James Barrie's plays offer a consistency of approach to ideas about artistic communication that has been seriously neglected. The neglect partly results from a separation between the criticism of his novels and that of his plays, which obscures the development of theme, structure and imagery from the one medium to the other. The criticism of the drama itself has suffered from an avoidance of the published scripts. There has been little if any attention paid to the commentary of the plays which provides a function similar to that of the narrator in the novels, and is invaluable in understanding the author's ironic perspective. The product of the dramatic criticism has been an enormously diversified assessment of Barrie, leaving an impression of a man of dilettante interests rather than complexity. But if we examine the plays as generated from the novels, we find in their author not only a more thoughtful and mature literary figure, but also one who is placed finnly among early twentieth century concerns ab...
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