Enhancing Audience Engagement in Performing Arts Through an Adaptive Virtual Environment with a Brain-Computer Interface
暂无分享,去创建一个
Hongsong Li | Zheng Guan | Shuo Yan | Tianyu Huang | Gangyi Ding | Yufeng Wu | Longfei Zhang | Ningxiao Sun | Hongsong Li | Y. Wu | Longfei Zhang | Tianyu Huang | Gangyi Ding | Shuo Yan | Ningxiao Sun | Zheng Guan
[1] Hasan Ayaz,et al. Assessment of Cognitive Neural Correlates for a Functional Near Infrared-Based Brain Computer Interface System , 2009, HCI.
[2] Chen Wang,et al. Sensing a live audience , 2014, CHI.
[3] Ernst Fernando Lopes Da Silva Niedermeyer,et al. Electroencephalography, basic principles, clinical applications, and related fields , 1982 .
[4] Anton Nijholt,et al. Turning Shortcomings into Challenges: Brain-Computer Interfaces for Games , 2009, INTETAIN.
[5] Pasin Israsena,et al. Real-Time EEG-Based Happiness Detection System , 2013, TheScientificWorldJournal.
[6] Steve Dixon,et al. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation , 2007 .
[7] A. Walker. Electroencephalography, Basic Principles, Clinical Applications and Related Fields , 1982 .
[8] Celine Latulipe,et al. Love, hate, arousal and engagement: exploring audience responses to performing arts , 2011, CHI.
[9] Desney S. Tan,et al. Brain-Computer Interfaces: Applying our Minds to Human-Computer Interaction , 2010 .
[10] P. Lang. The emotion probe. Studies of motivation and attention. , 1995, The American psychologist.
[11] Robert J. K. Jacob,et al. Designing a passive brain computer interface using real time classification of functional near-infrared spectroscopy , 2013, Int. J. Auton. Adapt. Commun. Syst..
[12] Hilary Glow,et al. Hidden stories : listening to the audience at the live performance , 2010 .
[13] Michelle N. Lumicao,et al. EEG correlates of task engagement and mental workload in vigilance, learning, and memory tasks. , 2007, Aviation, space, and environmental medicine.
[14] Christian Kothe,et al. Towards passive brain–computer interfaces: applying brain–computer interface technology to human–machine systems in general , 2011, Journal of neural engineering.
[15] Rob Napoli,et al. Scenic Design and Lighting Techniques: A Basic Guide for Theatre , 2006 .
[16] José del R. Millán,et al. You Are Wrong! - Automatic Detection of Interaction Errors from Brain Waves , 2005, IJCAI.
[17] H. Jasper,et al. The ten-twenty electrode system of the International Federation. The International Federation of Clinical Neurophysiology. , 1999, Electroencephalography and clinical neurophysiology. Supplement.
[18] G Pfurtscheller,et al. Current trends in Graz Brain-Computer Interface (BCI) research. , 2000, IEEE transactions on rehabilitation engineering : a publication of the IEEE Engineering in Medicine and Biology Society.
[19] J. Craig Henry,et al. Creating Coordination in the Cerebellum: Progress in Brain Research, Volume 148 , 2006, Neurology.
[20] Edward Cutrell,et al. BCI for passive input in HCI , 2007 .
[21] Juan E. Gilbert,et al. Let's learn!: enhancing user's engagement levels through passive brain-computer interfaces , 2013, CHI Extended Abstracts.
[22] Jie Liu,et al. FOCUS: enhancing children's engagement in reading by using contextual BCI training sessions , 2014, CHI.
[23] M. Teplan. FUNDAMENTALS OF EEG MEASUREMENT , 2002 .
[24] E. DeYoe,et al. A physiological correlate of the 'spotlight' of visual attention , 1999, Nature Neuroscience.
[25] Desney S. Tan,et al. Using a low-cost electroencephalograph for task classification in HCI research , 2006, UIST.
[26] Anton Nijholt,et al. Emotional brain-computer interfaces , 2009, ACII.
[27] Timothy A. Pedley,et al. Book reviewElectroencephalography. Basic principles, clinical applications, and related fields, 3rd edition: E. Niedermeyer and F. Lopes da Silva (Eds.) (Williams and Wilkins, Baltimore, MD, 1993, 1164 p., Price US $150.00) , 1994 .
[28] Bilge Mutlu,et al. Pay attention!: designing adaptive agents that monitor and improve user engagement , 2012, CHI.
[29] Anatole Lécuyer,et al. An overview of research on "passive" brain-computer interfaces for implicit human-computer interaction , 2010 .
[30] A. Pope,et al. Biocybernetic system evaluates indices of operator engagement in automated task , 1995, Biological Psychology.
[31] D. E. Glaser,et al. Towards a sensorimotor aesthetics of performing art , 2008, Consciousness and Cognition.
[32] Gabriele Troilo,et al. The drivers of hedonic consumption experience: a semiotic analysis of rock concerts , 2007 .
[33] Klaus-Robert Müller,et al. The non-invasive Berlin Brain–Computer Interface: Fast acquisition of effective performance in untrained subjects , 2007, NeuroImage.
[34] Jennifer Radbourne,et al. Audience experience : measuring quality in the performing arts , 2009 .