“The condition of music”: Modernism and Music in the New Twentieth Century

[1]  M. Heim,et al.  The Czech Avant-Garde Literary Movement Bettwen the World Wars , 2015 .

[2]  E. Wittman,et al.  Modernism and autobiography , 2014 .

[3]  T. Sandqvist.  The Sacred Cause , 2013 .

[4]  Anne Reverseau,et al.  The aesthetics of matter : modernism, the avant-garde and material exchange , 2013 .

[5]  J. Greenberg.  Modernism, Satire and the Novel , 2011 .

[6]  A. Parkes.  A Sense of Shock , 2011 .

[7]  W. F. Brundage.  Beyond Blackface: African Americans and the Creation of American Popular Culture, 1890-1930 , 2011 .

[8]  J. McDonnell.  Katherine Mansfield and the Modernist Marketplace , 2010 .

[9]  P. Collier,et al.  Transatlantic print culture, 1880-1940 : emerging media, emerging modernisms , 2008 .

[10]  B. Randall.  Modernism, Daily Time and Everyday Life by Bryony Randall , 2007 .

[11]  M. V. Moses,et al.  Modernism and Colonialism: British and Irish Literature, 1899–1939 , 2007 .

[12]  Gary Edward Holcomb.  Claude McKay, Code Name Sasha , 2007 .

[13]  M. Wood,et al.  Nation, Language, and the Ethics of Translation , 2005 .

[14]  Julia A. Walker.  Expressionism and Modernism in the American Theatre: List of illustrations , 2005 .

[15]  Cassandra Laity,et al.  Gender, Desire, and Sexuality in T. S. Eliot: Index , 2004 .

[16]  Udo Bermbach.  Der Wahn des Gesamtkunstwerks , 2004 .

[17]  B. Schwarz.  West Indian intellectuals in Britain , 2003 .

[18]  L. Williams.  Modernism and the Ideology of History: Index , 2002 .

[19]  C. Oja.  Making Music Modern , 2000 .

[20]  D. Attridge.  Joyce Effects: Contents , 2000 .

[21]  Douglas Kahn,et al.  Noise, Water, Meat: A History of Voice, Sound, and Aurality in the Arts , 1999 .

[22]  M. Perloff,et al.  Wittgenstein's Ladder: Poetic Language and the Strangeness of the Ordinary. , 1997 .

[23]  William R. Everdell.  The first moderns : profiles in the origins of twentieth-century thought , 1997 .

[24]  Warren L. Chernaik,et al.  Modernist Writers and the Marketplace. , 1996 .

[25]  Cassandra Laity.  H.D. and the Victorian Fin de Siècle: The Femme Fatale , 1996 .

[26]  Farah Jasmine Griffin,et al.  Who Set You Flowin , 1995 .

[27]  C. Oja.  Gershwin and American Modernists of the 1920s , 1994 .

[28]  Glenn Watkins.  Pyramids at the Louvre : music, culture, and collage from Stravinsky to the postmodernists , 1994 .

[29]  Chiara Ferrari,et al.  Avant-Garde Florence: From Modernism to Fascism , 1993 .

[30]  Kimberley J. Devlin.  Wandering and return in Finnegans wake : an integrative approach to Joyce's fictions , 1991 .

[31]  Dennis G. Brown.  Intertextual Dynamics within the Literary Group — Joyce, Lewis, Pound and Eliot , 1991 .

[32]  M. Manganaro.  Modernist Anthropology: From Fieldwork to Text , 1990 .

[33]  P. Nicholls.  Ezra Pound: Politics, economics, and writing : a study of The cantos , 1984 .

[34]  W. Homer.  Alfred Stieglitz and the American avant-garde , 1977 .

[35]  F. Alquié.  Entretiens sur le Surréalisme , 1968 .

[36]  Charles Keil,et al.  Motion and Feeling through Music , 1966 .

[37]  K. Weill,et al.  "Gestus" in Music , 1961 .