M(Art)worlds: consumer perceptions of how luxury brand stores become art institutions

[1]  M. Ritvo LIVING IT UP , 2016 .

[2]  Cécile Chamaret,et al.  Murakami on the bag: Louis Vuitton ' s decommoditization strategy , 2013 .

[3]  Alladi Venkatesh,et al.  Fast Fashion, Sustainability, and the Ethical Appeal of Luxury Brands , 2012 .

[4]  A. Favell The struggle for a page in art history: the global and national ambitions of Japanese contemporary artists from the 1990s' , 2012 .

[5]  J. Kapferer The Luxury Strategy , 2011 .

[6]  E. Arnould,et al.  Retail Luxury Strategy: Assembling Charisma through Art and Magic , 2011 .

[7]  T. Brown,et al.  Change by Design , 2011 .

[8]  Xu Yunta Contemporary Art as Global Art,A Critical Estimate , 2011 .

[9]  Joseph C. Nunes,et al.  Signaling Status with Luxury Goods: The Role of Brand Prominence , 2010 .

[10]  M. Marck ‘The luxury strategy’ , 2010 .

[11]  Christoph Behnke The Curator as Arts Administrator? Comments on Harald Szeemann and the Exhibition “When Attitudes Become Form” , 2010 .

[12]  Anne Marie Doherty,et al.  Flagship stores as a market entry method: the perspective of luxury fashion retailing , 2010 .

[13]  Leyland Pitt,et al.  Aesthetics and Ephemerality: Observing and Preserving the Luxury Brand , 2009 .

[14]  John F. Sherry,et al.  Why Are Themed Brandstores So Powerful? Retail Brand Ideology at American Girl Place , 2009 .

[15]  Roberto Verganti,et al.  Design Driven Innovation: Changing the Rules of Competition by Radically Innovating What Things Mean , 2009 .

[16]  R. J. Degen Opportunity for luxury brands in China , 2009 .

[17]  Hartmut Esslinger,et al.  A Fine Line: How Design Strategies Are Shaping the Future of Business , 2009 .

[18]  John F. Sherry,et al.  American Girl and the Brand Gestalt: Closing the Loop on Sociocultural Branding Research , 2009 .

[19]  Yu Chen,et al.  Possession and access : consumer desires and value perceptions regarding contemporary art collection and exhibit visits , 2009 .

[20]  B. Kamaladevi Customer Experience Management in Retailing , 2009 .

[21]  D. Stewart,et al.  Customer Experience Management in Retailing: Understanding the Buying Process , 2009 .

[22]  Jean-Noël Kapferer,et al.  The Luxury Strategy: Break the Rules of Marketing to Build Luxury Brands , 2009 .

[23]  Simon Castets Louis Vuitton : art, fashion and architecture , 2009 .

[24]  M. Schaub THE LOGIC OF LIGHT. TECHNOLOGY AND THE HUMEAN TURN , 2009 .

[25]  Roger Martin The Design of Business: Why Design Thinking is the Next Competitive Advantage , 2009 .

[26]  Candice R. Hollenbeck,et al.  Retail spectacles and brand meaning: insights from a brand museum case study. , 2008 .

[27]  Laurie A. Meamber,et al.  The aesthetics of consumption and the consumer as an aesthetic subject , 2008 .

[28]  Meera Venkatraman,et al.  From servicescape to consumptionscape: a photo-elicitation study of Starbucks in the New China , 2008 .

[29]  Miriam Bratu Hansen Benjamin’s Aura , 2008, Critical Inquiry.

[30]  M. Pimlott The boutique and the mass market , 2007 .

[31]  S. Dubuisson-Quellier The shop as market space: the commercial qualities of retail architecture , 2007 .

[32]  U. Okonkwo,et al.  Luxury Fashion Branding , 2007 .

[33]  H. Eiland Superimposition in Walter Benjamin's Arcades Project , 2007 .

[34]  D. Thomas,et al.  Deluxe: How Luxury Lost Its Luster , 2007 .

[35]  S. Charters,et al.  Aesthetic Products and Aesthetic Consumption: A Review , 2006 .

[36]  C. Campbell The Craft Consumer , 2005 .

[37]  E. Arnould,et al.  Reflections and Reviews Consumer Culture Theory (CCT): Twenty Years of Research , 2005 .

[38]  E. Arnould Animating the big middle , 2005 .

[39]  Tony O'connor,et al.  Re-Discovering Aesthetics , 2004 .

[40]  Craig J Thompson,et al.  The Starbucks Brandscape and Consumers' (Anticorporate) Experiences of Glocalization , 2004 .

[41]  John F. Sherry,et al.  Ludic Agency and Retail Spectacle , 2004 .

[42]  Stephen L. Vargo,et al.  Evolving to a New Dominant Logic for Marketing , 2004 .

[43]  Julian Stallabrass,et al.  Art Incorporated: The Story of Contemporary Art , 2004 .

[44]  K. W. Parker Sign Consumption in the 19th-Century Department Store , 2003 .

[45]  John F. Sherry,et al.  Speaking of Art as Embodied Imagination: A Multisensory Approach to Understanding Aesthetic Experience , 2003 .

[46]  Carolyn de la Peña Ready‐to‐Wear Globalism: , 2003 .

[47]  John F. Sherry,et al.  Themed flagship brand stores in the new millennium: theory, practice, prospects , 2002 .

[48]  James B. Twitchell,et al.  Living it up : our love affair with luxury , 2002 .

[49]  Rem Koolhaas,et al.  Projects for Prada part 1 , 2001 .

[50]  Chuihua Judy Chung,et al.  Harvard Design School Guide to Shopping , 2000 .

[51]  R. Oldenburg The Great Good Place , 1999 .

[52]  B. Joseph Pine,et al.  The Experience Economy , 2020, Journal of Orthopaedic Experience & Innovation.

[53]  John A. Czepiel,et al.  Marketing and Aesthetics , 1999 .

[54]  W. Benjamin,et al.  The Arcades Project , 1999 .

[55]  J. Schroeder Consuming Representation: Insights From Dutch Art of the Golden Age , 1999 .

[56]  George Ritzer,et al.  Enchanting a disenchanted world : revolutionizing the means of consumption , 1999 .

[57]  Dhruv Grewal,et al.  The Effect of Store Name, Brand Name and Price Discounts on Consumers' Evaluations and Purchase Intentions , 1998 .

[58]  L. Mctavish SHOPPING IN THE MUSEUM? CONSUMER SPACES AND THE REDEFINITION OF THE LOUVRE , 1998 .

[59]  L. Peñaloza Just doing it: A visual ethnographic study of spectacular consumption behavior at Nike Town , 1998 .

[60]  Craig J Thompson Interpreting Consumers: A Hermeneutical Framework for Deriving Marketing Insights from the Texts of Consumers’ Consumption Stories , 1997 .

[61]  J. Kapferer Managing luxury brands , 1997 .

[62]  J. Baker,et al.  The effects of the service environment on affect and consumer perception of waiting time: An integrative review and research propositions , 1996 .

[63]  Carol Duncan Civilizing Rituals: Inside Public Art Museums , 1995 .

[64]  Russell W. Belk,et al.  Collecting in a consumer society , 1995 .

[65]  Melanie Wallendorf,et al.  Market-Oriented Ethnography: Interpretation Building and Marketing Strategy Formulation , 1994 .

[66]  M. Beard SOUVENIRS OF CULTURE: DECIPHERING (IN) THE MUSEUM , 1992 .

[67]  Michael M. Ames,et al.  Cannibal Tours and Glass Boxes: The Anthropology of Museums , 1992 .

[68]  Mary Jo Bitner,et al.  Servicescapes: The Impact of Physical Surroundings on Customers and Employees: , 1992 .

[69]  John A. Templer,et al.  The staircase : history and theories , 1992 .

[70]  M. Featherstone Consumer Culture and Postmodernism , 1991 .

[71]  William B. Locander,et al.  Putting Consumer Experience Back into Consumer Research: The Philosophy and Method of Existential-Phenomenology , 1989 .

[72]  R. Belk Possessions and the Extended Self , 1988 .

[73]  D. Crane The transformation of the avant-garde , 1987 .

[74]  J. J. F. Sherry Gift Giving in Anthropological Perspective , 1983 .

[75]  Elizabeth C. Hirschman,et al.  Aesthetics, Ideologies and the Limits of the Marketing Concept , 1983 .

[76]  E. Hirschman,et al.  The Experiential Aspects of Consumption: Consumer Fantasies, Feelings, and Fun , 1982 .

[77]  J. Russell,et al.  An approach to environmental psychology , 1974 .

[78]  C. Geertz,et al.  The Interpretation of Cultures , 1973 .

[79]  J. Gibson The Senses Considered As Perceptual Systems , 1967 .

[80]  T. Veblen The Theory of the Leisure Class , 1901 .