A COMPUTATIONAL MODEL

[1]  A. Schoenberg,et al.  Structural functions of harmony , 1954 .

[2]  Scalar Order as a Compositional Resource , 1964 .

[3]  Harry Partch,et al.  Genesis of a music : an account of a creative work, its roots and its fulfillments , 1974 .

[4]  David Lewin,et al.  Generalized Musical Intervals and Transformations , 1987 .

[5]  The Bohlen-Pierce scale , 1989 .

[6]  David Rosenboom,et al.  HMSL (Hierarchical Music Specification Language): A Theoretical Overview , 1990 .

[7]  A Venerable Temperament Rediscovered , 1991 .

[8]  Easley Blackwood Modes and Chord Progressions in Equal Tunings , 1991 .

[9]  Six American Composers on Nonstandard Tunnings , 1991 .

[10]  Larry Polansky,et al.  Possible and Impossible Melody: Some Formal Aspects of Contour , 1992 .

[11]  Kyle Gann La Monte Young's The Well-Tuned Piano , 1993 .

[12]  S Puckette Miller,et al.  Pure Data : another integrated computer music environment , 1996 .

[13]  C. Palisca,et al.  Ancient Music Adapted to Modern Practice , 1996 .

[14]  Heinrich Taube An Introduction to Common Music , 1997 .

[15]  W. Sethares Tuning, Timbre, Spectrum, Scale , 1998 .

[16]  Camilo Rueda,et al.  Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic , 1999, Computer Music Journal.

[17]  Richard Boulanger The Csound book: perspectives in software synthesis, sound design, signal processing, and programming , 2000 .

[18]  Phil Burk,et al.  Java Music Specification Language, an introduction and overview , 2001, ICMC.

[19]  Miller Puckette,et al.  Max at Seventeen , 2002, Computer Music Journal.

[20]  James McCartney,et al.  Rethinking the Computer Music Language: SuperCollider , 2002, Computer Music Journal.

[21]  Rudolf Rasch,et al.  Tuning and temperament , 2002 .

[22]  Krzysztof R. Apt,et al.  Principles of Constraint Programming , 2003 .

[23]  Joseph N. Straus Uniformity, Balance, and Smoothness in Atonal Voice Leading , 2003 .

[24]  David Rothenberg,et al.  A model for pattern perception with musical applications part II: The information content of pitch structures , 1977, Mathematical systems theory.

[25]  Torsten Anders,et al.  Composing Music by Composing Rules: Design and Usage of a Generic Music Constraint System , 2007 .

[26]  William A. Sethares,et al.  Isomorphic Controllers and Dynamic Tuning: Invariant Fingering over a Tuning Continuum , 2007, Computer Music Journal.

[27]  Marc Sabat,et al.  Three crystal growth algorithms in 23-limit constrained harmonic space , 2008 .

[28]  Mika Kuuskankare,et al.  An Overview of PWGL, a Visual Programming Environment for Music , 2009, Computer Music Journal.

[29]  Eduardo Miranda,et al.  A COMPUTATIONAL MODEL THAT GENERALISES SCHOENBERG'S GUIDELINES FOR FAVOURABLE CHORD PROGRESSIONS , 2009 .

[30]  Eduardo Miranda,et al.  Interfacing Manual and Machine Composition , 2009 .

[31]  Eduardo Reck Miranda,et al.  Constraint Application with Higher-Order Programming for Modeling Music Theories , 2010, Computer Music Journal.

[32]  Eduardo Reck Miranda,et al.  Constraint programming systems for modeling music theories and composition , 2011, CSUR.