ABSTRACT William Labov formulated rules for sounding (black verbal dueling) that saw ritual insults, but not personal insults, as properly falling within the framework of black verbal play. Other researchers interested in contrasting play and fact-oriented dispute genres within more general discussions of keying have used Labov's analysis as a basis for drawing conclusions as to where play ends and the serious begins within this activity. However, Labov's decision to place personal insults outside the framework of the game of sounding is incorrect. Consequently, so too is the boundary line established by these other researchers to distinguish play from nonplay within the context of black verbal dueling. The present paper proposes to establish the correct black cultural perspective on the role and function of personal insults in sounding and the boundary between play and nonplay within the context of that activity. It also considers the different cultural consequences that would stem from regarding personal insults to be part of verbal play or not. Finally, it shows similarities in the structure and function of two speech actions – accusations and denials – that are used in both play and nonplay disputes to demonstrate more closely the nature of reciprocal influence of play and nonplay interactions. (Black verbal dueling, keying, discourse analysis, play and nonplay dispute genres, interethnic communication)
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