Materiality and Emotions in Making
暂无分享,去创建一个
Pirita Seitamaa-Hakkarainen | Maarit Mäkelä | Tarja-Kaarina Laamanen | P. Seitamaa-Hakkarainen | M. Mäkelä | Jemiina Viitala | Tarja-Kaarina Laamanen | Jemiina Viitala
[1] Anna Ekström,et al. Instructional work in textile craft : Studies of interaction, embodiment and the making of objects , 2012 .
[2] Harry T. Reis,et al. Event-sampling and other methods for studying everyday experience. , 2000 .
[3] Mark Evans,et al. A Review of Digital Industrial and Product Design Methods in UK Higher Education , 2011 .
[4] Pirita Seitamaa-Hakkarainen,et al. Composition and construction in experts' and novices' weaving design , 2001 .
[5] Maarit Mäkelä,et al. Designing platform for exploring and reflecting on creative process , 2012 .
[6] N. Bolger,et al. Diary methods: capturing life as it is lived. , 2003, Annual review of psychology.
[7] Ö. Akin. Psychology of architectural design , 1986 .
[8] Lisa Feldman Barrett,et al. Idiographic personality: The theory and practice of experience sampling. , 2007 .
[9] L. Ball. Applying ethnography in the analysis and support of expertise in engineering design , 2000 .
[10] C. Dorst. Design research: a revolution-waiting-to-happen☆ , 2008 .
[11] Maarit Mäkelä,et al. Crafting narratives: Using historical context as a reflective tool , 2011 .
[12] Ben Jonson,et al. Design ideation: the conceptual sketch in the digital age , 2005 .
[13] Willemien Visser,et al. The Cognitive Artifacts of Designing , 2006 .
[14] A. D. Ritchie. The Creative Mind , 1946, Nature.
[15] Tuuli Mattelmäki,et al. Mobile probes , 2004, NordiCHI '04.
[16] M. Csíkszentmihályi. Finding Flow: The Psychology of Engagement with Everyday Life , 1997 .
[17] H. Simon,et al. Protocol Analysis: Verbal Reports as Data , 1986 .
[18] A. Hunter,et al. Foundations of multimethod research : synthesizing styles , 2006 .
[19] S. Shiffman,et al. Capturing momentary, self-report data: A proposal for reporting guidelines , 2002, Annals of behavioral medicine : a publication of the Society of Behavioral Medicine.
[20] Donald A. Schön,et al. The Reflective Practitioner: How Professionals Think in Action. , 1987 .
[21] Owain Pedgley,et al. Capturing and analysing own design activity , 2007 .
[22] M. Csíkszentmihályi. Creativity: Flow and the Psychology of Discovery and Invention , 1996 .
[23] Turkka Keinonen. The Art of Research. Research Practices in Art and Design , 2006 .
[24] Krina Patel,et al. Thinkers in the kitchen: Embodied thinking and learning in practice , 2008 .
[25] V. Goel. Sketches of thought , 1995 .
[26] Martyn Evans,et al. Physicality in Design: An Exploration , 2010 .
[27] M. Csíkszentmihályi. Flow: The Classic Work on How to Achieve Happiness , 2002 .
[28] M. Csíkszentmihályi,et al. Validity and Reliability of the Experience‐Sampling Method , 1987, The Journal of nervous and mental disease.
[29] J. Whyte,et al. Knowledge Practices in Design: The Role of Visual Representations as `Epistemic Objects' , 2009 .
[30] Maarit Mäkelä. Saveen piirtyviä muistoja , 2004 .
[31] Maarit Mäkelä,et al. REFLECTION AND DOCUMENTATION IN PRACTICE-LED DESIGN RESEARCH , 2011 .
[32] H. Marsh,et al. Development and Validation of a Scale to Measure Optimal Experience: The Flow State Scale , 1996 .
[33] D. Schoen,et al. The Reflective Practitioner: How Professionals Think in Action , 1985 .
[34] Maarit Mäkelä,et al. Knowing Through Making: The Role of the Artefact in Practice-led Research , 2007 .
[35] Saul Shiffman,et al. Real-time self-report of momentary states in the natural environment: Computerized ecological momentary assessment. , 2000 .
[36] M. Polanyi,et al. Knowing and being : essays , 1969 .
[37] Marlene Johansson,et al. Transforming physical materials into artefacts – learning in the school’s practice of Sloyd , 2012 .
[38] Charles M. Keller,et al. Imagery in cultural tradition and innovation , 1999 .
[39] M. Csíkszentmihályi,et al. Experience Sampling Method: Measuring the Quality of Everyday Life , 2006 .
[40] DRAFT OF VISUALIZATION AND SKETCHING IN DESIGN PROCESS , 2010 .
[41] Pieter Jan Stappers,et al. Collections designers keep: Collecting visual material for inspiration and reference , 2006 .
[42] Mikko Inkinen,et al. CASS-methods and tools for investigating higher education knowledge practices , 2008, ICLS.
[43] Helen Sharp,et al. Complexity through combination: an account of knitwear design , 2006 .
[44] N. Cross. Designerly ways of knowing , 2006 .
[45] N. Nimkulrat. Paperness : expressive material in textile art from an artist's viewpoint , 2009 .
[46] Nithikul Nimkulrat,et al. Hands-on intellect: integrating craft practice into design research , 2012 .
[47] Lars Lindström,et al. Creativity: What Is It? Can You Assess It? Can It Be Taught?. , 2006 .