Pitch-based streaming in auditory perception

Air Force Office of Scientific Research (F49620-92-J-0225); Advanced Research Projects Agency (N00014-92-J-4015); Office of Naval Research (N00014-95-1-01109)

[1]  Stephen Grossberg,et al.  A neural architecture for visual motion perception: group and element apparent motion , 1989, International 1989 Joint Conference on Neural Networks.

[2]  J. L. Goldstein An optimum processor theory for the central formation of the pitch of complex tones. , 1973, The Journal of the Acoustical Society of America.

[3]  Stephen Grossberg,et al.  A Neural Network Model of Auditory Scene Anaysis and Source Segregation , 1994 .

[4]  Stephen Grossberg,et al.  Competitive Learning: From Interactive Activation to Adaptive Resonance , 1987, Cogn. Sci..

[5]  S. Grossberg,et al.  Normal and amnesic learning, recognition and memory by a neural model of cortico-hippocampal interactions , 1993, Trends in Neurosciences.

[6]  Stephen Grossberg,et al.  Studies of mind and brain , 1982 .

[7]  F. Wightman The pattern-transformation model of pitch. , 1973, The Journal of the Acoustical Society of America.

[8]  Albert S. Bregman,et al.  Capturing frequency components of glided tones: Frequency separation, orientation, and alignment , 1981, Perception & psychophysics.

[9]  R. B. Gardner,et al.  Perceptual grouping of formants with static and dynamic differences in fundamental frequency , 1989 .

[10]  D. Deutsch Two-channel listening to musical scales. , 1975, The Journal of the Acoustical Society of America.

[11]  Gerald Sommer,et al.  Pattern Recognition by Self-Organizing Neural Networks , 1994 .

[12]  G. A. Miller,et al.  The Intelligibility of Interrupted Speech , 1948 .

[13]  A. Bregman,et al.  The perceptual segregation of simultaneous auditory signals: Pulse train segregation and vowel segregation , 1989, Perception & psychophysics.

[14]  K. D. McClelland,et al.  Pitch of Frequency‐Modulated Signals , 1969 .

[15]  R. Plomp Pitch of complex tones. , 1966, The Journal of the Acoustical Society of America.

[16]  L. F. Willems,et al.  Measurement of pitch in speech: an implementation of Goldstein's theory of pitch perception. , 1982, The Journal of the Acoustical Society of America.

[17]  Jessica Lowell Neural Network , 2001 .

[18]  H Wagner,et al.  Influence of temporal cues on acoustic motion-direction sensitivity of auditory neurons in the owl. , 1992, Journal of neurophysiology.

[19]  R. Patterson,et al.  Residue pitch as a function of component spacing. , 1976, The Journal of the Acoustical Society of America.

[20]  Charles Darwin,et al.  Pitch continuity and speech source attribution , 1977 .

[21]  S Grossberg,et al.  Neural dynamics of speech and language coding: developmental programs, perceptual grouping, and competition for short-term memory. , 1986, Human neurobiology.

[22]  L. V. Noorden Temporal coherence in the perception of tone sequences , 1975 .

[23]  R. M. Warren,et al.  Phonemic restorations based on subsequent context , 1974 .

[24]  Stephen Grossberg,et al.  A massively parallel architecture for a self-organizing neural pattern recognition machine , 1988, Comput. Vis. Graph. Image Process..

[25]  A S Bregman,et al.  Auditory continuity and amplitude edges. , 1977, Canadian journal of psychology.

[26]  B. Moore,et al.  Relative dominance of individual partials in determining the pitch of complex tones , 1985 .

[27]  R. Ritsma Frequencies dominant in the perception of the pitch of complex sounds. , 1966, The Journal of the Acoustical Society of America.

[28]  Robert O. Gjerdingen,et al.  Apparent Motion in Music?: Music Perception , 1994 .

[29]  P. A. Kolers Aspects of motion perception , 1972 .

[30]  S. Grossberg,et al.  Cortical dynamics of visual motion perception: short-range and long-range apparent motion. , 1992, Psychological review.

[31]  Don Wunsch,et al.  Book ReviewPattern Recognition by Self-Organizing Neural Networks, Gail Carpenter, Stephen Grossberg (Eds.), MIT Press (1991), ISBN: 0-262-03176-0 , 1992 .

[32]  Robert O. Gjerdingen,et al.  Apparent Motion in Music , 1994 .

[33]  D. Deutsch Some new pitch paradoxes and their implications. , 1992, Philosophical transactions of the Royal Society of London. Series B, Biological sciences.

[34]  Lpas Vannoorden,et al.  Temporal coherence in the perception of tone sequences [doctoral dissertation , 1975 .

[35]  E. de Boer,et al.  On cochlear encoding: potentialities and limitations of the reverse-correlation technique. , 1978, The Journal of the Acoustical Society of America.

[36]  D. Deutsch Paradoxes of musical pitch. , 1992, Scientific American.

[37]  R. Shepard Circularity in Judgments of Relative Pitch , 1964 .

[38]  W. Yost Pitch and pitch discrimination of broadband signals with rippled power spectra. , 1978, The Journal of the Acoustical Society of America.

[39]  Yoshitaka Nakajima,et al.  Auditory Scene Analysis: The Perceptual Organization of Sound Albert S. Bregman , 1992 .

[40]  S. Grossberg Contour Enhancement , Short Term Memory , and Constancies in Reverberating Neural Networks , 1973 .

[41]  S. G. Nooteboom,et al.  Intonation and the perceptual separation of simultaneous voices , 1982 .

[42]  A. Samuel Phonemic restoration: insights from a new methodology. , 1981, Journal of experimental psychology. General.

[43]  S. Grossberg,et al.  How does a brain build a cognitive code? , 1980, Psychological review.

[44]  S Grossberg,et al.  A spectral network model of pitch perception. , 1995, The Journal of the Acoustical Society of America.

[45]  B. L. Cardozo,et al.  Pitch of the Residue , 1962 .

[46]  Michaël Titus Maria Scheffers,et al.  Sifting vowels. Auditory pitch analysis and sound segregation. , 1983 .

[47]  R M Warren,et al.  Perceptual restoration of obliterated sounds. , 1984, Psychological bulletin.

[48]  Eugene Narmour,et al.  The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model , 1990 .

[49]  S. Grossberg The Attentive Brain , 1995 .

[50]  S. Grossberg,et al.  Neural dynamics of motion processing and speed discrimination , 1998, Vision Research.

[51]  Peter Ladefoged,et al.  On the Fusion of Sounds Reaching Different Sense Organs , 1957 .