Artifact-Based Rendering: Harnessing Natural and Traditional Visual Media for More Expressive and Engaging 3D Visualizations
暂无分享,去创建一个
Christophe Lenglet | Daniel F. Keefe | Phillip J. Wolfram | Daniel Olson | Francesca Samsel | Seth Johnson | Gregory Abram | Andrew J. Solis | Bridger Herman | C. Lenglet | F. Samsel | G. Abram | P. Wolfram | Seth Johnson | Daniel L. Olson | Bridger Herman
[1] James Ze Wang,et al. On shape and the computability of emotions , 2012, ACM Multimedia.
[2] James T. Enns,et al. Perception and Painting: A Search for Effective, Engaging Visualizations , 2002, IEEE Computer Graphics and Applications.
[3] Donald M. Anderson,et al. Elements of Design , 1961 .
[4] Christopher G. Healey,et al. Formalizing Artistic Techniques and Scientific Visualization for Painted Renditions of Complex Information Spaces , 2001, IJCAI.
[5] William Knight,et al. Using visual texture for information display , 1995, TOGS.
[6] David Feng,et al. Evaluation of glyph-based multivariate scalar volume visualization techniques , 2009, APGV '09.
[7] Bernice E. Rogowitz,et al. The "Which Blair project": a quick visual method for evaluating perceptual color maps , 2001, Proceedings Visualization, 2001. VIS '01..
[8] David Sweeney,et al. Data-in-Place: Thinking through the Relations Between Data and Community , 2015, CHI.
[9] Ali Mahdavi-Amiri,et al. Physical Visualization of Geospatial Datasets , 2017, IEEE Computer Graphics and Applications.
[10] Essa Yacoub,et al. Brain Tissue Micro-Structure Imaging from Diffusion MRI Using Least Squares Variable Separation , 2016 .
[11] Colin Ware,et al. Information Visualization: Perception for Design , 2000 .
[12] William Wright,et al. Visual Thinking Design Patterns , 2013, DMS.
[13] Daniel Acevedo Feliz,et al. Scientific Sketching for Collaborative VR Visualization Design , 2008, IEEE Transactions on Visualization and Computer Graphics.
[14] Ben Shneiderman,et al. Creativity support tools: accelerating discovery and innovation , 2007, CACM.
[15] D. Bloomberg,et al. Color quantization using octrees , 2003 .
[16] Adam Finkelstein,et al. WYSIWYG NPR: drawing strokes directly on 3D models , 2002, SIGGRAPH.
[17] Paul S. Heckbert. Color image quantization for frame buffer display , 1982, SIGGRAPH.
[18] Robert Michael Kirby,et al. Visualizing multivalued data from 2D incompressible flows using concepts from painting , 1999, VIS '99.
[19] Bongshin Lee,et al. SketchStory: Telling More Engaging Stories with Data through Freeform Sketching , 2013, IEEE Transactions on Visualization and Computer Graphics.
[20] Policy,et al. The Integration of the Humanities and Arts with Sciences, Engineering, and Medicine in Higher Education , 2018 .
[21] W. Marsden. I and J , 2012 .
[22] James T. Enns,et al. Engaging viewers through nonphotorealistic visualizations , 2007, NPAR '07.
[23] Donna J. Cox,et al. Using the Supercomputer to Visualize Higher Dimensions: An Artist's Contribution to Scientific Visualization , 2008, Leonardo.
[24] Daniel Weiskopf,et al. Texture-based visualization of uncertainty in flow fields , 2005, VIS 05. IEEE Visualization, 2005..
[25] Donna J. Cox,et al. Rendering the first star in the Universe - A case study , 2002, IEEE Visualization, 2002. VIS 2002..
[26] Larissa Hjorth,et al. Understanding physical activity through 3D printed material artifacts , 2014, CHI.
[27] David H. Laidlaw,et al. Painting and Visualization , 2005, The Visualization Handbook.
[28] Theresa-Marie Rhyne. Applying Color Theory to Digital Media and Visualization , 2017, CHI Extended Abstracts.
[29] Scott Elliott,et al. Influence of explicit Phaeocystis parameterizations on the global distribution of marine dimethyl sulfide , 2015 .
[30] Elaine Cohen,et al. A non-photorealistic lighting model for automatic technical illustration , 1998, SIGGRAPH.
[31] James T. Enns,et al. Large Datasets at a Glance: Combining Textures and Colors in Scientific Visualization , 1999, IEEE Trans. Vis. Comput. Graph..
[32] Todd D. Ringler,et al. Evaluation of the arbitrary Lagrangian–Eulerian vertical coordinate method in the MPAS-Ocean model , 2015 .
[33] T. Georgiou,et al. Microstructure Imaging of Crossing (MIX) White Matter Fibers from diffusion MRI , 2016, Scientific Reports.
[34] Francesca Samsel,et al. Art - Science - Visualization Collaborations: Examining the Spectrum , 2013 .
[35] S. Chib,et al. Understanding the Metropolis-Hastings Algorithm , 1995 .
[36] Kenneth Moreland,et al. Diverging Color Maps for Scientific Visualization , 2009, ISVC.
[37] Marika M. Holland,et al. Impact of sea ice on the marine iron cycle and phytoplankton productivity , 2014 .
[38] Timo Ropinski,et al. Survey of glyph-based visualization techniques for spatial multivariate medical data , 2011, Comput. Graph..
[39] S. Doney,et al. An intermediate complexity marine ecosystem model for the global domain , 2001 .
[40] Xiaoru Yuan,et al. WYSIWYG (What You See is What You Get) Volume Visualization , 2011, IEEE Transactions on Visualization and Computer Graphics.
[41] J. Albers,et al. Interaction of Color , 1971 .
[42] Scott C. Doney,et al. Marine Ecosystem Dynamics and Biogeochemical Cycling in the Community Earth System Model [CESM1(BGC)]: Comparison of the 1990s with the 2090s under the RCP4.5 and RCP8.5 Scenarios , 2013 .
[43] David H. Laidlaw,et al. Visualizing diffusion tensor images of the mouse spinal cord , 1998, Proceedings Visualization '98 (Cat. No.98CB36276).
[44] Penny Rheingans. Task-based color scale design , 2000, Applied Imaging Pattern Recognition.
[45] Bill Buxton,et al. Sketching User Experiences: Getting the Design Right and the Right Design , 2007 .
[46] Gordon Kindlmann,et al. Superquadric tensor glyphs , 2004, VISSYM'04.
[47] Roberta L. Klatzky,et al. Please Touch: Object Properties that Invite Touch , 2012, IEEE Transactions on Haptics.
[48] Andrew Gardner,et al. Linear light source reflectometry , 2003, ACM Trans. Graph..
[49] Kwan-Liu Ma,et al. Meet the Scientists , 2007 .
[50] Ronald D. Watts. The Elements of Design , 1966 .
[51] Santiago V. Lombeyda. Distinct 3D Glyphs with Data Layering for Highly Dense Multivariate Data Plots , 2016, ArXiv.
[52] David Salesin,et al. Computer-generated pen-and-ink illustration , 1994, SIGGRAPH.
[53] Victoria Interrante,et al. Harnessing natural textures for multivariate visualization , 2000, IEEE Computer Graphics and Applications.
[54] James P. Ahrens,et al. Colormaps that Improve Perception of High-Resolution Ocean Data , 2015, CHI Extended Abstracts.
[55] Daniel F. Keefe,et al. Visualization-by-Sketching: An Artist's Interface for Creating Multivariate Time-Varying Data Visualizations , 2016, IEEE Transactions on Visualization and Computer Graphics.
[56] David H. Rogers,et al. Visualization and Analysis of Threats from Asteroid Ocean Impacts , 2016 .
[57] Min Chen,et al. Glyph Visualization: A Fail-Safe Design Scheme Based on Quasi-Hamming Distances , 2017, IEEE Computer Graphics and Applications.
[58] Todd D. Ringler,et al. Diagnosing Isopycnal Diffusivity in an Eddying, Idealized Midlatitude Ocean Basin via Lagrangian, in Situ, Global, High-Performance Particle Tracking (LIGHT) , 2015 .
[59] Stefan Bruckner,et al. TECHNICAL REPORT VolumeShop: An Interactive System for Direct Volume , 2022 .
[60] Chris Stolte,et al. Rendering effective route maps: improving usability through generalization , 2001, SIGGRAPH.
[61] Daniel F. Keefe,et al. Drawing with the Flow: A Sketch-Based Interface for Illustrative Visualization of 2D Vector Fields , 2010, SBIM.
[62] Philip W. Jones,et al. A multi-resolution approach to global ocean modeling , 2013 .
[63] Victor Bucha,et al. 3DCapture: 3D Reconstruction for a Smartphone , 2016, 2016 IEEE Conference on Computer Vision and Pattern Recognition Workshops (CVPRW).
[64] James P. Ahrens,et al. The Good, the Bad, and the Ugly: A Theoretical Framework for the Assessment of Continuous Colormaps , 2018, IEEE Transactions on Visualization and Computer Graphics.
[65] Pierre Dragicevic,et al. Opportunities and Challenges for Data Physicalization , 2015, CHI.
[66] Charles D. Hansen,et al. A Survey of Colormaps in Visualization , 2016, IEEE Transactions on Visualization and Computer Graphics.
[67] Daniel Acevedo Feliz,et al. Design-by-example: a schema for designing visualizations using examples from art , 2003, SIGGRAPH '03.
[68] Eva Hornecker,et al. Towards a Design Space for Multisensory Data Representation , 2016, Interact. Comput..
[69] Kasper Hornbæk,et al. Exploring the Challenges of Making Data Physical , 2015, CHI Extended Abstracts.
[70] J. Itten,et al. The elements of color : a treatise on the color system , 1970 .
[71] David H. Laidlaw,et al. Artistic Collaboration in Designing VR Visualizations , 2005, IEEE Computer Graphics and Applications.
[72] Anastasia Bezerianos,et al. A Systematic Review of Experimental Studies on Data Glyphs , 2017, IEEE Transactions on Visualization and Computer Graphics.
[73] Richard Szeliski,et al. Video textures , 2000, SIGGRAPH.
[74] Tamara Munzner,et al. Visualization Analysis and Design , 2014, A.K. Peters visualization series.
[75] Guillermo Sapiro,et al. Texture Synthesis for 3D Shape Representation , 2003, IEEE Trans. Vis. Comput. Graph..
[76] Peter Kovesi,et al. Good Colour Maps: How to Design Them , 2015, ArXiv.
[77] J.,et al. Marine EcosystemDynamics and Biogeochemical Cycling in the Community Earth System Model [ CESM 1 ( BGC ) ] : Comparison of the 1990 s with the 2090 s under the RCP 4 . 5 and RCP 8 . 5 Scenarios , 2013 .
[78] Matthew O. Ward,et al. A Taxonomy of Glyph Placement Strategies for Multidimensional Data Visualization , 2002, Inf. Vis..