Restoring the dynamics of clipped audio material by inversion of dynamic range compression

In this work, a novel approach for the restoration of clipped audio alias declipping is presented. It is based on the inversion of a nonlinear dynamic system varying over time. The inverse system is parametrized according to a brickwall limiter. The threshold and the makeup gain are then adjusted in such a manner that the desired effect i.e. the accentuation of transients or peaks is observed at the output. The validity of the approach is confirmed in a formal listening test, in which a performance on a par with the state of the art is achieved. The application of the approach is straight forward and the effect can be tuned to meet an objective criterion, such as a sufficiently high peak-to-average power ratio or crest factor.

[1]  Jean-Marc Jot,et al.  Adaptive Dynamics Enhancement , 2011 .

[2]  Christian Füllgrabe,et al.  Multichannel Fast-Acting Dynamic Range Compression Hinders Performance by Young, Normal-Hearing Listeners in a Two-Talker Separation Task* , 2009 .

[3]  Sugato Chakravarty,et al.  Method for the subjective assessment of intermedi-ate quality levels of coding systems , 2001 .

[4]  W. A. Mvnso,et al.  Loudness , Its Definition , Measurement and Calculation , 2004 .

[5]  Robert Orban,et al.  What Happens to My Recording When it's Played on the Radio? , 2001 .

[6]  Brian C. J. Moore,et al.  Why Are Commercials so Loud? - Perception and Modeling of the Loudness of Amplitude-Compressed Speech , 2003 .

[7]  Joshua D. Reiss,et al.  A Sub-Band Approach to Modification of Musical Transients , 2012, Computer Music Journal.

[8]  Michael M. Goodwin,et al.  Frequency-Domain Algorithms for Audio Signal Enhancement Based on Transient Modification , 2006 .

[9]  Joshua D. Reiss,et al.  Digital Dynamic Range Compressor Design—A Tutorial and Analysis , 2012 .

[10]  Michael Elad,et al.  Audio Inpainting , 2012, IEEE Transactions on Audio, Speech, and Language Processing.

[11]  J. Kates,et al.  Quality and loudness judgments for music subjected to compression limiting. , 2012, The Journal of the Acoustical Society of America.

[12]  Joshua D. Reiss,et al.  Model-Based Inversion of Dynamic Range Compression , 2013, IEEE Transactions on Audio, Speech, and Language Processing.

[13]  Algorithms to measure audio programme loudness and true-peak audio level , 2011 .

[14]  Earl Vickers The Loudness War: Do Louder, Hypercompressed Recordings Sell Better? , 2011 .