Criteria and tools for objectively analysing the vocal accuracy of a popular song
暂无分享,去创建一个
[1] C. Buss,et al. Children's Brain Development Benefits from Longer Gestation , 2011, Front. Psychology.
[2] J. Devin McAuley,et al. On the prevalence of congenital amusia , 2010 .
[3] Kathryn Barnes-Burroughs,et al. Potential factors related to untrained singing talent: a survey of singing pedagogues. , 2003, Journal of voice : official journal of the Voice Foundation.
[4] Ingo R Titze,et al. Comparison of the produced and perceived voice range profiles in untrained and trained classical singers. , 2006, Journal of voice : official journal of the Voice Foundation.
[5] John A. Sloboda,et al. Establishing an empirical profile of self-defined “tone deafness”: Perception, singing performance and self-assessment , 2008 .
[6] J. Sundberg,et al. The Science of Singing Voice , 1987 .
[7] G. Welch. Singing as Communication , 2005 .
[8] Michel Belyk,et al. Imprecise singing is widespread. , 2010, The Journal of the Acoustical Society of America.
[9] Allan Vurma,et al. Production and Perception of Musical Intervals , 2006 .
[10] Johan Sundberg,et al. When does a sung tone start? , 2007, Journal of voice : official journal of the Voice Foundation.
[11] Isabelle Peretz,et al. A frog in your throat or in your ear? Searching for the causes of poor singing. , 2012, Journal of experimental psychology. General.
[12] H. Bush,et al. Perceptual findings on the broadway belt voice. , 2010, Journal of voice : official journal of the Voice Foundation.
[13] Kathryn Barnes-Burroughs,et al. Pitch matching accuracy of trained singers, untrained subjects with talented singing voices, and untrained subjects with nontalented singing voices in conditions of varying feedback. , 2003, Journal of voice : official journal of the Voice Foundation.
[14] D. Cabrera,et al. The acoustic characteristics of professional opera singers performing in chorus versus solo mode. , 2007, Journal of voice : official journal of the Voice Foundation.
[15] D. Howard,et al. Intonation drift in a capella soprano, alto, tenor, bass quartet singing with key modulation. , 2007, Journal of voice : official journal of the Voice Foundation.
[16] Graham F. Welch,et al. Poor Pitch Singing: A Review of the Literature , 1979 .
[17] J. Sundberg. Perceptual aspects of singing. , 1994, Journal of voice : official journal of the Voice Foundation.
[18] Paul Boersma,et al. Praat: doing phonetics by computer , 2003 .
[19] Thomas Murry,et al. Pitch-matching accuracy in singers and nonsingers , 1990 .
[20] Jakub S. Sowinski,et al. Disorders of Pitch Production in Tone Deafness , 2011, Front. Psychology.
[21] N. Kraus,et al. Music training for the development of auditory skills , 2010, Nature Reviews Neuroscience.
[22] Isabelle Peretz,et al. Singing proficiency in the general population. , 2007, The Journal of the Acoustical Society of America.
[23] Liat Kishon-Rabin,et al. The effect of superior auditory skills on vocal accuracy. , 2003, The Journal of the Acoustical Society of America.
[24] S. Dalla Bella,et al. Singing Proficiency in the Majority , 2009, Annals of the New York Academy of Sciences.
[25] Masaru Mimura,et al. Impaired pitch production and preserved rhythm production in a right brain-damaged patient with amusia , 2004, Brain and Cognition.
[26] Anne Petiau. A “Musical Communication” , 2004 .
[27] Paul Boersma,et al. Praat, a system for doing phonetics by computer , 2002 .
[28] A. Chun. On the brain , 2007 .
[29] Simone Dalla Bella,et al. Reducing Linguistic Information Enhances Singing Proficiency in Occasional Singers , 2009, Annals of the New York Academy of Sciences.
[30] Noam Amir,et al. Evaluating the influence of warmup on singing voice quality using acoustic measures. , 2005, Journal of voice : official journal of the Voice Foundation.
[31] J. Sundberg. The perception of singing. , 1999 .
[32] J I Shonle,et al. The pitch of vibrato tones. , 1980, The Journal of the Acoustical Society of America.
[33] E. Bedel. Relationship between , 2009 .
[34] D. Howard. Equal or non-equal temperament in a capella SATB singing , 2007, Logopedics, phoniatrics, vocology.
[35] Peter Q. Pfordresher,et al. POOR-PITCH SINGING IN THE ABSENCE OF "TONE DEAFNESS" , 2007 .
[36] Barbara M Wilson Arboleda,et al. Considerations for maintenance of postural alignment for voice production. , 2008, Journal of voice : official journal of the Voice Foundation.
[37] R. Zatorre,et al. When the brain plays music: auditory–motor interactions in music perception and production , 2007, Nature Reviews Neuroscience.
[38] Robert E. Moore,et al. The relationship between vocal pitch-matching skills and pitch discrimination skills in untrained accurate and inaccurate singers. , 2005, Journal of voice : official journal of the Voice Foundation.
[39] Jude Brereton,et al. Range of tuning for tones with and without vibrato , 2008 .
[40] W. S. Brown,et al. Effects of vocal training on the acoustic parameters of the singing voice. , 2003, Journal of voice : official journal of the Voice Foundation.
[41] W. S. Brown,et al. Perceptual and acoustic study of professionally trained versus untrained voices. , 2000, Journal of voice : official journal of the Voice Foundation.
[42] D. Howard,et al. Effects of Carrier and Phase on the Pitch of Long-Duration Vibrato Tones1 , 2009 .