Psychoanalysis and Cinema: the Imaginary Signifier

PART I THE IMAGINARY SIGNIFIER The Imaginary and the 'Good Object' in the Cinema and in the Theory of the Cinema The Investigator's Imaginary Identification, Mirror The Passion for Perceiving Disavoal, Fetishism 'Theorise', he says...(Provisional Conclusion) Notes and References to Part I PART II STORY/DISCLOSURE (A NOTE ON TWO KINDS OF VOYEURISM) Notes and References to Part II PART III THE FICTION FILM AND ITS SPECTATOR: A METAPSYCHOLOGICAL STUDY Film and Dream: the Knowledge of the Subject Film and Dream: Perception and Hallucination Film and Dream: Degrees of Secondarisation Film and Phantasy The Filmic Visee Notes and References to Part III PART IV METAPHOR/METONYMY, OR THE IMAGINARY REFERENT 'Primary' Figure, 'Secondary' Figure 'Small-scale' Figures, 'Large-scale' Figures Rhetoric and Linguistics: Jakobson's Contribution Referential, Discursive Metaphor/Metonymy: a Dissymetrical Symmetry Figure and Substitution The Problem of the Word Force and Meaning Condensation From the 'Dream-work' to the 'Primary Process' 'Censorship': Barrier or Deviation? Displacement Crossings and Interweavings in Film: the Lap-dissolve as an Example of a Figuration Condensations and Displacements of the Signifier Paradigm/Syntagm in the Text of the Cure Notes and References to Part IV Index