暂无分享,去创建一个
[1] Roy Shuker. Popular Music: The Key Concepts , 2002 .
[2] Oriol Nieto,et al. Systematic Exploration of Computational Music Structure Research , 2016, ISMIR.
[3] David W. Aha,et al. Instance-Based Learning Algorithms , 1991, Machine Learning.
[4] Bruce Boyd Raeburn. New Orleans Style and the Writing of American Jazz History , 2009 .
[5] Sebastian Chan. MUSIC(OLOGY) NEEDS A CONTEXT - Re-interpreting Goa Trance , 2015 .
[6] T. Taylor. Strange Sounds: Music, Technology and Culture , 2001 .
[7] Robert F. Darden. People Get Ready! A New History of Black Gospel Music , 2004 .
[8] Michal Kosinski,et al. The Song Remains the Same: A Replication and Extension of the MUSIC Model. , 2012, Music perception.
[9] Gaëtan Hadjeres,et al. Deep Learning Techniques for Music Generation - A Survey , 2017, ArXiv.
[10] John Rudolph Covach,et al. What's That Sound?: An Introduction to Rock and Its History , 2006 .
[11] Vittorio Loreto,et al. Significance and popularity in music production , 2017, Royal Society Open Science.
[12] Noah Askin,et al. What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music , 2017 .
[13] J. Stephen Downie,et al. K-Pop Genres: A Cross-Cultural Exploration , 2013, ISMIR.
[14] E. Quintane,et al. Embeddedness and the Production of Novelty in Music: A Multi-Dimensional Perspective , 2017, Academy of Management Proceedings.
[15] Jennifer C. Lena,et al. Classification as Culture: Types and Trajectories of Music Genres , 2008 .
[16] Matthias Mauch,et al. The Minor fall, the Major lift: inferring emotional valence of musical chords through lyrics , 2015, Royal Society Open Science.
[17] Michael Fell,et al. Lyrics-based Analysis and Classification of Music , 2014, COLING.
[18] Michal Kosinski,et al. The Song Is You , 2016 .
[19] Keith Negus,et al. Music Genres and Corporate Cultures , 1999 .