Evolving technologies require educational policy change: Music education for the 21st century

There is growing discussion among education and government authorities on rethinking education in the 21st century. This increasing area of interest has come in response to the evolution of technology and its effect on the future needs and requirements of society. Online applications and social networking capabilities have accelerated in popularity, revealing their potential. The recognised benefits of technology for the use of music education have resulted in collaborative projects and learning and teaching that is not constricted by walls or location. Music education can be accessible to all young people through a combination of social media, blogging and interactive creative musical activities to engage students in all locations, including rural and remote areas. In this 21st century classroom, music education includes online resources, digital learning, in-school workshops, online master classes and live concert streaming where a range of musical styles are explored. This article explores the learning and teaching outcomes of Project Music X , an online music education project designed to fill an important gap in the provision of music education programs in regional and remote schools using a range of web 2.0 technologies. Technology in this context does not only align with the thinking of young people, but also provides a platform for students in remote and rural areas to engage with high quality music education and performance experiences that they would otherwise not have access to.

[1]  Diane J. Hanson,et al.  E-Learning: Strategies for Delivering Knowledge in the Digital Age , 2003, J. Educ. Technol. Soc..

[2]  Wendell Bell,et al.  The Third Wave. , 1982 .

[3]  Stephen Downes E-learning 2.0 , 2005, ELERN.

[4]  Success in the Information Age: A Paradigm Shift , 2007 .

[5]  Chin On the Arts , 2004 .

[6]  Renée Crawford Secondary school music education: A case study in adapting to ICT resource limitations , 2009 .

[7]  M. Hitchcock Making Music Together: The blending of an on-line learning environment for music artistic practice. , 2008 .

[8]  Andrew R. Brown,et al.  Realising the possibilities of technology in musiceducation research and philosophy , 2007 .

[9]  Bogdana Borota MOTIVATION AND LEARNING RESULTS IN MUSIC EDUCATION RELATED TO BLENDED LEARNING , 2011 .

[10]  Allan M. Collins,et al.  Rethinking Education in the Age of Technology , 2008, Intelligent Tutoring Systems.

[11]  Brian Moore Music, Technology, and an Evolving Curriculum , 1992 .

[12]  Haeryun Choi,et al.  Expanding Arts Education in a Digital Age , 2009 .

[13]  Bill Crow,et al.  Musical creativity and the new technology , 2006 .

[14]  Janet Mills,et al.  Music technology inspected: good teaching in Key Stage 3 , 2000, British Journal of Music Education.

[15]  Tim Cain,et al.  Theory, technology and the music curriculum , 2004, British Journal of Music Education.

[16]  Jane Southcott,et al.  The Intersections of Curriculum Development: Music, ICT and Australian Music Education. , 2011 .

[17]  Raymond MacDonald,et al.  The Use of Information & Communication Technology (I&CT) in the Scottish Music Curriculum: A focus group investigation of themes and issues , 2002 .

[18]  Tim Berners-Lee,et al.  Weaving The Web: The Original Design And Ultimate Destiny of the World Wide Web , 1999 .

[19]  Abbie Brown,et al.  Technology and the Diverse Learner: A Guide to Classroom Practice , 2004 .

[20]  Matthew Robert Hitchcock,et al.  Crossing Boundaries: promoting cross-disciplinary projects in four creative arts faculties , 2011 .

[21]  B. A. Digolo,et al.  E- Learning as a Strategy for Enhancing Access to Music Education* , 2011 .

[22]  Matthew Robert Hitchcock Vertical Integration through Blended Learning: a whole-of-program case study , 2010 .

[23]  Ruimin Shen,et al.  Why web 2.0 is good for learning and for research: principles and prototypes , 2008, WWW.