Speaking to the trained ear: musical expertise enhances the recognition of emotions in speech prosody.
暂无分享,去创建一个
[1] Aniruddh D. Patel. Music, Language, and the Brain , 2007 .
[2] I. Peretz,et al. Music and emotion: perceptual determinants, immediacy, and isolation after brain damage , 1998, Cognition.
[3] Verena D. Schmittmann,et al. The 20-Minute Version as a Predictor of the Raven Advanced Progressive Matrices Test , 2006 .
[4] M. Sams,et al. Musicians have enhanced subcortical auditory and audiovisual processing of speech and music , 2007, Proceedings of the National Academy of Sciences.
[5] M. Thaut,et al. The Oxford handbook of music psychology , 2011 .
[6] D. Purves,et al. Major and minor music compared to excited and subdued speech. , 2010, The Journal of the Acoustical Society of America.
[7] L. Cuddy,et al. Emotional intelligence, not music training, predicts recognition of emotional speech prosody. , 2008, Emotion.
[8] M. Coltheart,et al. Modularity of music processing , 2003, Nature Neuroscience.
[9] Isabelle Peretz,et al. Musical Disorders , 2008 .
[10] Sophie K. Scott,et al. Cross-cultural recognition of basic emotions through nonverbal emotional vocalizations , 2010, Proceedings of the National Academy of Sciences.
[11] Turhan Canli,et al. Individual differences in emotion processing , 2004, Current Opinion in Neurobiology.
[12] W. Thompson,et al. A Comparison of Acoustic Cues in Music and Speech for Three Dimensions of Affect , 2006 .
[13] S. Scott,et al. Perceptual Cues in Nonverbal Vocal Expressions of Emotion , 2010 .
[14] I. Peretz,et al. Universal Recognition of Three Basic Emotions in Music , 2009, Current Biology.
[15] K. Scherer,et al. Acoustic profiles in vocal emotion expression. , 1996, Journal of personality and social psychology.
[16] André Dufour,et al. Effect of musical expertise on visuospatial abilities: Evidence from reaction times and mental imagery , 2004, Brain and Cognition.
[17] C. Lam,et al. Musician Enhancement for Speech-In-Noise , 2009, Ear and hearing.
[18] E. Schellenberg,et al. Decoding speech prosody: do music lessons help? , 2004, Emotion.
[19] P. Juslin. Emotional Responses to Music , 2008 .
[20] O. Witte,et al. Perception of phrase structure in music , 2005, Human brain mapping.
[21] Josh H. McDermott,et al. The evolution of the music faculty: a comparative perspective , 2003, Nature Neuroscience.
[22] L. F. Barrett,et al. Handbook of emotions, 2nd ed. , 2000 .
[23] Petri Laukka,et al. Getting the cue: sensory contributions to auditory emotion recognition impairments in schizophrenia. , 2010, Schizophrenia bulletin.
[24] L. F. Barrett. Variety is the spice of life: A psychological construction approach to understanding variability in emotion , 2009, Cognition & emotion.
[25] E. Bialystok,et al. Musical expertise, bilingualism, and executive functioning. , 2009, Journal of experimental psychology. Human perception and performance.
[26] Didier Grandjean,et al. Intonation as an interface between language and affect. , 2006, Progress in brain research.
[27] Mireille Besson,et al. Musicians Detect Pitch Violation in a Foreign Language Better Than Nonmusicians: Behavioral and Electrophysiological Evidence , 2007, Journal of Cognitive Neuroscience.
[28] G. Schlaug,et al. Brain structures differ between musicians and non-musician , 2001, NeuroImage.
[29] Steven Mithen,et al. Feature The Singing Neanderthals : the Origins of Music , Language , Mind and Body by , 2005 .
[30] Stefan Koelsch,et al. Interaction between Syntax Processing in Language and in Music: An ERP Study , 2005, Journal of Cognitive Neuroscience.
[31] L. F. Barrett. Solving the Emotion Paradox: Categorization and the Experience of Emotion , 2006, Personality and social psychology review : an official journal of the Society for Personality and Social Psychology, Inc.
[32] M. Pell. Evaluation of Nonverbal Emotion in Face and Voice: Some Preliminary Findings on a New Battery of Tests , 2002, Brain and Cognition.
[33] O. Golan,et al. Psychoacoustic abilities as predictors of vocal emotion recognition , 2013, Attention, perception & psychophysics.
[34] Blockin,et al. Vocal Expression of Emotion , 2004 .
[35] W. Fitch. On the Biology and Evolution of Music , 2006 .
[36] Hanna Damasio,et al. Neural systems for recognition of emotional prosody: a 3-D lesion study. , 2002, Emotion.
[37] K. Scherer,et al. Vocal expression of emotion. , 2003 .
[38] L. F. Barrett,et al. Handbook of Emotions , 1993 .
[39] A. Friederici,et al. Music, language and meaning: brain signatures of semantic processing , 2004, Nature Neuroscience.
[40] D. Schön,et al. The music of speech: music training facilitates pitch processing in both music and language. , 2004, Psychophysiology.
[41] T. Salthouse. When does age-related cognitive decline begin? , 2009, Neurobiology of Aging.
[42] Andrew R. Brown,et al. Changing Musical Emotion: A Computational Rule System for Modifying Score and Performance , 2010, Computer Music Journal.
[43] Aniruddh D. Patel. A neurobiological strategy for exploring links between emotion recognition in music and speech , 2008 .
[44] P. Laukka,et al. Impact of intended emotion intensity on cue utilization and decoding accuracy in vocal expression of emotion. , 2000, Emotion.
[45] E. Schellenberg,et al. Long-Term Positive Associations between Music Lessons and IQ. , 2006 .
[46] S. Trehub,et al. Infant music perception: Domain-general or domain-specific mechanisms? , 2006, Cognition.
[47] M. Pell,et al. Processing emotional tone from speech in Parkinson’s disease: A role for the basal ganglia , 2003, Cognitive, affective & behavioral neuroscience.
[48] D. Schön,et al. Emotional prosody: sex differences in sensitivity to speech melody , 2002, Trends in Cognitive Sciences.
[49] Alan C. Evans,et al. Musical Training Shapes Structural Brain Development , 2009, The Journal of Neuroscience.
[50] São Luís Castro,et al. Recognizing emotions in spoken language: A validated set of Portuguese sentences and pseudosentences for research on emotional prosody , 2010, Behavior research methods.
[51] K. A. Ericsson,et al. Expert and exceptional performance: evidence of maximal adaptation to task constraints. , 1996, Annual review of psychology.
[52] Livia Colle,et al. Impaired recognition of negative basic emotions in autism: A test of the amygdala theory , 2006, Social neuroscience.
[53] S. Gosling,et al. A very brief measure of the Big-Five personality domains , 2003 .
[54] Aniruddh D. Patel,et al. Language, music, syntax and the brain , 2003, Nature Neuroscience.
[55] Sonja A. Kotz,et al. Recognizing Emotions in a Foreign Language , 2009 .
[56] N. Kraus,et al. Musical experience and neural efficiency – effects of training on subcortical processing of vocal expressions of emotion , 2009, The European journal of neuroscience.
[57] M. Besson,et al. Musical training influences linguistic abilities in 8-year-old children: more evidence for brain plasticity. , 2009, Cerebral cortex.
[58] R. Kakigi,et al. One year of musical training affects development of auditory cortical-evoked fields in young children. , 2006, Brain : a journal of neurology.
[59] C. Kelly,et al. Relationship between cingulo-insular functional connectivity and autistic traits in neurotypical adults. , 2009, The American journal of psychiatry.
[60] Nicole M. Russo,et al. Musical experience shapes human brainstem encoding of linguistic pitch patterns , 2007, Nature Neuroscience.
[61] Richard Kronland-Martinet,et al. The Evocative Power of Sounds: Conceptual Priming between Words and Nonverbal Sounds , 2010, Journal of Cognitive Neuroscience.
[62] S. Castro,et al. Neuropsychological Screening with a Portuguese Stroop Test , 2003 .
[63] P. Laukka,et al. Communication of emotions in vocal expression and music performance: different channels, same code? , 2003, Psychological bulletin.
[64] Jüri Allik,et al. Age-related differences in emotion recognition ability: a cross-sectional study. , 2009, Emotion.
[65] Kjell Elenius,et al. Emotion Recognition , 2009, Computers in the Human Interaction Loop.
[66] S. Kotz,et al. Beyond the right hemisphere: brain mechanisms mediating vocal emotional processing , 2006, Trends in Cognitive Sciences.
[67] L. Obler,et al. Relationships among Facial, Prosodic, and Lexical Channels of Emotional Perceptual Processing , 2000 .
[68] P. Belin,et al. Superior voice timbre processing in musicians , 2006, Neuroscience Letters.
[69] Andrew D. Engell,et al. Autism Spectrum Traits in the Typical Population Predict Structure and Function in the Posterior Superior Temporal Sulcus , 2010, Cerebral cortex.
[70] Sonja A. Kotz,et al. How aging affects the recognition of emotional speech , 2008, Brain and Language.
[71] K. Scherer,et al. Emotions evoked by the sound of music: characterization, classification, and measurement. , 2008, Emotion.
[72] S. Baron-Cohen,et al. The Cambridge Mindreading (CAM) Face-Voice Battery: Testing Complex Emotion Recognition in Adults with and without Asperger Syndrome , 2006, Journal of autism and developmental disorders.
[73] Isabelle Peretz,et al. Towards a Neurobiology of Musical Emotions , 1993 .
[74] K. Scherer,et al. Emotion recognition from expressions in face, voice, and body: the Multimodal Emotion Recognition Test (MERT). , 2009, Emotion.
[75] R. Adolphs,et al. Emotion recognition from faces and prosody following temporal lobectomy. , 2001, Neuropsychology.
[76] K. Scherer. Expression of emotion in voice and music. , 1995, Journal of voice : official journal of the Voice Foundation.
[77] H. Wagner. On measuring performance in category judgment studies of nonverbal behavior , 1993 .
[78] D. Västfjäll,et al. Emotional responses to music: the need to consider underlying mechanisms. , 2008, The Behavioral and brain sciences.
[79] S. Baron-Cohen,et al. The Autism-Spectrum Quotient (AQ): Evidence from Asperger Syndrome/High-Functioning Autism, Malesand Females, Scientists and Mathematicians , 2001, Journal of autism and developmental disorders.
[80] C. Lima,et al. Emotion recognition in music changes across the adult life span , 2011, Cognition & emotion.
[81] Daniel Västfjäll,et al. How does music evoke emotions? Exploring the underlying mechanisms. , 2010 .
[82] J. Carton,et al. Nonverbal Decoding Skills and Relationship Well-Being in Adults , 1999 .
[83] Klaus R. Scherer,et al. Vocal communication of emotion: A review of research paradigms , 2003, Speech Commun..
[84] J. Sloboda,et al. Handbook of Music and Emotion: Theory, Research, Applications , 2011 .
[85] E. Schellenberg,et al. Music Lessons Enhance IQ , 2004, Psychological science.
[86] I. Peretz,et al. Happy, sad, scary and peaceful musical excerpts for research on emotions , 2008 .
[87] J. Bharucha,et al. The minor third communicates sadness in speech, mirroring its use in music. , 2010, Emotion.