Documenting an Encounter between art-film and multimodality informed by the production of digital moving images.

The aim of this project is twofolded, firstly to develop a method to observe social practices within the context of the gallery informed by the field of multimodality and arts-research, and secondly to develop a theoretical framework as a variation on the Kineikonic Mode to analyse how meaning emerges when ‘documenting an encounter’ on the example of Tacita Dean’s FILM using digital moving image media.