A theatrical perspective on service performance evaluation: The customer-critic approach
暂无分享,去创建一个
Steve Baron | Kim Harris | Richard Harris | Dominic Elliott | D. Elliott | Kim S. Harris | Richard C. Harris | S. Baron
[1] J. Ivey. Focus groups. , 2011, Pediatric nursing.
[2] Michael A. Jortberg. The Experience Economy: Work is Theatre and Every Business a Stage , 2001 .
[3] R. Rust,et al. Service Quality: Insights and Managerial Implications from the Frontier , 1994 .
[4] Kim S. Harris,et al. Theatrical service experiences: Dramatic script development with employees , 2003 .
[5] C. Geertz,et al. The Interpretation of Cultures , 1973 .
[6] Bertolt Brecht,et al. Brecht on Theatre: The Development of an Aesthetic , 1964 .
[7] J. O'Toole,et al. The Process of Drama: Negotiating Art and Meaning , 1992 .
[8] C. Prahalad,et al. Co‐creating unique value with customers , 2004 .
[9] E. Guba,et al. Naturalistic inquiry: Beverly Hills, CA: Sage Publications, 1985, 416 pp., $25.00 (Cloth) , 1985 .
[10] A. Parasuraman,et al. SERVQUAL: A multiple-item scale for measuring consumer perceptions of service quality. , 1988 .
[11] William L. Gardner,et al. Lessons in organizatoinal dramaturgy: The art of impression management , 1992 .
[12] J. J. Cronin,et al. Some New Thoughts on Conceptualizing Perceived Service Quality: A Hierarchical Approach , 2001 .
[13] J. Sweeney,et al. The Effect of Service Evaluations on Behavioral Intentions and Quality of Life , 2006 .
[14] Alistair R. Anderson. Enacted Metaphor , 2005 .
[15] E. Goffman. The Presentation of Self in Everyday Life , 1959 .
[16] Stephen L. Vargo,et al. Service-dominant logic: continuing the evolution , 2008 .
[17] John Coopey,et al. Learning to Trust and Trusting to Learn , 1998 .
[18] Steven S. Taylor,et al. The Politics of Performance in Organizational Theatre-Based Training and Interventions , 2004 .
[19] I. Mangham,et al. From Dramaturgy to Theatre as Technology: The Case of Corporate Theatre , 2004 .
[20] J. J. Cronin,et al. Removing the contextual lens: A multinational, multi-setting comparison of service evaluation models , 2005 .
[21] I. Mangham. Managing as a Performing Art , 1990 .
[22] Cathy Goodwin,et al. Moving the drama into the factory: the contribution of metaphors to services research , 1996 .
[23] Kim S. Harris,et al. Retail Theater , 2001 .
[24] Dave Beck,et al. Theatre of the Oppressed , 2010 .
[25] A. Parasuraman,et al. A Conceptual Model of Service Quality and Its Implications for Future Research , 1985 .
[26] Bo Edvardsson,et al. Cocreating Customer Value Through Hyperreality in the Prepurchase Service Experience , 2005 .
[27] Patrice Pavis. Languages of the Stage: Essays in the Semiology of the Theatre , 1983 .
[28] Joby John,et al. A dramaturgical view of the health care service encounter , 1996 .
[29] Raymond P. Fisk,et al. Impression management in services marketing: A dramaturgical perspective. , 1989 .
[30] Helen H. Anderson,et al. Engaging customers in service creation: a theater perspective , 2005 .
[31] Patrice Pavis. Theatre Analysis: Some Questions and a Questionnaire , 1985, New Theatre Quarterly.
[32] Gail Tom,et al. Waiting time delays and customer satisfaction in supermarkets , 1995 .
[33] R. Fisk,et al. Developing the impression management skills of the service worker: an application of Stanislavsky's principles in a services context , 2004 .
[34] Stephen L. Vargo,et al. The Service-dominant Logic of Marketing: Dialog, Debate, and Directions , 2006 .
[35] George M. Zinkhan,et al. Enhancing marketing theory in academic research , 2006 .
[36] Mandeep Singh,et al. Marketing Renaissance: Opportunities and Imperatives for Improving Marketing Thought, Practice, and Infrastructure , 2005 .
[37] Steven S. Taylor,et al. Finding Form: Looking at the Field of Organizational Aesthetics , 2005 .
[38] C. Grönroos. Service logic revisited: who creates value? And who co‐creates? , 2008 .
[39] Susan Bennett,et al. Theatre Audiences: A Theory of Production and Reception , 1990 .
[40] Alan Wilson,et al. Mystery shopping: Using deception to measure service performance , 2001 .
[41] 유창조. Naturalistic Inquiry , 2022, The SAGE Encyclopedia of Research Design.
[42] R. Oliver. Satisfaction: A Behavioral Perspective On The Consumer , 1996 .
[43] Patrice Pavis. The State of Current Theatre Research , 2005 .
[44] Stephen L. Vargo,et al. Competing through service: Insights from service-dominant logic , 2007 .
[45] Alan Wilson,et al. The use of performance information in the management of service delivery , 2000 .
[46] Patrice Pavis. Analyzing Performance: Theater, Dance, and Film , 2003 .
[47] Georg Schreyägg,et al. Theatre and Organization: Editorial Introduction , 2004 .
[48] Stephen L. Vargo,et al. Evolving to a New Dominant Logic for Marketing , 2004 .
[49] R. Fisk,et al. The Service Experience As Theater , 1992 .
[50] S. Sheather,et al. Reality or Perception? , 2003 .
[51] F. Ian Stuart,et al. Toward an integrative approach to designing service experiences Lessons learned from the theatre , 2004 .
[52] M. Kostera,et al. Four Theatres: Moral Discourses in Polish Management , 2001 .
[53] 김현철,et al. 체험마케팅(Experiential Marketing)의 오해와 진실 , 2010 .
[54] Steve Noble,et al. Power Plays: Shakespeare's Lessons in Leadership and Management , 2000 .
[55] Morris B. Holbrook,et al. Audience judgments as the potential missing link between expert judgments and audience appeal: An illustration based on musical recordings of “My Funny Valentine” , 2006 .
[56] R. Barthes. Elements of Semiology , 1967 .