Using musical knowledge to extract expressive performance information from audio recordings
暂无分享,去创建一个
[1] C. Krumhansl. Cognitive Foundations of Musical Pitch , 1990 .
[2] E. Narmour. The Analysis and Cognition of Melodic Complexity: The Implication-Realization Model , 1992 .
[3] Alan V. Oppenheim,et al. Symbolic and Knowledge-Based Signal Processing , 1992 .
[4] John G. Proakis,et al. Probability, random variables and stochastic processes , 1985, IEEE Trans. Acoust. Speech Signal Process..
[5] R. Jackendoff,et al. A Generative Theory of Tonal Music , 1985 .
[6] Barry Vercoe,et al. The Synthetic Performer in The Context of Live Performance , 1984, International Conference on Mathematics and Computing.
[7] E. Narmour. The analysis and cognition of basic melodic structures , 1992 .
[8] Jeff A. Bilmes,et al. Timing is of the essence : perceptual and computational techniques for representing, learning, and reproducing expressive timing in percussive rhythm , 1993 .