Kinematic Parameters That Influence the Aesthetic Perception of Beauty in Contemporary Dance
暂无分享,去创建一个
Ferran Reverter | Carlota Torrents | Marta Castañer | Gaspar Morey | Toni Jofre | F. Reverter | Marta Castañer | C. Torrents | Gaspar Morey | Toni Jofre
[1] H. Leder,et al. A model of aesthetic appreciation and aesthetic judgments. , 2004, British journal of psychology.
[2] Jérôme Pagès,et al. Multiple factor analysis (AFMULT package) , 1994 .
[3] R. Passingham,et al. Action observation and acquired motor skills: an FMRI study with expert dancers. , 2005, Cerebral cortex.
[4] T. J. Clarke,et al. The Perception of Emotion from Body Movement in Point-Light Displays of Interpersonal Dialogue , 2005, Perception.
[5] Jaume Rosselló,et al. Dimensiones factoriales de la experiencia estética , 2003 .
[6] Vassilia Hatzitaki,et al. The integration of multiple proprioceptive information: effect of ankle tendon vibration on postural responses to platform tilt , 2004, Experimental Brain Research.
[7] F. Prince,et al. Comparison of three methods to estimate the center of mass during balance assessment. , 2004, Journal of biomechanics.
[8] S. Lea,et al. Perception of Emotion from Dynamic Point-Light Displays Represented in Dance , 1996, Perception.
[9] Daniel J Levitin,et al. Perception of emotional expression in musical performance. , 2011, Journal of experimental psychology. Human perception and performance.
[10] T. Jacobsen,et al. Aesthetic Judgments of Novel Graphic Patterns: Analyses of Individual Judgments , 2002, Perceptual and motor skills.
[11] F. Lacquaniti,et al. Kinematic cues and recognition of self-generated actions , 2007, Experimental Brain Research.
[12] Thomas Jacobsen,et al. Electrophysiological indices of processing aesthetics: Spontaneous or intentional processes? , 2007, International journal of psychophysiology : official journal of the International Organization of Psychophysiology.
[13] Enric Munar,et al. Familiaridad y evaluación de estímulos estéticos en función de la educación artística , 2005 .
[14] Erich Schröger,et al. The Primacy of Beauty in Judging the Aesthetics of Objects , 2004, Psychological reports.
[15] J. Cutting,et al. Recognizing friends by their walk: Gait perception without familiarity cues , 1977 .
[16] H. Eysenck. THE GENERAL FACTOR IN AESTHETIC JUDGEMENTS1 , 1940 .
[17] R. Laban,et al. The mastery of movement , 1950 .
[18] D. E. Glaser,et al. Towards a sensorimotor aesthetics of performing art , 2008, Consciousness and Cognition.
[19] Jim W Kay,et al. Gender recognition from point-light walkers. , 2005, Journal of experimental psychology. Human perception and performance.
[20] Helmut Leder,et al. Art expertise: a study of concepts and conceptual spaces , 2006 .
[21] C. Osgood,et al. The Measurement of Meaning , 1958 .
[22] Keith Grochow,et al. Dance reveals symmetry especially in young men , 2005, Nature.
[23] Sébastien Lê,et al. FactoMineR: An R Package for Multivariate Analysis , 2008 .
[24] Johannes Hönekopp,et al. Male dance moves that catch a woman's eye , 2011, Biology Letters.
[25] P. Haggard,et al. Extrastriate body area underlies aesthetic evaluation of body stimuli , 2010, Experimental Brain Research.
[26] Carlota Torrents,et al. Identifying and analyzing motor skill responses in body movement and dance , 2009, Behavior research methods.
[27] G. Morris. Artistry or mere technique? The value of the ballet competition , 2008 .
[28] H. Eysenck. Personal preferences, aesthetic sensitivity and personality in trained and untrained subjects. , 1972, Journal of personality.
[29] M. Anguera,et al. Dance divergently in physical education: teaching using open-ended questions, metaphors, and models , 2013 .