Portrait drawing by Paul the robot
暂无分享,去创建一个
[1] J. Daugman. Two-dimensional spectral analysis of cortical receptive field profiles , 1980, Vision Research.
[2] Morgan Quigley,et al. ROS: an open-source Robot Operating System , 2009, ICRA 2009.
[3] Jasia Reichardt. Machines and Art , 1987 .
[4] P. Sinha,et al. Face Recognition by Humans: , 2005 .
[5] Cynthia Breazeal,et al. Designing sociable robots , 2002 .
[6] Aaron Hertzmann,et al. Non-Photorealistic Rendering and the science of art , 2010, NPAR.
[7] Karl F. MacDorman,et al. Androids as an Experimental Apparatus: Why Is There an Uncanny Valley and Can We Exploit It? , 2005 .
[8] David Salesin,et al. Image-Based Hair Capture by Inverse Lighting , 2002, Graphics Interface.
[9] Nicolai Petkov,et al. Computational models of visual neurons specialised in the detection of periodic and aperiodic oriented visual stimuli: bar and grating cells , 1997, Biological Cybernetics.
[10] Susan E. Brennan,et al. From the Leonardo Archive , 2007, Leonardo.
[11] Aude Billard,et al. A humanoid robot drawing human portraits , 2005, 5th IEEE-RAS International Conference on Humanoid Robots, 2005..
[12] Michael Leyton. The Structure of Paintings , 2006 .
[13] Tobias Isenberg,et al. Automatically Mimicking Unique Hand-Drawn Pencil Lines , 2009, Comput. Graph..
[14] Christof Koch,et al. A Model of Saliency-Based Visual Attention for Rapid Scene Analysis , 2009 .
[15] J. P. Jones,et al. An evaluation of the two-dimensional Gabor filter model of simple receptive fields in cat striate cortex. , 1987, Journal of neurophysiology.
[16] Hans Richter,et al. Dada: art and anti-art , 1967 .
[17] Semir Zeki,et al. Art and the brain , 1998 .
[18] Aaron Hertzmann,et al. Painterly rendering with curved brush strokes of multiple sizes , 1998, SIGGRAPH.
[19] John Collomosse,et al. Painterly rendering using image salience , 2002, Proceedings 20th Eurographics UK Conference.
[20] E. Kac. Foundation and Development of Robotic Art , 1997 .
[21] Rainer Lienhart,et al. An extended set of Haar-like features for rapid object detection , 2002, Proceedings. International Conference on Image Processing.
[22] R. Malina. Aaron’s Code: Meta-Art, Artificial Intelligence and the Work of Harold Cohen by Pamela McCorduck (review) , 2017 .
[23] D. Cohen,et al. Why can't most people draw what they see? , 1997, Journal of experimental psychology. Human perception and performance.
[24] R. L. Solso. The Psychology of Art and the Evolution of the Conscious Brain , 2003 .
[25] Leonel Moura Artist. A New Kind of Art : The Robotic Action Painter , 2008 .
[26] Henrik Schiøler,et al. Sociable Robots Through Self-Maintained Energy , 2006 .
[27] Paul Haeberli,et al. Paint by numbers: abstract image representations , 1990, SIGGRAPH.
[28] M. Leyton. Symmetry, Causality, Mind , 1999 .
[29] Aleksandar Zivanovic,et al. The development of a cybernetic sculptor: Edward Ihnatowicz and the senster , 2005, C&C '05.
[30] Deanna Petherbridge. The Primacy of Drawing: Histories and Theories of Practice , 1991 .
[31] O. Schwartz,et al. Visuomotor characterization of eye movements in a drawing task , 2009, Vision Research.
[32] Harold Cohen,et al. How to Draw Three People in a Botanical Garden , 1988, AAAI.
[33] V. Gallese,et al. Motion, emotion and empathy in esthetic experience , 2007, Trends in Cognitive Sciences.
[34] Oliver Deussen,et al. Feedback-guided stroke placement for a painting machine , 2012, CAe '12.
[35] Pawan Sinha,et al. Face Recognition by Humans: Nineteen Results All Computer Vision Researchers Should Know About , 2006, Proceedings of the IEEE.
[36] Bruce Gooch,et al. Non-photorealistic rendering , 2001 .
[37] Frederic Fol Leymarie,et al. Sketches by Paul the robot , 2012, CAe '12.
[38] Fumiya Iida,et al. The challenges ahead for bio-inspired 'soft' robotics , 2012, CACM.
[39] Petra Gemeinboeck,et al. Zwischenräume : The Machine as Voyeur , 2010 .
[40] Giorgio Metta,et al. YARP: Yet Another Robot Platform , 2006 .
[41] Paul A. Viola,et al. Rapid object detection using a boosted cascade of simple features , 2001, Proceedings of the 2001 IEEE Computer Society Conference on Computer Vision and Pattern Recognition. CVPR 2001.
[42] C. N. Thai,et al. Using Robotis Bioloid systems for instructional Robotics , 2011, 2011 Proceedings of IEEE Southeastcon.
[43] Frederic Fol Leymarie,et al. Simulating the Grassfire Transform Using an Active Contour Model , 1992, IEEE Trans. Pattern Anal. Mach. Intell..
[44] Paul Granjon. Performing with machines and machines that perform , 2008 .
[45] Benjamin B. Kimia,et al. From the Infinitely Large to the Infinitely Small , 2008, Medial Representations.
[46] Yeung Yam,et al. Preliminary study on vision-based pen-and-ink drawing by a robotic manipulator , 2009, 2009 IEEE/ASME International Conference on Advanced Intelligent Mechatronics.
[47] P. Burt. Fast filter transform for image processing , 1981 .
[48] A. Pignocchi,et al. How the intentions of the draftsman shape perception of a drawing , 2010, Consciousness and Cognition.
[49] Patrick Tresset,et al. Skediomata: Guinea Pig and Performer , 2011 .
[50] Edward H. Adelson,et al. PYRAMID METHODS IN IMAGE PROCESSING. , 1984 .
[51] Nikolay Petkov,et al. Biologically motivated computationally intensive approaches to image pattern recognition , 1995, Future Gener. Comput. Syst..
[52] Massimo Bergamasco,et al. Robotic creatures: Anthropomorphism and interaction in contemporary art , 2010, 19th International Symposium in Robot and Human Interactive Communication.
[53] Ichiro Fujinaga,et al. Gamera: A Python-based Toolkit for Structured Document Recognition , 2001 .
[54] M. Babcock,et al. Perception of dynamic information in static handwritten forms. , 1988, The American journal of psychology.
[55] Patrick A. Tresset,et al. Generative Portrait Sketching , 2005 .