Embodied time (-) changing our mind
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Intermedia art places attention on the sensorial and conceptual processes between media that orient themselves according to their context. The process can be compared to events occurring naturally in the brain in response to stimuli. Historical precedents for such event-related potential in art and technology extend from the ‘noise-makers’ of Futurism and Dada and the ‘readymade’ conceptual art and ‘gap’ music of Marcel Duchamps in the early 20th century to process art and Happenings of the ‘70s; each phase embodying a response to the stimuli of its contemporary philosophical and scientific developments.
[1] B. Libet,et al. Readiness-potentials preceding unrestricted 'spontaneous' vs. pre-planned voluntary acts. , 1982, Electroencephalography and clinical neurophysiology.
[2] D. Friedman,et al. The novelty P3: an event-related brain potential (ERP) sign of the brain's evaluation of novelty , 2001, Neuroscience & Biobehavioral Reviews.