TWO CHANNEL PITCH PERCEPTION

Physiological experiments show that information about frequency of tones is coded in two distinct ways in the auditory nerve. Nerve spikes can be distinguished as to when and where (in which nerve fiber) they occur. It is an old question whether the time or the place information plays a role in pitch perception.

[1]  K Ohgushi On the role of spatial and temporal cues in the perception of the pitch of complex tones. , 1978, The Journal of the Acoustical Society of America.

[2]  T Carvellas,et al.  Direct estimation of multidimensional tonal dissimilarity. , 1972, The Journal of the Acoustical Society of America.

[3]  I. Pollack The Information of Elementary Auditory Displays , 1952 .

[4]  R Plomp,et al.  Beats of mistuned consonances. , 1967, The Journal of the Acoustical Society of America.

[5]  A. Bachem,et al.  Tone height and tone chroma as two different pitch qualities. , 1950 .

[6]  S. Parker,et al.  Nomnetric scaling of loudness and pitch using similarity and difference estimates , 1974 .

[7]  F. Wightman Pitch and stimulus fine structure. , 1973, The Journal of the Acoustical Society of America.

[8]  J. Siegel,et al.  The nature of absolute pitch , 1971 .

[9]  S. S. Stevens,et al.  The Relation of Pitch to Frequency: A Revised Scale , 1940 .

[10]  R. Ritsma Existence Region of the Tonal Residue. I , 1962 .

[11]  J. E. Rose,et al.  Phase-locked response to low-frequency tones in single auditory nerve fibers of the squirrel monkey. , 1967, Journal of neurophysiology.

[12]  G. Révész,et al.  Zur Grundlegung der Tonpsychologie , 1913 .

[13]  G. A. Miller THE PSYCHOLOGICAL REVIEW THE MAGICAL NUMBER SEVEN, PLUS OR MINUS TWO: SOME LIMITS ON OUR CAPACITY FOR PROCESSING INFORMATION 1 , 1956 .

[14]  J. L. Hall,et al.  Model for mechanical to neural transduction in the auditory receptor. , 1974, The Journal of the Acoustical Society of America.

[15]  Scaling of Pitch Intervals , 1960 .

[16]  H. Duifhuis,et al.  Perceptual analysis of sound , 1972 .

[17]  T Houtgast,et al.  Subharmonic pitches of a pure tone at low S/N ratio. , 1976, The Journal of the Acoustical Society of America.

[18]  E. B. Newman,et al.  A Scale for the Measurement of the Psychological Magnitude Pitch , 1937 .

[19]  B. L. Cardozo,et al.  Pitch of the Residue , 1962 .

[20]  S. Anstis,et al.  Tinnitus not a Reference Signal in Judgments of Absolute Pitch , 1970, The Quarterly journal of experimental psychology.

[21]  F. Wightman The pattern-transformation model of pitch. , 1973, The Journal of the Acoustical Society of America.

[22]  F. Attneave,et al.  Pitch as a medium: a new approach to psychophysical scaling. , 1971, The American journal of psychology.

[23]  E. Zwicker,et al.  Das Ohr als Nachrichtenempfänger , 1967 .

[24]  R. Plomp Pitch of complex tones. , 1966, The Journal of the Acoustical Society of America.

[25]  P. E. Stopp Frequency analysis and periodicity detection in hearing 1971, Plomp and Smoorenburg (Editors). Leiden, Netherlands: Sijthoff Leiden. Cloth, Fl. 60 , 1971 .

[26]  B. Moore Some Experiments Relating to the Perception of Complex Tones , 1973, The Quarterly journal of experimental psychology.

[27]  E. F. Evans,et al.  Psychophysics and Physiology of Hearing , 1979 .

[28]  J. L. Goldstein An optimum processor theory for the central formation of the pitch of complex tones. , 1973, The Journal of the Acoustical Society of America.

[29]  E. Terhardt Pitch, consonance, and harmony. , 1974, The Journal of the Acoustical Society of America.

[30]  R. Ritsma Frequencies dominant in the perception of the pitch of complex sounds. , 1966, The Journal of the Acoustical Society of America.

[31]  G. Von Bismarck,et al.  Sharpness as an attribute of the timbre of steady sounds , 1974 .

[32]  Lawrence E. Marks,et al.  Sensory Processes: The new Psychophysics , 1975 .

[33]  G. Snelbecker,et al.  Absolute Judgments as a Function of Stimulus Uncertainty and Temporal Effects: Methodological Note , 1972, Perceptual and motor skills.

[34]  J. L. Goldstein,et al.  Neural Correlates of the Aural Combination Tone 2f1−f2 , 1968 .

[35]  J. L. Goldstein,et al.  The Central Origin of the Pitch of Complex Tones: Evidence from Musical Interval Recognition , 1972 .

[36]  J. L. Goldstein,et al.  Neural correlates of the aural combination tone 2f 1 - f 2 , 1968 .

[37]  A. Bachem,et al.  Various Types of Absolute Pitch , 1937 .

[38]  A. Bachem,et al.  Time Factors in Relative and Absolute Pitch Determination , 1954 .

[39]  J. Beck,et al.  The scaling of pitch by the method of magnitude-estimation. , 1961, The American journal of psychology.

[40]  A. Fulgosi,et al.  Information transmission of 3.1 bits in absolute identification of auditory pitch , 1975 .

[41]  Reinier Plomp,et al.  Aspects of tone sensation , 1976 .

[42]  W. R. Garner Uncertainty and structure as psychological concepts , 1975 .

[43]  W. D. Ward Information and Absolute Pitch , 1953 .

[44]  H. Ellis Studies in the Psychology of Sex , 1900, Bristol Medico-Chirurgical Journal (1883).

[45]  I. Whitfield,et al.  The auditory pathway , 1967 .

[46]  W. R. Garner The Processing of Information and Structure , 1974 .

[47]  Pitch of amplitude-modulated low-pass noise and predictions by temporal and spectral theories. , 1980, The Journal of the Acoustical Society of America.

[48]  R. Patterson,et al.  Residue pitch as a function of component spacing. , 1976, The Journal of the Acoustical Society of America.

[49]  Sensory and verbal coding strategies in subjects with absolute pitch. , 1974 .

[50]  John B. Carroll,et al.  Speed and Accuracy of Absolute Pitch Judgments: Some Latter-Day Results. , 1975 .

[51]  R. J. Siegel,et al.  A replication of the mel scale of pitch. , 1965, The American journal of psychology.

[52]  G. Smoorenburg Pitch perception of two-frequency stimuli. , 1970, The Journal of the Acoustical Society of America.