The Routledge Companion to Sounding Art
暂无分享,去创建一个
[1] Denis Smalley,et al. Spectro-morphology and Structuring Processes , 1986 .
[2] Trevor Wishart,et al. On Sonic Art , 1996 .
[3] F. Bayle. Image-of-sound, or i-sound: Metaphor/metaform , 1989 .
[4] A. Bregman. Auditory Scene Analysis , 2008 .
[5] B. Truax. Acoustic Communication , 1985 .
[6] Katharine Norman. Sounding Art: Eight Literary Excursions through Electronic Music , 2004 .
[7] R. M. Schafer,et al. The Soundscape: Our Sonic Environment and the Tuning of the World , 1993 .
[8] Barry Truax,et al. Genres and techniques of soundscape composition as developed at Simon Fraser University , 2002, Organised Sound.
[9] Barry Truax,et al. Real-Time Granular Synthesis with a Digital Signal Processor , 1988 .
[10] Leigh Landy,et al. Understanding the Art of Sound Organization , 2007 .
[11] Denis Smalley,et al. Spectromorphology: explaining sound-shapes , 1997, Organised Sound.
[12] Leigh Landy. The “something to hold on to factor” in timbral composition , 1994 .
[13] Denis Smalley,et al. Space-form and the acousmatic image , 2007, Organised Sound.
[14] Seth Kim-Cohen,et al. In the blink of an ear : towards a non-cochlear sonic art , 2009 .
[15] Salomé Voegelin,et al. Editorial: Historical continuum, mimetic fissures , 2015 .
[16] Pierre Schaeffer,et al. Traité des objets musicaux : essai interdisciplines , 1966 .
[17] Simon Emmerson,et al. The Relation of Language to Materials , 1986 .