Aesthetics and Ethics in Anna Jameson’s Characteristics of Women

[1]  S. Avery-Quash.  Illuminating the Old Masters and Enlightening the British Public: Anna Jameson and the Contribution of British Women to Empirical Art History in the 1840s , 2019, 19: Interdisciplinary Studies in the Long Nineteenth Century.

[2]  R. Gillett.  Characteristics of Women and their Reception in Germany , 2018, Angermion.

[3]  Caroline Palmer.  “A fountain of the richest poetry”: Anna Jameson, Elizabeth Eastlake and the Rediscovery of Early Christian Art , 2017 .

[4]  Linda K. Hughes.  ‘Given in Outline and No More’: The Shared Life Writing of Anna Jameson and Ottilie von Goethe , 2016 .

[5]  H. KennardNina.  Mrs. Siddons , 2011 .

[6]  A. Johns.  Anna Jameson in Germany: ‘A.W.’ and Women's Translation , 2010 .

[7]  Ainslie Robinson.  The history of our lord as exemplified in works of art: Anna Jameson's coup de grâce , 2003 .

[8]  A. Booth,et al.  The Lessons of the Medusa: Anna Jameson and Collective Biographies of Women , 2000 .

[9]  Maureen A. Dowd.  “By the delicate hand of a female”: Melodramatic Mania and Joanna Baillie's spectacular tragedies , 1998 .

[10]  J. Slights,et al.  Historical Shakespeare: Anna Jameson and Womanliness , 2019 .

[11]  Anne Russell.  "History and Real Life": Anna Jameson, Shakspeare's Heroines and Victorian Women , 2015 .

[12]  D. A. Ludley.  Anna Jameson and D. G. Rossetti: His Use of Her Histories , 1991 .

[13]  Louise Adey.  Reading between the lines: Tieck's Prolegomena to the Schlegel-Tieck Edition of Shakespeare , 1989 .

[14]  K. E. Larson.  The Origins of the "Schlegel-Tieck" Shakespeare in the 1820s , 1987 .

[15]  Adele M. Holcomb.  ANNA JAMESON: THE FIRST PROFESSIONAL ENGLISH ART HISTORIAN , 1983 .

[16]  M. Weston,et al.  How Can We Be Moved by the Fate of Anna Karenina , 1975 .