An interval size illusion: The influence of timbre on the perceived size of melodic intervals
暂无分享,去创建一个
[1] W. Thompson,et al. The subjective size of melodic intervals over a two-octave range , 2005, Psychonomic Bulletin & Review.
[2] M. Jones,et al. Temporal Aspects of Stimulus-Driven Attending in Dynamic Arrays , 2002, Psychological science.
[3] Robert J Zatorre,et al. Influence of tonal context and timbral variation on perception of pitch , 2002, Perception & Psychophysics.
[4] Nicolas Grimault,et al. Evidence for two pitch encoding mechanisms using a selective auditory training paradigm , 2002, Perception & psychophysics.
[5] A Askenfelt,et al. Effects of relative phases on pitch and timbre in the piano bass range. , 2001, The Journal of the Acoustical Society of America.
[6] M D Hall,et al. Illusory conjunctions of pitch and duration in unfamiliar tone sequences. , 2001, Journal of experimental psychology. Human perception and performance.
[7] E. Schellenberg,et al. Sensory consonance and the perceptual similarity of complex-tone harmonic intervals: tests of adult and infant listeners. , 1996, The Journal of the Acoustical Society of America.
[8] M. Pitt,et al. Perception of pitch and timbre by musically trained and untrained listeners. , 1994, Journal of experimental psychology. Human perception and performance.
[9] J. D. Smith,et al. What child is this? What interval was that? Familiar tunes and music perception in novice listeners , 1994, Cognition.
[10] L. Demany,et al. Further evidence for an autonomous processing of pitch in auditory short-term memory. , 1993, The Journal of the Acoustical Society of America.
[11] Matthew Flatt,et al. PsyScope: An interactive graphic system for designing and controlling experiments in the psychology laboratory using Macintosh computers , 1993 .
[12] I J Hirsh,et al. Influence of spectral locus and F0 changes on the pitch and timbre of complex tones. , 1992, The Journal of the Acoustical Society of America.
[13] P Iverson,et al. Perceptual interactions between musical pitch and timbre. , 1992, Journal of experimental psychology. Human perception and performance.
[14] Ray Meddis,et al. Virtual pitch and phase sensitivity of a computer model of the auditory periphery , 1991 .
[15] L. Demany,et al. Dissociation of pitch from timbre in auditory short-term memory. , 1991, The Journal of the Acoustical Society of America.
[16] Eugene Narmour,et al. The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model , 1990 .
[17] B C Moore,et al. Frequency discrimination of complex tones with overlapping and non-overlapping harmonics. , 1990, The Journal of the Acoustical Society of America.
[18] L. Marks,et al. Perceptual primacy of dimensions: support for a model of dimensional interaction. , 1990, Journal of experimental psychology. Human perception and performance.
[19] C. Krumhansl. Tonal Hierarchies and Rare Intervals in Music Cognition , 1990 .
[20] L E Marks,et al. Interaction among auditory dimensions: Timbre, pitch, and loudness , 1990, Perception & psychophysics.
[21] J. M. Troost,et al. Ascending and Descending Melodic Intervals: Statistical Findings and Their Perceptual Relevance , 1989 .
[22] Mari Riess Jones,et al. Does rule recursion make melodies easier to reproduce? If not, what does? , 1986, Cognitive Psychology.
[23] R N Shepard,et al. Auditory Illusions Demonstrating That Tones Are Assimilated to an Internalized Musical Scale , 1984, Science.
[24] E. Terhardt,et al. Algorithm for extraction of pitch and pitch salience from complex tonal signals , 1982 .
[25] C. Krumhansl. The psychological representation of musical pitch in a tonal context , 1979, Cognitive Psychology.
[26] A. Houtsma. Musical pitch of two-tone complexes and predictions by modern pitch theories. , 1979, The Journal of the Acoustical Society of America.
[27] T. McMahon. The Mechanical Design of Trees , 1975 .
[28] Leonard B. Meyer,et al. Explaining Music: Essays and Explorations , 1975 .
[29] W. R. Garner. The Processing of Information and Structure , 1974 .
[30] E. Terhardt. Pitch, consonance, and harmony. , 1974, The Journal of the Acoustical Society of America.
[31] Leonard B. Meyer. Emotion and Meaning in Music , 1957 .
[32] D. Deutsch. Musical Illusions , 2007 .
[33] C. Krumhansl. Rhythm and pitch in music cognition. , 2000, Psychological bulletin.
[34] C. Krumhansl. Rhythm and Pitch in Music , 2000 .
[35] Richard Parncutt,et al. Absolute pitch. , 1993, Psychological bulletin.
[36] R. Patterson,et al. Complex Sounds and Auditory Images , 1992 .
[37] R. Racine,et al. Pitch interactions in the perception of isolated musical triads , 1990, Perception & psychophysics.
[38] M. Gribskov,et al. [9] Profile analysis , 1990 .
[39] B. Moore. An Introduction to the Psychology of Hearing , 1977 .