Expression, Perception, and Induction of Musical Emotions: A Review and a Questionnaire Study of Everyday Listening

In this article, we provide an up-to-date overview of theory and research concerning expression, perception, and induction of emotion in music. We also provide a critique of this research, noting that previous studies have tended to neglect the social context of music listening. The most likely reason for this neglect, we argue, is that that most research on musical emotion has, implicitly or explicitly, taken the perspective of the musician in understanding responses to music. In contrast, we argue that a promising avenue toward a better understanding of emotional responses to music involves diary and questionnaire studies of how ordinary listeners actually use music in everyday life contexts. Accordingly, we present findings from an exploratory questionnaire study featuring 141 music listeners (between 17 and 74 years of age) that offers some novel insights. The results provide preliminary estimates of the occurrence of various emotions in listening to music, as well as clues to how music is used by listeners in a number of different emotional ways in various life contexts. These results confirm that emotion is strongly related to most people's primary motives for listening to music.

[1]  A Musical Experiment , 1897 .

[2]  J. Stainer,et al.  The Emotions , 1922, Nature.

[3]  K. Hevner Expression in music: a discussion of experimental studies and theories. , 1935 .

[4]  K. Hevner Experimental studies of the elements of expression in music , 1936 .

[5]  Musical expression: an investigation of the theories of Erich Sorantin. , 1937 .

[6]  Ivy G. Campbell,et al.  Basal emotional patterns expressible in music. , 1942 .

[7]  The Expression of Meanings and Emotions in Music , 1942 .

[8]  Philosophical Essays in Honor of Edgar Arthur Singer, Jr , 1942 .

[9]  Philosophical Essays in Honor of Edgar Arthur Singer, Jr. Edited by F.P. Clarke and M.C. Nahm , 1943 .

[10]  Robert O. Gjerdingen,et al.  The psychology of music , 2002 .

[11]  I. Fónagy,et al.  Emotional Patterns in Intonation and Music , 1963 .

[12]  D. Berlyne,et al.  Aesthetics and Psychobiology , 1975 .

[13]  A. Maslow The Farther Reaches of Human Nature , 1971 .

[14]  Alfred Pike A Phenomenological Analysis of Emotional Experience in Music , 1972 .

[15]  M. J. Nicholas Music and Your Mind , 1974 .

[16]  E. Owens,et al.  An Introduction to the Psychology of Hearing , 1997 .

[17]  B. Moore An Introduction to the Psychology of Hearing , 1977 .

[18]  G. Harrer,et al.  Music, Emotion and Autonomic Function , 1977 .

[19]  Manfred Clynes,et al.  Sentics: The touch of emotions , 1977 .

[20]  D. Deutsch,et al.  The Psychology of Music , 1983 .

[21]  R. Panzarella The Phenomenology of Aesthetic Peak Experiences , 1980 .

[22]  J. Russell A circumplex model of affect. , 1980 .

[23]  P. A. Hamilton,et al.  Effects of musically evoked affect on women's interpersonal attraction toward and perceptual judgments of physical attractiveness of men , 1980 .

[24]  A. Goldstein Thrills in response to music and other stimuli , 1980 .

[25]  Z. Cesarec,et al.  On the Perception of Emotional Meaning in Music , 1981 .

[26]  V. Konečni 17 – Social Interaction and Musical Preference , 1982 .

[27]  E. Asmus The Development of a Multidimensional Instrument for the Measurement of Affective Responses to Music , 1985 .

[28]  Catherine T. Harris,et al.  LOVE AND DEATH IN CLASSICAL MUSIC: METHODOLOGICAL PROBLEMS IN ANALYZING HUMAN MEANING IN MUSIC* , 1985 .

[29]  Keith Roe,et al.  SWEDISH YOUTH AND MUSIC , 1985 .

[30]  D. C. Howell Statistical Methods for Psychology , 1987 .

[31]  P. Shaver,et al.  Emotion knowledge: further exploration of a prototype approach. , 1987 .

[32]  P. Shaver,et al.  Emotion knowledge: further exploration of a prototype approach. , 1987, Journal of personality and social psychology.

[33]  M. Thaut,et al.  The Influence of Preferred Relaxing Music on Measures of State Anxiety, Relaxation, and Physiological Responses , 1989 .

[34]  Peter Kivy,et al.  Sound Sentiment: An Essay on the Musical Emotions, including the complete text of The Corded Shell , 1989 .

[35]  S. Thomas Elder,et al.  A Psychophysiological Comparison of the Velten and Musical Mood Induction Techniques , 1989 .

[36]  Ernest A. Hakanen,et al.  The Emotional Use of Popular Music by Adolescents , 1991 .

[37]  W. Thompson,et al.  Can Composers Express Emotions through Music? , 1992 .

[38]  Mari Riess Jones,et al.  Cognitive Bases of Musical Communication , 1992 .

[39]  John A. Sloboda,et al.  Empirical studies of emotional response to music. , 1992 .

[40]  D. C. Howell Statistical methods for psychology, 3rd ed. , 1992 .

[41]  K. Oatley Best Laid Schemes: The Psychology of Emotions , 1992 .

[42]  P. Ekman An argument for basic emotions , 1992 .

[43]  Lee Bartel,et al.  The development of the Cognitive-Affective Response Test—Music. , 1992 .

[44]  C. Robazza,et al.  Emotional Reactions to Music by Gender, Age, and Expertise , 1994, Perceptual and motor skills.

[45]  Annette H. Zalanowski,et al.  Affective Impact of Music Vs. Lyrics , 1994 .

[46]  R. Plutchik The psychology and biology of emotion , 1994 .

[47]  R. Thayer,et al.  Self-regulation of mood: strategies for changing a bad mood, raising energy, and reducing tension. , 1994, Journal of personality and social psychology.

[48]  K. Oatley,et al.  The experience of emotions in everyday life , 1994 .

[49]  R. Davidson Cerebral asymmetry, emotion, and affective style. , 1995 .

[50]  P. Juslin Emotional communication in music viewed through a Brunswikian lens , 1995 .

[51]  E. Hatfield,et al.  Emotional Contagion , 1995 .

[52]  J. Panksepp The emotional sources of "chills" induced by music. , 1995 .

[53]  N. Haslam The Discreteness of Emotion Concepts: Categorical Structure in the Affective Circumplex , 1995 .

[54]  Christine Tappolet,et al.  Musical Meaning and Expression , 1996 .

[55]  Mitch Waterman,et al.  Emotional Responses to Music: Implicit and Explicit Effects in Listeners and Performers , 1996 .

[56]  M. Papoušek,et al.  Intuitive parenting: a hidden source of musical stimulation in infancy , 1996 .

[57]  F. Hesse,et al.  Relative effectiveness and validity of mood induction procedures : a meta-analysis , 1996 .

[58]  P. Juslin Emotional Communication in Music Performance: A Functionalist Perspective and Some Data , 1997 .

[59]  Adrian C. North,et al.  The social psychology of music. , 1997 .

[60]  Patrik N. Juslin,et al.  Can results from studies of perceived expression in musical performances be generalized across response formats , 1997 .

[61]  A. North,et al.  Liking, arousal potential, and the emotions expressed by music. , 1997, Scandinavian journal of psychology.

[62]  Adrian C. North,et al.  Experimental Aesthetics and Everyday Music Listening , 1997 .

[63]  I. Nyklíček,et al.  Cardiorespiratory differentiation of musically-induced emotions. , 1997 .

[64]  Dolf Zillmann,et al.  Musical taste in adolescence. , 1997 .

[65]  C. Krumhansl An exploratory study of musical emotions and psychophysiology. , 1997, Canadian journal of experimental psychology = Revue canadienne de psychologie experimentale.

[66]  Klaus-Ernst Behne,et al.  The development of "Musikerleben" in adolescence: How and why young people listen to music. , 1997 .

[67]  P. Juslin Perceived Emotional Expression in Synthesized Performances of a Short Melody: Capturing the Listener's Judgment Policy , 1997 .

[68]  Patrik N. Juslin A functionalist perspective on emotional communication in music performance , 1998 .

[69]  J. Hassard,et al.  Actor Network Theory and After , 1999 .

[70]  Alan C. Evans,et al.  Emotional responses to pleasant and unpleasant music correlate with activity in paralimbic brain regions , 1999, Nature Neuroscience.

[71]  D. Rubin,et al.  Music, emotion, and autobiographical memory: They’re playing your song , 1999, Memory & cognition.

[72]  Roddy Cowie,et al.  Changing emotional tone in dialogue and its prosodic correlates , 1999 .

[73]  Emery Schubert Measuring emotion continuously: Validity and reliability of the two-dimensional emotion-space , 1999 .

[74]  Antoine Hennion,et al.  A Sociology of Attachment: Music Amateurs, Drug Users , 1999 .

[75]  F. Strack,et al.  "Mood contagion": the automatic transfer of mood between persons. , 2000, Journal of personality and social psychology.

[76]  The intensity of musical affect: A model of experience and memory , 2000 .

[77]  P. Laukka,et al.  Impact of intended emotion intensity on cue utilization and decoding accuracy in vocal expression of emotion. , 2000, Emotion.

[78]  A. Damasio,et al.  Subcortical and cortical brain activity during the feeling of self-generated emotions , 2000, Nature Neuroscience.

[79]  T. Furmark Comprehensive Summaries of Uppsala Dissertations from the Faculty of Social Sciences 97 , 2000 .

[80]  Anders Friberg,et al.  Emotional Coloring of Computer-Controlled Music Performances , 2000, Computer Music Journal.

[81]  Adrian C. North,et al.  The importance of music to adolescents. , 2000, The British journal of educational psychology.

[82]  P. Juslin,et al.  Cue Utilization in Communication of Emotion in Music Performance: Relating Performance to Perception Studies of Music Performance , 2022 .

[83]  P. Juslin,et al.  Current trends in the study of music and emotion: Overture , 2001 .

[84]  D. Västfjäll Emotion induction through music: A review of the musical mood induction procedure , 2001 .

[85]  J. Sloboda,et al.  Music and emotion: Theory and research , 2001 .

[86]  A. Gabrielsson Emotions in strong experiences with music. , 2001 .

[87]  Lisa Feldman Barrett,et al.  Emotional intelligence: A process model of emotion representation and regulation. , 2001 .

[88]  P. Juslin A Brunswikian approach to emotional communication in music performance , 2001 .

[89]  R. Persson The subjective world of the performer , 2001 .

[90]  P. Juslin,et al.  Toward a computational model of expression in music performance: The GERM model , 2001 .

[91]  K. Scherer Appraisal considered as a process of multilevel sequential checking. , 2001 .

[92]  K. Scherer,et al.  EMOTIONAL EFFECTS OF MUSIC: PRODUCTION RULES , 2001 .

[93]  G. Bonanno,et al.  Emotions : current issues and future directions , 2001 .

[94]  J. Sloboda,et al.  Emotions in everyday listening to music. , 2001 .

[95]  I. Peretz Listen to the brain: A biological perspective on musical emotions. , 2001 .

[96]  E. Schellenberg,et al.  Arousal, Mood, and The Mozart Effect , 2001, Psychological science.

[97]  A. Lehmann,et al.  Tracking Performance Correlates of Changes in Perceived Intensity of Emotion During Different Interpretations of a Chopin Piano Prelude , 2001 .

[98]  P. Juslin Communicating emotion in music performance: A review and a theoretical framework , 2001 .

[99]  L. Trainor,et al.  Frontal brain electrical activity (EEG) distinguishes valence and intensity of musical emotions , 2001 .

[100]  J. Sloboda,et al.  Psychological perspectives on music and emotion , 2001 .

[101]  R. Zatorre,et al.  Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion , 2001, Proceedings of the National Academy of Sciences of the United States of America.

[102]  A. Gabrielsson,et al.  The influence of musical structure on emotional expression. , 2001 .

[103]  J. Sloboda,et al.  Music and emotion : Introduction , 2001 .

[104]  K. Scherer,et al.  Emotional states generated by music: An exploratory study of music experts , 2001 .

[105]  T. R. Stewart,et al.  The essential brunswik: Beginnings, explications, applications. , 2001 .

[106]  K. Scherer,et al.  Appraisal processes in emotion: Theory, methods, research. , 2001 .

[107]  E. Altenmüller,et al.  Hits to the left, flops to the right: different emotions during listening to music are reflected in cortical lateralisation patterns , 2002, Neuropsychologia.

[108]  K. Strongman,et al.  The Emotional Effects of Music on Religious Experience: A Study of the Pentecostal-Charismatic Style of Music and Worship , 2002 .

[109]  K. Luan Phan,et al.  Functional Neuroanatomy of Emotion: A Meta-Analysis of Emotion Activation Studies in PET and fMRI , 2002, NeuroImage.

[110]  N. Bolger,et al.  Diary methods: capturing life as it is lived. , 2003, Annual review of psychology.

[111]  S. Gosling,et al.  PERSONALITY PROCESSES AND INDIVIDUAL DIFFERENCES The Do Re Mi’s of Everyday Life: The Structure and Personality Correlates of Music Preferences , 2003 .

[112]  K. Scherer,et al.  Handbook of affective sciences. , 2003 .

[113]  Roberto Bresin,et al.  “Expressivity comes from within your soul”: A questionnaire study of music students' perspectives on expressivity , 2003 .

[114]  M. Coltheart,et al.  Modularity of music processing , 2003, Nature Neuroscience.

[115]  Daily music listening habits in college students: Related moods and activities. , 2003 .

[116]  Robert J Zatorre,et al.  Music and the Brain , 2003, Annals of the New York Academy of Sciences.

[117]  Elizabeth Hellmuth Margulis Melodic expectation: A discussion and model. , 2003 .

[118]  Nancy Ann Hadsell,et al.  Music therapy in the treatment of adults with mental disorders , 2003 .

[119]  A. Lawrence,et al.  Functional neuroanatomy of emotions: A meta-analysis , 2003, Cognitive, affective & behavioral neuroscience.

[120]  R. Levenson,et al.  Autonomic specificity and emotion. , 2003 .

[121]  P. Juslin,et al.  Emotional expression in music. , 2003 .

[122]  Emery Schubert Update of the Hevner Adjective Checklist , 2003, Perceptual and motor skills.

[123]  P. Laukka,et al.  Communication of emotions in vocal expression and music performance: different channels, same code? , 2003, Psychological bulletin.

[124]  Patrik N. Juslin,et al.  Five Facets of Musical Expression: A Psychologist's Perspective on Music Performance , 2003 .

[125]  Anders Friberg,et al.  Feedback learning of musical expressivity , 2004 .

[126]  A. North,et al.  The Effects of Music on Helping Behavior , 2004 .

[127]  B. Repp,et al.  Is Recognition of Emotion in Music Performance an Aspect of Emotional Intelligence , 2004 .

[128]  P. Laukka,et al.  Instrumental music teachers' views on expressivity: a report from music conservatoires , 2004 .

[129]  J. Sloboda,et al.  Perception And Cognition Of Music , 2004 .

[130]  K. Scherer,et al.  Vocal expression of affect , 2005 .

[131]  Sang Joon Kim,et al.  A Mathematical Theory of Communication , 2006 .