Finding the optimum training solution for Byzantine music recognition — A Max/Msp approach
暂无分享,去创建一个
[1] T. K. Vintsyuk. Speech discrimination by dynamic programming , 1968 .
[2] Harry F. Olson,et al. Phonetic typewriter , 1957 .
[3] H Hermansky,et al. Perceptual linear predictive (PLP) analysis of speech. , 1990, The Journal of the Acoustical Society of America.
[4] Norbert Schnell,et al. Wireless sensor interface and gesture-follower for music pedagogy , 2007, NIME '07.
[5] Barry Vercoe,et al. Folk Music Classification Using Hidden Markov Models , 2001 .
[6] C. D. Forgie,et al. Automatic Recognition of Spoken Digits , 1958 .
[7] K. Davis,et al. Automatic Recognition of Spoken Digits , 1952 .
[8] Richard F. Lyon,et al. An analog electronic cochlea , 1988, IEEE Trans. Acoust. Speech Signal Process..
[9] Hynek Hermansky,et al. RASTA processing of speech , 1994, IEEE Trans. Speech Audio Process..
[10] Biing-Hwang Juang,et al. Fundamentals of speech recognition , 1993, Prentice Hall signal processing series.
[11] Mikhail Malt,et al. Zsa . Descriptors : a library for real-time descriptors analysis , 2008 .
[12] M. Picheny,et al. Comparison of Parametric Representation for Monosyllabic Word Recognition in Continuously Spoken Sentences , 2017 .
[13] Sotiris Manitsaris,et al. Finger musical gesture recognition in 3D space without any tangible instrument for performing arts , 2015, Int. J. Arts Technol..
[14] G. W. Hughes,et al. Minimum Prediction Residual Principle Applied to Speech Recognition , 1975 .