Decoding auditory attention to instruments in polyphonic music using single-trial EEG classification
暂无分享,去创建一个
M S Treder | B Blankertz | B. Blankertz | M. Treder | D. Miklody | I. Sturm | H. Purwins | H Purwins | D Miklody | I Sturm
[1] N. Birbaumer,et al. An auditory oddball (P300) spelling system for brain-computer interfaces. , 2009, Psychophysiology.
[2] J. Friedman. Regularized Discriminant Analysis , 1989 .
[3] Ken Sharman,et al. On Harnessing the Electroencephalogram for the Musical Braincap , 2003, Computer Music Journal.
[4] Tim R. Mullen,et al. Minding the (Transatlantic) Gap: An Internet-Enabled Acoustic Brain-Computer Music Interface , 2011, NIME.
[5] Jason Farquhar,et al. Name that tune: Decoding music from the listening brain , 2011, NeuroImage.
[6] Olivier Ledoit,et al. A well-conditioned estimator for large-dimensional covariance matrices , 2004 .
[7] A. Kübler,et al. A Brain–Computer Interface Controlled Auditory Event‐Related Potential (P300) Spelling System for Locked‐In Patients , 2009, Annals of the New York Academy of Sciences.
[8] Tapani Ristaniemi,et al. Linking Brain Responses to Naturalistic Music Through Analysis of Ongoing EEG and Stimulus Features , 2013, IEEE Transactions on Multimedia.
[9] Kai Puolamäki,et al. Sound sample detection and numerosity estimation using auditory display , 2013, TAP.
[10] Eduardo Reck Miranda,et al. Interfacing the Brain Directly with Musical Systems: On Developing Systems for Making Music with Brain Signals , 2005, Leonardo.
[11] B. Blankertz,et al. A New Auditory Multi-Class Brain-Computer Interface Paradigm: Spatial Hearing as an Informative Cue , 2010, PloS one.
[12] B. Blankertz,et al. (C)overt attention and visual speller design in an ERP-based brain-computer interface , 2010, Behavioral and Brain Functions.
[13] I. Peretz,et al. Singing in the Brain: Independence of Lyrics and Tunes , 1998 .
[14] B. Schölkopf,et al. An online brain-computer interface based on shifting attention to concurrent streams of auditory stimuli. , 2012, Journal of neural engineering.
[15] Michael Tangermann,et al. No surprise - fixed sequence event-related potentials for brain-computer interfaces , 2012, 2012 Annual International Conference of the IEEE Engineering in Medicine and Biology Society.
[16] M S Treder,et al. Gaze-independent brain–computer interfaces based on covert attention and feature attention , 2011, Journal of neural engineering.
[17] N. Squires,et al. Two varieties of long-latency positive waves evoked by unpredictable auditory stimuli in man. , 1975, Electroencephalography and clinical neurophysiology.
[18] Nicole Krämer,et al. Time Domain Parameters as a feature for EEG-based Brain-Computer Interfaces , 2009, Neural Networks.
[19] J. Wolpaw,et al. Does the ‘P300’ speller depend on eye gaze? , 2010, Journal of neural engineering.
[20] L. R. Quitadamo,et al. Which Physiological Components are More Suitable for Visual ERP Based Brain–Computer Interface? A Preliminary MEG/EEG Study , 2010, Brain Topography.
[21] Scott Makeig,et al. First Demonstration of a Musical Emotion BCI , 2011, ACII.
[22] D. Levitin,et al. The neurochemistry of music , 2013, Trends in Cognitive Sciences.
[23] Matthias S Treder. Special section on gaze-independent brain-computer interfaces. , 2012, Journal of neural engineering.
[24] I. A. Basyul,et al. N1 wave in the P300 BCI is not sensitive to the physical characteristics of stimuli. , 2009, Journal of integrative neuroscience.
[25] Jason Farquhar,et al. Shared processing of perception and imagery of music in decomposed EEG , 2013, NeuroImage.
[26] Albert S. Bregman,et al. The Auditory Scene. (Book Reviews: Auditory Scene Analysis. The Perceptual Organization of Sound.) , 1990 .
[27] Cynthia Fraser,et al. Music to Your Brain: Background Music Changes Are Processed First, Reducing Ad Message Recall , 2013 .
[28] Emanuel Donchin,et al. Definition, Identification, and Reliability of Measurement of the P300 Component of the Event-Related Brain Potential , 1987 .
[29] Michael Tangermann,et al. Listen, You are Writing! Speeding up Online Spelling with a Dynamic Auditory BCI , 2011, Front. Neurosci..
[30] Shangkai Gao,et al. An Auditory Brain–Computer Interface Using Active Mental Response , 2010, IEEE Transactions on Neural Systems and Rehabilitation Engineering.
[31] William J Tyler,et al. A quantitative overview of biophysical forces impinging on neural function , 2013, Physical biology.
[32] Stefan Haufe,et al. Single-trial analysis and classification of ERP components — A tutorial , 2011, NeuroImage.
[33] F. Cincotti,et al. Eye-gaze independent EEG-based brain–computer interfaces for communication , 2012, Journal of neural engineering.
[34] E. Donchin,et al. Do Re Mi Fa Sol La Ti——Constraints, Congruity, and Musical Training: An Event-Related Brain Potentials Study of Musical Expectancies , 2002 .
[35] Bernhard Schölkopf,et al. Selective Attention to Auditory Stimuli: A Brain-Computer Interface Paradigm , 2004 .
[36] Michael Tangermann,et al. Natural stimuli improve auditory BCIs with respect to ergonomics and performance. , 2012, Journal of neural engineering.
[37] R. Schaefer,et al. Music perception and imagery in EEG: alpha band effects of task and stimulus. , 2011, International journal of psychophysiology : official journal of the International Organization of Psychophysiology.
[38] Benjamin Blankertz,et al. A Novel 9-Class Auditory ERP Paradigm Driving a Predictive Text Entry System , 2011, Front. Neurosci..