Is There a South Syrian Style of Ivory Carving in the Early First Millennium B.C.?

The major assemblages of ivory carving preserved from the first millennium B.C. have generally been divided into two groups, Phoenician and North Syrian, and the classic characteristics of these groups are by now quite well established. However, if one defines Phoenicia as corresponding more or less to the coastal strip west of the Lebanon mountains, from the Carmel to Byblos, with the chief cities in antiquity as Tyre, Sidon, Arka, Arwad, Sarafand and Gebeil, and possibly including the Beka'a Valley and the Anti-Lebanon but certainly not further east; and if one defines North Syria as comprising the city states north of the Orontes Valley and south of the Taurus, from the Habur to the Amanus, including Gozan, Bit-Adini, Carchemish, Kummuh, Maraş, Sam'al, Arpad, Patina/Unqi and possibly Hamath; then it will be noted that the territory occupied by these two regions in no way encompasses the entire Syro-Palestinian Levant. Notably absent is the area of the powerful kingdom of Aram, whose capital was at Damascus, as well as the kingdom of Israel, with its seat at Samaria—both of which geographical and political units figured prominently in the southern coalition of states met by Shalmaneser III of Assyria in 853 B.C. and in subsequent Assyrian campaigns to the West.