Chapter 10 – ART AND PERCEPTION*
暂无分享,去创建一个
[1] J. Hochberg,et al. Pictorial recognition as an unlearned ability: a study of one child's performance. , 1962, The American journal of psychology.
[2] T. A. Ryan,et al. Speed of perception as a function of mode of representation. , 1956, The American journal of psychology.
[3] M. Wertheimer,et al. Some determinants of phenomenal overlapping. , 1957, The American journal of psychology.
[4] A. G. Goldstein,et al. Familiarity and apparent complexity of random shapes. , 1961, Journal of experimental psychology.
[5] E. S. Gollin,et al. Developmental Studies of Visual Recognition of Incomplete Objects , 1960 .
[6] L. Ghent,et al. Perception of overlapping and embedded figures by children of different ages. , 1956, The American journal of psychology.
[7] M. Orne. On the social psychology of the psychological experiment: With particular reference to demand characteristics and their implications. , 1962 .
[8] M. Beardsley. On the Creation of Art , 1965 .
[9] Margaret A. Hagen,et al. An investigation of the relationship between viewing condition and preference for true and modified linear perspective with adults. , 1976 .
[10] Charles F. Schmidt,et al. Understanding Human Action , 1975, TINLAP.
[11] M. Wallach. Art, Science, and Representation: Toward an Experimental Psychology of Aesthetics , 1959 .
[12] H. Eysenck,et al. Training in art as a factor in the determination of preference judgements for polygons. , 1970, British journal of psychology.
[13] F. Attneave. Some informational aspects of visual perception. , 1954, Psychological review.
[14] D. Berlyne,et al. Arousal and Reinforcement , 1967 .
[15] R. Fischer. Out on a (Phantom) Limb: Variations on the Theme: Stability of Body Image and the Golden Section , 2015, Perspectives in biology and medicine.
[16] Measuring Visual Esthetic Sensitivity: An Alternative Procedure , 1976 .
[17] A. Jones. DRIVE AND INCENTIVE VARIABLES ASSOCIATED WITH THE STATISTICAL PROPERTIES OF SEQUENCES OF STIMULI. , 1964, Journal of experimental psychology.
[18] F. Barron,et al. Artistic Perception as a Possible Factor in Personality Style: Its Measurement By a Figure Preference Test , 1952 .
[19] I. Breger. Affective Response to Meaningful Sound Stimuli , 1970, Perceptual and motor skills.
[20] Walter L. Wehner. The Relation Between Six Paintings by Paul Klee and Selected Musical Compositions , 1966 .
[21] W. Hudson. Pictorial Depth Perception in Sub-Cultural Groups in Africa , 1960 .
[22] Rudolf Arnheim,et al. Gestalt and Art , 1943 .
[23] Timothy D. Wilson,et al. Telling more than we can know: Verbal reports on mental processes. , 1977 .
[24] Richard K. Olson,et al. Children’s sensitivity to pictorial depth information , 1975 .
[25] Lightner Witmer. Zur experimentellen Aesthetik einfacher räumlicher Formverhältnisse , 1893 .
[26] Harry Munsinger,et al. Uncertainty, structure, and preference. , 1964 .
[27] R. R. Rosinski,et al. Geometric Transformations of Pictured Space , 1978, Perception.
[28] D. Jameson,et al. From Contrast to Assimilation: In Art and in the Eye , 1975 .
[29] Jum C. Nunnally,et al. The effects on eye movements of complexity, novelty, and affective tone , 1967 .
[30] Margaret A. Hagen,et al. Influence of Picture Surface and Station Point on the Ability to Compensate for Oblique View in Pictorial Perception. , 1976 .
[31] D. Bem. Self-perception: An alternative interpretation of cognitive dissonance phenomena. , 1967, Psychological review.
[32] J. Reich,et al. Stimulus Properties, Frequency of Exposure, and Affective Responding , 1970, Perceptual and motor skills.
[33] Guy Sircello. Perceptual Acts and Pictorial Art: A Defense of Expression Theory , 1965 .
[34] A. Chapanis,et al. Interposition as a Cue for the Perception of Relative Distance , 1953 .
[35] David N. Perkins,et al. Compensating for distortion in viewing pictures obliquely , 1973 .
[36] P. Vitz,et al. PREFERENCES FOR RATES OF INFORMATION PRESENTED BY SEQUENCES OF TONES. , 1964, Journal of experimental psychology.
[37] Albert A. Harrison,et al. The Effects of Frequency and Duration of Exposure on Response Competition and Affective Ratings , 1970 .
[38] C. O. Weber. The aesthetics of rectangles and theories of affection. , 1931 .
[39] Adolfo Guzmán-Arenas,et al. COMPUTER RECOGNITION OF THREE-DIMENSIONAL OBJECTS IN A VISUAL SCENE , 1968 .
[40] H. Day. Evaluations of subjective complexity, pleasingness and interestingness for a series of random polygons varying in complexity , 1967 .
[41] A. Kruglanski. The endogenous-exogenous partition in attribution theory. , 1975 .
[42] J. Wohlwill. The Physical Environment: A Problem for a Psychology of Stimulation , 1966 .
[43] W. R. Garner. To perceive is to know. , 1966 .
[44] I. Child. OBSERVATIONS ON THE MEANING OF SOME MEASURES OF ESTHETIC SENSITIVITY. , 1964, The Journal of psychology.
[45] Toward a Liberalization of Experimental Aesthetics , 1973 .
[46] P. Ratoosh,et al. On Interposition as a Cue for the Perception of Distance. , 1949, Proceedings of the National Academy of Sciences of the United States of America.
[47] M. Hagen,et al. Picture perception: toward a theoretical model. , 1974, Psychological bulletin.
[48] N. Mackworth,et al. The gaze selects informative details within pictures , 1967 .
[49] W. Hudson. The Study of the Problem of Pictorial Perception Among Unacculturated Groups , 1967 .
[50] G. Westland. THE CONSTRUCTION OF OBJECTIVE TESTS OF A FORM OF AESTHETIC JUDGEMENT , 1968 .
[51] M. W. Weir,et al. Infant's and young children's preference for complexity. , 1967, Journal of experimental child psychology.
[52] John M. Kennedy. Ancient and Modern Picture-Perception Abilities in Africa , 1977 .
[53] D. Berlyne. CHAPTER 1 – The Vicissitudes of Aplopathematic and Thelematoscopic Pneumatology (or The Hydrography of Hedonism)1 , 1973 .
[54] W. Hudson. Pictorial perception and educational adaptation in Africa. , 1962 .
[55] P. L. Kilbride,et al. Linear Perspective, Pictorial Depth Perception and Education among the Baganda , 1968, Perceptual and motor skills.
[56] R. Haber. Discrepancy from adaptation level as a source of affect. , 1958, Journal of experimental psychology.
[57] I. Biederman. Perceiving Real-World Scenes , 1972, Science.
[58] J. Antes. The time course of picture viewing. , 1974, Journal of experimental psychology.
[59] R. Davis. An Evaluation and Test of Birkhoff's Aesthetic Measure Formula , 1936 .
[60] Joachim F. Wohlwill,et al. Amount of stimulus exploration and preference as differential functions of stimulus complexity , 1968 .
[61] P. Vitz. Preference for different amounts of visual complexity. , 1966, Behavioral science.
[62] H. Gardner. Style sensitivity in children. , 1972, Human development.
[63] J. Hochberg. ORGANIZATION AND THE GESTALT TRADITION , 1974 .
[64] S. Pressey. The Influence of Color upon Mental and Motor Efficiency , 1921 .
[65] James J. Gibson,et al. A theory of pictorial perception , 1954 .
[66] P C SMITH,et al. Ball throwing responses to photographically portrayed targets. , 1961, Journal of experimental psychology.
[67] J. Gibson. What is a form? , 1951, Psychological review.
[68] H. Gardner. The Development of Sensitivity to Artistic Styles , 1971 .
[69] Olin W. Smith,et al. Perception of Depth in Photographs , 1958 .
[70] O. W. Smith,et al. Judgments of size and distance in photographs. , 1958, The American journal of psychology.
[71] W. B. Pillsbury,et al. A Note on 'Advancing and Retreating' Colors , 1937 .
[72] H. Cook,et al. Differential Cognitive Cues in Pictorial Depth Perception , 1972 .
[73] K. Hevner,et al. Experimental studies of the affective value of colors and lines. , 1935 .
[74] J. Singer,et al. Cognitive, social, and physiological determinants of emotional state. , 1962 .
[75] Julian Hochberg,et al. The psychophysics of pictorial perception , 1962 .
[76] K. Warner Schaie,et al. Scaling the Association between Colors and Mood-Tones , 1961 .
[77] Is the Music Really Sad , 1960 .
[78] Irwin Pollack,et al. Subjective pictorial information and visual search , 1968 .
[79] J HOCHBERG,et al. The psychophysics of form: reversible-perspective drawings of spatial objects. , 1960, The American journal of psychology.
[80] J B Deregowski,et al. Difficulties in pictorial depth perception in Africa. , 1968, British journal of psychology.
[81] A Yonas,et al. Effects of static and motion parallax depth information on perception of size in children and adults. , 1973, Journal of experimental child psychology.
[82] R. Penrose,et al. Impossible objects: a special type of visual illusion. , 1958, British journal of psychology.
[83] W. R. Garner,et al. Goodness of pattern and pattern uncertainty. , 1963 .
[84] Matching Music with Paintings by Klee , 1976 .
[85] D. Hebb. Drives and the C.N.S. (conceptual nervous system). , 1955, Psychological review.
[86] H J Eysenck,et al. An experimental study of aesthetic preference for polygonal figures. , 1968, The Journal of general psychology.
[87] D. Berlyne,et al. Effects of auditory pitch and complexity on EEG desynchronization and on verbally expressed judgments. , 1967, Canadian journal of psychology.
[88] James J. Gibson,et al. The Information Available in Pictures , 1971 .
[89] F. Attneave. Physical determinants of the judged complexity of shapes. , 1957, Journal of experimental psychology.
[90] S. Valins. Cognitive effects of false heart-rate feedback. , 1966, Journal of personality and social psychology.
[91] D. Berlyne,et al. Reinforcement values of visual patterns compared through concurrent performances. , 1972, Journal of the experimental analysis of behavior.
[92] Glenn D. Wilson,et al. AROUSAL PROPERTIES OF RED VERSUS GREEN , 1966 .
[93] R F TERWILLIGER,et al. Pattern Complexity and Affective Arousal , 1963, Perceptual and motor skills.
[94] H. Thomas. PREFERENCES FOR RANDOM SHAPES: AGES SIX THROUGH NINETEEN YEARS , 1966 .
[95] A Study of Student Correlations Between Music and Six Paintings by Klee , 1972 .
[96] E. Walker,et al. Psychological complexity and preference : a hedgehog theory of behavior , 1973 .
[97] H. Grice. Utterer’s Meaning, Sentence-Meaning, and Word-Meaning , 1968 .
[98] D D Dorfman,et al. Pattern preference as a function of pattern uncertainty. , 1966, Canadian journal of psychology.
[99] V. Ball. The Aesthetics of Color: A Review of Fifty Years of Experimentation , 1965 .
[100] A. Mundy-castle. Pictorial Depth Perception in Ghanaian Children , 1966 .
[101] F. Attneave,et al. The determination of perceived tridimensional orientation by minimum criteria , 1969 .
[102] D. Berlyne. Ends and means of experimental aesthetics. , 1972 .
[103] J. Hochberg. Perception and Depiction. (Book Reviews: Optics, Painting, and Photography) , 1971 .
[104] E. Brunswik,et al. Ecological cue-validity of proximity and of other Gestalt factors. , 1953, The American journal of psychology.