 .

[5]  Filipe Castro,et al.  Using an ontology and a multilingual glossary for enhancing the nautical archaeology digital library , 2010, JCDL '10.

[6]  Anna Gold,et al.  Data Curation and Libraries: Short-Term Developments, Long-Term Prospects , 2010 .

[7]  Katherine Skinner,et al.  Digital Curation at Work: Modeling Workflows for Digital Archival Materials , 2019, 2019 ACM/IEEE Joint Conference on Digital Libraries (JCDL).

[8]  Alex H. Poole,et al.  The conceptual landscape of digital curation , 2016, J. Documentation.

[9]  Julianne Nyhan Visual Interface Design for Digital Cultural Heritage: A Guide to Rich Prospect Browsing , 2014, J. Documentation.

[10]  Holly E. Rushmeier,et al.  CHER-Ob: A Tool for Shared Analysis in Cultural Heritage , 2016, GCH.

[11]  Elizabeth Yakel,et al.  Digital Curation for Digital Natives , 2011 .

[12]  Paul Chapman,et al.  Linking Evidence with Heritage Visualization using a large Scale Collaborative Interface , 2011, VAST.

[13]  Rao Shen,et al.  ETANA-DL: a digital library for integrated handling of heterogeneous archaeological data , 2004, Proceedings of the 2004 Joint ACM/IEEE Conference on Digital Libraries, 2004..

[14]  Lee Rainie,et al.  The impact of the Internet on institutions in the future , 2010 .

[15]  Joyce Ray Sharks, digital curation, and the education of information professionals , 2009 .

[16]  Colleen Morgan,et al.  (Re)Building Çatalhöyük: Changing Virtual Reality in Archaeology , 2009 .

[17]  Claudia Engel,et al.  Towards a Living Archive: Making Multi Layered Research Data and Knowledge Generation Transparent , 2018, Journal of Field Archaeology.

[18]  Daniel Acevedo Feliz,et al.  Archaeological data visualization in VR: analysis of lamp finds at the Great Temple of Petra, a case study , 2001, Proceedings Visualization, 2001. VIS '01..

[19]  Richard Lehane,et al.  Visual Interface Design for Digital Cultural Heritage: A Guide to Rich-Prospect Browsing , 2012 .

[20]  Maurizio Forte,et al.  Revisiting reflexive archaeology at Çatalhöyük: integrating digital and 3D technologies at the trowel's edge , 2015, Antiquity.