Effects of attentional set and rhythmic complexity on attending

In a target detection task involving sustained attentional monitoring, rhythmic properties of tone sequences were found to affect detection performance (area under receiver-operating characteristic curves) and reaction times. Alternating tone frequencies (high, low) formed three different recurrent rhythms (binary, trinary, mixed) which varied in complexity. Attentional set was also manipulated so that participants attended either to tones of both frequencies (divided) or to only the higher of the two tones (selective). The most interesting finding involved an interaction between attentional set and rhythm, indicating that selective attending is enhanced by the most complex (mixed) rhythm, whereas divided attending tends to be best with the simplest rhythm (binary). Results are discussed in terms of a theory of dynamic attending, in which it is assumed that listeners actively use attending oscillators to direct attending.

[1]  R J Jagacinski,et al.  Tests of attentional flexibility in listening to polyrhythmic patterns. , 1995, Journal of experimental psychology. Human perception and performance.

[2]  From Clocks to Chaos: The Rhythms of Life , 1988 .

[3]  Mari Riess Jones,et al.  The MIDILAB music research system. , 1989 .

[4]  L. V. Noorden Temporal coherence in the perception of tone sequences , 1975 .

[5]  M. R. Jones,et al.  Some effects of rhythmic context on melody recognition. , 1984, The American journal of psychology.

[6]  D. M. Green,et al.  Signal detection theory and psychophysics , 1966 .

[7]  D A Rosenbaum,et al.  Production of polyrhythms. , 1993, Journal of experimental psychology. Human perception and performance.

[8]  H. Pashler The Psychology of Attention , 1997 .

[9]  W. Dowling,et al.  Aiming attention in pitch and time in the perception of interleaved melodies , 1987, Perception & psychophysics.

[10]  A. Kristofferson,et al.  The timing of interresponse intervals , 1973 .

[11]  Mari Riess Jones,et al.  Sensitivity to event timing in regular and irregular sequences: Influences of musical skill , 1994, Perception & psychophysics.

[12]  T. Marill Detection theory and psychophysics , 1956 .

[13]  Mari Riess Jones,et al.  Learning and the development of expectancies: An interactionist approach. , 1990 .

[14]  M. R. Jones,et al.  Time, our lost dimension: toward a new theory of perception, attention, and memory. , 1976, Psychological review.

[15]  M. Peters,et al.  Coordination of the two hands and effects of attentional manipulation in the production of a bimanual 2:3 polyrhythm , 1989 .

[16]  C J Darwin,et al.  Duration discrimination in a series of rhythmic events , 1982, Perception & psychophysics.

[17]  P R Killeen,et al.  Optimal timing and the Weber function. , 1987, Psychological review.

[18]  M. Jones,et al.  Attending to auditory events: The role of temporal organization. , 1993 .

[19]  A. Kristofferson,et al.  Response delays and the timing of discrete motor responses , 1973 .

[20]  D Deutsch,et al.  The generation of two isochronous sequences in parallel , 1983, Perception & psychophysics.

[21]  Neil A. Macmillan,et al.  Detection Theory: A User's Guide , 1991 .

[22]  M R Jones,et al.  Controlled attending as a function of melodic and temporal context , 1982, Perception & psychophysics.

[23]  R J Jagacinski,et al.  On marching to two different drummers: perceptual aspects of the difficulties. , 1985, Journal of experimental psychology. Human perception and performance.

[24]  William G. Cochran,et al.  Experimental Designs, 2nd Edition , 1950 .

[25]  J. A. S. Kelso,et al.  Order in Time: How the Cooperation Between the Hands Informs the Design of the Brain , 1988 .

[26]  Dirk-Jan Povel Internal representation of simple temporal patterns. , 1981 .

[27]  Jeffery J. Summers,et al.  Chapter 23 Temporal Constraints on Concurrent Task Performance , 1990 .

[28]  Mari Riess Jones,et al.  The Midilab Research System , 1989 .

[29]  D J Povel,et al.  Internal representation of simple temporal patterns. , 1981, Journal of experimental psychology. Human perception and performance.

[30]  I J Hirsh,et al.  Studies in auditory timing: 2. Rhythm patterns , 1990, Perception & psychophysics.

[31]  R. Parncutt A Perceptual Model of Pulse Salience and Metrical Accent in Musical Rhythms , 1994 .

[32]  Peter Essens,et al.  Perception of Temporal Patterns , 1985 .

[33]  C. Drake,et al.  Tempo sensitivity in auditory sequences: Evidence for a multiple-look model , 1993, Perception & psychophysics.

[34]  S. T. Klapp,et al.  Doing two things at once: The role of temporal compatibility , 1979 .

[35]  C. L. M. The Psychology of Attention , 1890, Nature.

[36]  M. R. Jones,et al.  Dynamic attending and responses to time. , 1989, Psychological review.

[37]  Alfred B. Kristofferson A real-time criterion theory of duration discrimination , 1977 .

[38]  P. Fraisse Perception and estimation of time. , 1984, Annual review of psychology.

[39]  R J Jagacinski,et al.  Tests of parallel versus integrated structure in polyrhythmic tapping. , 1988, Journal of motor behavior.