Mapping semantic script with image processing algorithms to leverage amateur video material in professional production

In this paper, we investigate the issue of amateur production in order to leverage its integration in professional production. We define a conceptual model of the shooting script that represents information about the shooting realization. It enables us to provides the amateur cameraman with prior shooting guidance on an intelligent camcorder. We use image processing algorithms and methods to provide the amateur with real-time shooting feedbacks. After the shooting, these algorithms produce more accurate descriptions that can be compared to the initial prescription. The comparison is guided by satisfaction rules defined by the professional to sort out non conforming sequence. Such rules are also used as query during video shot reviewing. Eventually, we discuss our approach with related works.

[1]  Marco Luca Sbodio,et al.  Discovering Semantic Web services using SPARQL and intelligent agents , 2010, J. Web Semant..

[2]  Paul A. Viola,et al.  Robust Real-Time Face Detection , 2001, International Journal of Computer Vision.

[3]  Cordelia Schmid,et al.  Scale & Affine Invariant Interest Point Detectors , 2004, International Journal of Computer Vision.

[4]  Steffen Staab,et al.  COMM: A Core Ontology for MultimediaAnnotation , 2009, Handbook on Ontologies.

[5]  Rik Van de Walle,et al.  Movie script markup language , 2009, DocEng '09.

[6]  Jane Hunter,et al.  Adding Multimedia to the Semantic Web: Building an MPEG-7 ontology , 2001, SWWS.

[7]  Elena Paslaru Bontas Simperl,et al.  A Conceptual Model for Publishing Multimedia Content on the Semantic Web , 2009, SAMT.

[8]  Miguel Soriano,et al.  Soft-decision tracing in fingerprinted multimedia content , 2004, IEEE MultiMedia.

[9]  Jerry R. Hobbs,et al.  DAML-S: Semantic Markup for Web Services , 2001, SWWS.

[10]  Christopher G. Harris,et al.  A Combined Corner and Edge Detector , 1988, Alvey Vision Conference.

[11]  Jonathon S. Hare,et al.  Mind the gap: another look at the problem of the semantic gap in image retrieval , 2006, Electronic Imaging.

[12]  Steffen Staab,et al.  Semantic Multimedia , 2008, Reasoning Web.

[13]  Maarten Verwaest,et al.  A Multi-Touch 3D Set Modeler for Drama Production , 2008 .

[14]  Chrisa Tsinaraki,et al.  Integration of OWL Ontologies in MPEG-7 and TV-Anytime Compliant Semantic Indexing , 2004, CAiSE.

[15]  Xiaoyu Yang,et al.  OntoFilm: A Core Ontology for Film Production , 2009, SAMT.

[16]  Oscar Firschein,et al.  Readings in computer vision: issues, problems, principles, and paradigms , 1987 .

[17]  Ermanno Bencivenga That Obscure Object of Desire , 1988 .

[18]  Steffen Staab,et al.  COMM: Designing a Well-Founded Multimedia Ontology for the Web , 2007, ISWC/ASWC.

[19]  Roberto García,et al.  Semantic Integration and Retrieval of Multimedia Metadata , 2005, SemAnnot@ISWC.

[20]  Marie-Hélène Abel,et al.  A Semantic Approach for the Repurposing of Audiovisual Objects , 2011, MMEDIA 2011.

[21]  Cordelia Schmid,et al.  Image matching with scale adjustment , 2004, Comput. Vis. Image Underst..

[22]  Lynda Hardman,et al.  That obscure object of desire: multimedia metadata on the Web, Part-1 , 2004, IEEE MultiMedia.

[23]  Ajay Chakravarthy,et al.  ANSWER: A Semantic Approach to Film Direction , 2009, 2009 Fourth International Conference on Internet and Web Applications and Services.

[24]  Zhang Hai-ling Semantic Integration and Retrieval of Multimedia Metadata , 2007 .

[25]  Mohamed Shawky,et al.  Characterization of capture actions in video sequences , 2010, 2010 Conference on Design and Architectures for Signal and Image Processing (DASIP).