Effects of Musical Tempo on Musicians’ and Non-musicians’ Emotional Experience When Listening to Music

Tempo is an important musical element that affects human’s emotional processes when listening to music. However, it remains unclear how tempo and training affect individuals’ emotional experience of music. To explore the neural underpinnings of the effects of tempo on music-evoked emotion, music with fast, medium, and slow tempi were collected to compare differences in emotional responses using functional magnetic resonance imaging (fMRI) of neural activity between musicians and non-musicians. Behaviorally, musicians perceived higher valence in fast music than did non-musicians. The main effects of musicians and non-musicians and tempo were significant, and a near significant interaction between group and tempo was found. In the arousal dimension, the mean score of medium-tempo music was the highest among the three kinds; in the valence dimension, the mean scores decreased in order from fast music, medium music, to slow music. Functional analyses revealed that the neural activation of musicians was stronger than those of non-musicians in the left inferior parietal lobe (IPL). A comparison of tempi showed a stronger activation from fast music than slow music in the bilateral superior temporal gyrus (STG), which provided corresponding neural evidence for the highest valence reported by participants for fast music. Medium music showed stronger activation than slow music in the right Heschl’s gyrus (HG), right middle temporal gyrus (MTG), right posterior cingulate cortex (PCC), right precuneus, right IPL, and left STG. Importantly, this study confirmed and explained the connection between music tempo and emotional experiences, and their interaction with individuals’ musical training.

[1]  R. Henson,et al.  Neural activity associated with episodic memory for emotional context , 2001, Neuropsychologia.

[2]  A. Sack,et al.  A causal role for inferior parietal lobule in emotion body perception , 2015, Cortex.

[3]  D. Levitin,et al.  Current Advances in the Cognitive Neuroscience of Music , 2009, Annals of the New York Academy of Sciences.

[4]  J. Westerink,et al.  Emotional and psychophysiological responses to tempo, mode, and percussiveness , 2011 .

[5]  Mingyi Qian,et al.  Revision of the State-Trait Anxiety Inventory With Sample of Chinese College Students. , 1995 .

[6]  G. Fink,et al.  Cerebral Representation of One’s Own Past: Neural Networks Involved in Autobiographical Memory , 1996, The Journal of Neuroscience.

[7]  Effect of Music Tempo on Attentional Focus and Perceived Exertion during Self-selected Paced Walking , 2016, International journal of exercise science.

[8]  R. Zatorre,et al.  Listening to musical rhythms recruits motor regions of the brain. , 2008, Cerebral cortex.

[9]  De-Zhong,et al.  Detrended Fluctuation Analysis of the Human EEG during Listening to Emotional Music , 2007 .

[10]  Kate E. Watkins,et al.  The role of the left inferior parietal lobule in second language learning: An intensive language training fMRI study , 2017, Neuropsychologia.

[11]  E. Bigand,et al.  Music, emotion, and time perception: the influence of subjective emotional valence and arousal? , 2013, Front. Psychol..

[12]  Steven Laureys,et al.  Posterior cingulate, precuneal and retrosplenial cortices: cytology and components of the neural network correlates of consciousness. , 2005, Progress in brain research.

[13]  H. Kowarzyk Structure and Function. , 1910, Nature.

[14]  K. Hevner,et al.  The affective value of pitch and tempo in music. , 1937 .

[15]  I. Peretz,et al.  Music and emotion: perceptual determinants, immediacy, and isolation after brain damage , 1998, Cognition.

[16]  L. Feldman Valence Focus and Arousal Focus: Individual Differences in the Structure of Affective Experience , 1995 .

[17]  J. Marozeau,et al.  Multidimensional scaling of emotional responses to music: The effect of musical expertise and of the duration of the excerpts , 2005 .

[18]  Joseph Schmidt,et al.  Emotion regulation and amygdala-precuneus connectivity: Focusing on attentional deployment , 2016, Cognitive, affective & behavioral neuroscience.

[19]  W. Thompson,et al.  A Cross-Cultural Investigation of the Perception of Emotion in Music: Psychophysical and Cultural Cues , 1999 .

[20]  Jennifer A. Silvers,et al.  Functional imaging studies of emotion regulation: a synthetic review and evolving model of the cognitive control of emotion , 2012, Annals of the New York Academy of Sciences.

[21]  S. Koelsch Brain correlates of music-evoked emotions , 2014, Nature Reviews Neuroscience.

[22]  Stefan Koelsch,et al.  Comparing the Processing of Music and Language Meaning Using EEG and fMRI Provides Evidence for Similar and Distinct Neural Representations , 2008, PloS one.

[23]  N. Nicolaou,et al.  Directed Motor-Auditory EEG Connectivity Is Modulated by Music Tempo , 2017, Front. Hum. Neurosci..

[24]  A. Jacobs,et al.  How music alters a kiss: superior temporal gyrus controls fusiform-amygdalar effective connectivity. , 2014, Social cognitive and affective neuroscience.

[25]  D. Poeppel,et al.  Cortical entrainment to music and its modulation by expertise , 2015, Proceedings of the National Academy of Sciences.

[26]  Esther Ziegler,et al.  Early electrophysiological correlates of meter and rhythm processing in music perception , 2009, Cortex.

[27]  Scott K. Holland,et al.  The effect of musical training on music processing: a functional magnetic resonance imaging study in humans , 2003, Neuroscience Letters.

[28]  S. Park,et al.  Musical training‐induced functional reorganization of the adult brain: Functional magnetic resonance imaging and transcranial magnetic stimulation study on amateur string players , 2004, Human brain mapping.

[29]  福田 博一 State-Trait Anxiety Inventoryによるペインクリニック外来患者の不安の評価 , 1994 .

[30]  I. Peretz,et al.  Mode and tempo relative contributions to “happy-sad” judgements in equitone melodies , 2003, Cognition & emotion.

[31]  R. Zatorre,et al.  Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion , 2001, Proceedings of the National Academy of Sciences of the United States of America.

[32]  P. Valdés-Sosa,et al.  Effectiveness of music therapy as an aid to neurorestoration of children with severe neurological disorders , 2015, Front. Neurosci..

[33]  R. Zatorre,et al.  Structure and function of auditory cortex: music and speech , 2002, Trends in Cognitive Sciences.

[34]  E. Schellenberg,et al.  Feelings and Perceptions of Happiness and Sadness Induced by Music: Similarities, Differences, and Mixed Emotions , 2010 .

[35]  W. Thompson,et al.  A Comparison of Acoustic Cues in Music and Speech for Three Dimensions of Affect , 2006 .

[36]  Angela R. Laird,et al.  Left inferior parietal lobe engagement in social cognition and language , 2016, Neuroscience & Biobehavioral Reviews.

[37]  Jouko Lampinen,et al.  Hidden sources of joy, fear, and sadness: Explicit versus implicit neural processing of musical emotions , 2016, Neuropsychologia.

[38]  Stefan Koelsch,et al.  The roles of superficial amygdala and auditory cortex in music-evoked fear and joy , 2013, NeuroImage.

[39]  W. Singer,et al.  Activation of Heschl’s Gyrus during Auditory Hallucinations , 1999, Neuron.

[40]  B Lütkenhöner,et al.  Neuromagnetic evidence for a pitch processing center in Heschl's gyrus. , 2003, Cerebral cortex.

[41]  D. Kincaid The Musical Experience , 1969 .

[42]  Josh H. McDermott,et al.  Nonhuman primates prefer slow tempos but dislike music overall , 2007, Cognition.

[43]  I. Peretz,et al.  Brain organization for music processing. , 2005, Annual review of psychology.

[44]  M. Rigg The Mood Effects of Music: A Comparison of Data from Four Investigators , 1964 .

[45]  Y. Liu,et al.  Attention Bias of Avoidant Individuals to Attachment Emotion Pictures , 2017, Scientific Reports.

[46]  Simon Rigoulot,et al.  Effects of musical expertise on oscillatory brain activity in response to emotional sounds , 2017, Neuropsychologia.

[47]  Hunter Gentry,et al.  Music genre preference and tempo alter alpha and beta waves in human non-musicians , 2013 .

[48]  W. Sato,et al.  Right hemispheric dominance in processing of unconscious negative emotion , 2006, Brain and Cognition.

[49]  De-zhong,et al.  A Study on Melody Tempo with EEG , 2009 .

[50]  Antonio Fernández-Caballero,et al.  Influence of Tempo and Rhythmic Unit in Musical Emotion Regulation , 2016, Front. Comput. Neurosci..

[51]  Yan Bao,et al.  Differences between musicians and non-musicians in neuro-affective processing of sadness and fear expressed in music , 2014, Neuroscience Letters.

[52]  Ione Fine,et al.  Population receptive field estimates of human auditory cortex , 2015, NeuroImage.

[53]  M. Buonocore,et al.  Posterior cingulate cortex activation by emotional words: fMRI evidence from a valence decision task , 2003, Human brain mapping.

[54]  Richard Rowe,et al.  Investigating the influence of music tempo on arousal and behaviour in laboratory virtual roulette , 2016 .

[55]  E. Basar,et al.  Oscillatory brain theory: a new trend in neuroscience. , 1999, IEEE engineering in medicine and biology magazine : the quarterly magazine of the Engineering in Medicine & Biology Society.

[56]  Arafat Angulo-Perkins,et al.  Music listening engages specific cortical regions within the temporal lobes: Differences between musicians and non-musicians , 2014, Cortex.

[57]  T. Ohnishi,et al.  Functional Anatomy of Musical Perception in Musicians , 2001 .

[58]  M. Scherg,et al.  Structural and functional asymmetry of lateral Heschl's gyrus reflects pitch perception preference , 2005, Nature Neuroscience.

[59]  Costas I. Karageorghis,et al.  Relationship Between Exercise Heart Rate and Music Tempo Preference , 2006, Research quarterly for exercise and sport.

[60]  Ken-ichi Tabei,et al.  Inferior Frontal Gyrus Activation Underlies the Perception of Emotions, While Precuneus Activation Underlies the Feeling of Emotions during Music Listening , 2015, Behavioural neurology.

[61]  D. Poeppel,et al.  The cortical organization of speech processing , 2007, Nature Reviews Neuroscience.

[62]  N. Kraus,et al.  Musical experience and neural efficiency – effects of training on subcortical processing of vocal expressions of emotion , 2009, The European journal of neuroscience.

[63]  A. Toga,et al.  Emotion Regulation , 2015 .

[64]  Costas I. Karageorghis,et al.  On the stability and relevance of the exercise heart rate–music-tempo preference relationship , 2014 .

[65]  P. Laukka,et al.  Impact of intended emotion intensity on cue utilization and decoding accuracy in vocal expression of emotion. , 2001, Emotion.

[66]  Mw Sliwinska,et al.  The role of the left inferior parietal lobule in reading. , 2015 .

[67]  M. Tervaniemi,et al.  A Functional MRI Study of Happy and Sad Emotions in Music with and without Lyrics , 2011, Front. Psychology.

[68]  Robert J Zatorre,et al.  Musical pleasure and reward: mechanisms and dysfunction , 2015, Annals of the New York Academy of Sciences.

[69]  Colin Humphries,et al.  Tonotopic organization of human auditory cortex , 2010, NeuroImage.

[70]  G. Rizzolatti,et al.  Parietal Lobe: From Action Organization to Intention Understanding , 2005, Science.

[71]  Daniel J Levitin,et al.  What Does It Mean to Be Musical? , 2012, Neuron.

[72]  Summer K. Rankin,et al.  Neural Substrates of Interactive Musical Improvisation: An fMRI Study of ‘Trading Fours’ in Jazz , 2014, PloS one.

[73]  Aniruddh D. Patel,et al.  Language, music, syntax and the brain , 2003, Nature Neuroscience.

[74]  Yu He,et al.  The Contribution of the Inferior Parietal Lobe to Auditory Spatial Working Memory , 2008, Journal of Cognitive Neuroscience.

[75]  Edward W. Large,et al.  Tracking simple and complex sequences , 2002, Psychological research.

[76]  Xuan Zhu,et al.  A Tempo Feature via Modulation Spectrum Analysis and its Application to Music Emotion Classification , 2006, 2006 IEEE International Conference on Multimedia and Expo.

[77]  J. Sloboda,et al.  Music and emotion: Theory and research , 2001 .

[78]  M. Bradley,et al.  Measuring emotion: the Self-Assessment Manikin and the Semantic Differential. , 1994, Journal of behavior therapy and experimental psychiatry.

[79]  Yvonne Höller,et al.  Individual brain-frequency responses to self-selected music. , 2012, International journal of psychophysiology : official journal of the International Organization of Psychophysiology.

[80]  Emmanuel Bigand,et al.  Investigation of the Effect of Mode and Tempo on Emotional Responses to Music Using EEG Power Asymmetry , 2013 .

[81]  Stefan Koelsch,et al.  Autonomic Effects of Music in Health and Crohn's Disease: The Impact of Isochronicity, Emotional Valence, and Tempo , 2015, PloS one.

[82]  A. Cavanna,et al.  The precuneus: a review of its functional anatomy and behavioural correlates. , 2006, Brain : a journal of neurology.

[83]  P. Juslin From everyday emotions to aesthetic emotions: towards a unified theory of musical emotions. , 2013, Physics of life reviews.

[84]  Hans-Jochen Heinze,et al.  Shared networks for auditory and motor processing in professional pianists: Evidence from fMRI conjunction , 2006, NeuroImage.

[85]  Byeong-Taek Lee,et al.  Brain activation during music listening in individuals with or without prior music training , 2005, Neuroscience Research.