My friends also prefer diverse music: homophily and link prediction with user preferences for mainstream, novelty, and diversity in music

Homophily describes the phenomenon that similarity breeds connection, i.e., individuals tend to form ties with other people who are similar to themselves in some aspect(s). The similarity in music taste can undoubtedly influence who we make friends with and shape our social circles. In this paper, we study homophily in an online music platform Last.fm regarding user preferences towards listening to mainstream (M), novel (N), or diverse (D) content. Furthermore, we draw comparisons with homophily based on listening profiles derived from artists users have listened to in the past, i.e., artist profiles. Finally, we explore the utility of users' artist profiles as well as features describing M, N, and D for the task of link prediction. Our study reveals that: (i) users with a friendship connection share similar music taste based on their artist profiles; (ii) on average, a measure of how diverse is the music two users listen to is a stronger predictor of friendship than measures of their preferences towards mainstream or novel content, i.e., homophily is stronger for D than for M and N; (iii) some user groups such as high-novelty-seekers (explorers) exhibit strong homophily, but lower than average artist profile similarity; (iv) using M, N and D achieves comparable results on link prediction accuracy compared with using artist profiles, but the combination of features yields the best accuracy results, and (v) using combined features does not add value if graph-based features such as common neighbors are available, making M, N, and D features primarily useful in a cold-start user recommendation setting for users with few friendship connections. The insights from this study will inform future work on social context-aware music recommendation, user modeling, and link prediction.

[1]  Per Block,et al.  Multidimensional homophily in friendship networks* , 2014, Network Science.

[2]  P. Alam,et al.  R , 1823, The Herodotus Encyclopedia.

[3]  Markus Schedl,et al.  Tailoring Music Recommendations to Users by Considering Diversity, Mainstreaminess, and Novelty , 2015, SIGIR.

[4]  E. Todeva Networks , 2007 .

[5]  Dominik Kowald,et al.  Trust-based collaborative filtering: tackling the cold start problem using regular equivalence , 2018, RecSys.

[6]  Kristina Lerman,et al.  The Simple Rules of Social Contagion , 2013, Scientific Reports.

[7]  Nitesh V. Chawla,et al.  Evaluating link prediction methods , 2014, Knowledge and Information Systems.

[8]  Christine Bauer,et al.  Distance- and Rank-based Music Mainstreaminess Measurement , 2017, UMAP.

[9]  Xiaowei Xu,et al.  Does Similarity Breed Connection? - An Investigation in Blogcatalog and Last.fm Communities , 2010, 2010 IEEE Second International Conference on Social Computing.

[10]  Markus Schedl,et al.  The LFM-1b Dataset for Music Retrieval and Recommendation , 2016, ICMR.

[11]  G. G. Stokes "J." , 1890, The New Yale Book of Quotations.

[12]  Giulio Rossetti,et al.  "Know Thyself" How Personal Music Tastes Shape the Last.Fm Online Social Network , 2019, FM Workshops.

[13]  M. Newman,et al.  Mixing patterns in networks. , 2002, Physical review. E, Statistical, nonlinear, and soft matter physics.

[14]  W. Marsden I and J , 2012 .

[15]  Christine Bauer,et al.  Global and country-specific mainstreaminess measures: Definitions, analysis, and usage for improving personalized music recommendation systems , 2019, PloS one.

[16]  P. Lazarsfeld,et al.  Friendship as Social process: a substantive and methodological analysis , 1964 .

[17]  Rossano Schifanella,et al.  Friendship prediction and homophily in social media , 2012, TWEB.

[18]  Markus Schedl,et al.  Retrieving Relevant and Diverse Movie Clips Using the MFVCD-7K Multifaceted Video Clip Dataset , 2019, 2019 International Conference on Content-Based Multimedia Indexing (CBMI).

[19]  Tianqi Chen,et al.  XGBoost: A Scalable Tree Boosting System , 2016, KDD.

[20]  Bruce Ferwerda,et al.  Large-Scale Analysis of Group-Specific Music Genre Taste from Collaborative Tags , 2017, 2017 IEEE International Symposium on Multimedia (ISM).

[21]  S. Branje,et al.  The role of music preferences in early adolescents' friendship formation and stability. , 2009, Journal of adolescence.

[22]  Ana de Almeida,et al.  Nonnegative Matrix Factorization , 2018 .

[23]  Kerstin Bischoff,et al.  We love rock 'n' roll: analyzing and predicting friendship links in Last.fm , 2012, WebSci '12.

[24]  Charu C. Aggarwal,et al.  Data Mining: The Textbook , 2015 .

[25]  Aaas News,et al.  Book Reviews , 1893, Buffalo Medical and Surgical Journal.

[26]  P. Alam ‘T’ , 2021, Composites Engineering: An A–Z Guide.

[27]  Ichiro Fujinaga,et al.  Automatic Music Recommendation Systems: Do Demographic, Profiling, and Contextual Features Improve Their Performance? , 2016, ISMIR.

[28]  Dominik Kowald,et al.  Support the underground: characteristics of beyond-mainstream music listeners , 2021, EPJ Data Science.

[29]  H. Tajfel Differentiation between social groups: Studies in the social psychology of intergroup relations. , 1978 .

[30]  D. Zillmann,et al.  Effects of Associating with Musical Genres on Heterosexual Attraction , 1989 .

[31]  Janmenjoy Nayak,et al.  Follower Link Prediction Using the XGBoost Classification Model with Multiple Graph Features , 2021, Wireless personal communications.

[32]  Mark E. J. Newman,et al.  The Structure and Function of Complex Networks , 2003, SIAM Rev..

[33]  Chris Arney,et al.  Networks, Crowds, and Markets: Reasoning about a Highly Connected World (Easley, D. and Kleinberg, J.; 2010) [Book Review] , 2013, IEEE Technology and Society Magazine.

[34]  Ke Xu,et al.  Homophily of Music Listening in Online Social Networks , 2017, Soc. Networks.