A Musical Robot that Synchronizes with a Coplayer Using Non-Verbal Cues
暂无分享,去创建一个
Tetsuya Ogata | Hiroshi G. Okuno | Takeshi Mizumoto | Angelica Lim | T. Ogata | Angelica Lim | Takeshi Mizumoto | HIroshi G. Okuno
[1] Christopher Raphael. A Bayesian Network for Real-Time Musical Accompaniment , 2001, NIPS.
[2] Marc Leman,et al. Does Social Interaction Activate Music Listeners? , 2009, CMMR.
[3] Tetsuya Ogata,et al. Incremental polyphonic audio to score alignment using beat tracking for singer robots , 2009, 2009 IEEE/RSJ International Conference on Intelligent Robots and Systems.
[4] 尾形 哲也,et al. Robot Musical Accompaniment : Real-time Synchronization using Visual Cue Recognition , 2010 .
[5] Mark B. Sandler,et al. Phase-based note onset detection for music signals , 2003, 2003 IEEE International Conference on Acoustics, Speech, and Signal Processing, 2003. Proceedings. (ICASSP '03)..
[6] C. Palmer,et al. Synchronization of Timing and Motion 435 , 2022 .
[7] Scott S. Wiltermuth,et al. Synchrony and Cooperation , 2009, Psychological science.
[8] T. Chartrand,et al. The Chameleon Effect as Social Glue: Evidence for the Evolutionary Significance of Nonconscious Mimicry , 2003 .
[9] J. Sloboda,et al. Spatio-Temporal Cues for Visually Mediated Synchronization , 2009 .
[10] Katsushi Ikeuchi,et al. Synthesis of Dance Performance Based on Analyses of Human Motion and Music , 2008 .
[11] Hiroshi G. Okuno,et al. Design and Implementation of Robot Audition System 'HARK' — Open Source Software for Listening to Three Simultaneous Speakers , 2010, Adv. Robotics.
[12] Tia DeNora,et al. :Music and Manipulation: On the Social Uses and Social Control of Music , 2007 .
[13] Brock McElheran,et al. Conducting Technique: For Beginners and Professionals , 1966 .
[14] Tetsuya Ogata,et al. Real-Time Audio-to-Score Alignment Using Particle Filter for Coplayer Music Robots , 2011, EURASIP J. Adv. Signal Process..
[15] Marcelo M. Wanderley,et al. The Musical Significance of Clarinetists' Ancillary Gestures: An Exploration of the Field , 2005 .
[16] Miller Puckette,et al. Synthetic Rehearsal: Training the Synthetic Performer , 1985, ICMC.
[17] Roger B. Dannenberg,et al. An On-Line Algorithm for Real-Time Accompaniment , 1984, ICMC.
[18] Malcolm D. Macleod,et al. Onset Detection in Musical Audio Signals , 2003, ICMC.
[19] Tetsuya Ogata,et al. Thereminist robot: Development of a robot theremin player with feedforward and feedback arm control based on a Theremin's pitch model , 2009, 2009 IEEE/RSJ International Conference on Intelligent Robots and Systems.
[20] W. E. Fredrickson. Band Musicians' Performance and Eye Contact as Influenced by Loss of a Visual and/or Aural Stimulus , 1994 .
[21] Robert C. Bolles,et al. A RANSAC-Based Approach to Model Fitting and Its Application to Finding Cylinders in Range Data , 1981, IJCAI.
[22] Gil Weinberg,et al. Robot-human interaction with an anthropomorphic percussionist , 2006, CHI.
[23] Angelica LIM,et al. Multimodal gesture recognition for robot musical accompaniment ∗ , 2010 .
[24] Paul M. Brossier,et al. Automatic annotation of musical audio for interactive applications , 2006 .
[25] Berthold K. P. Horn,et al. Determining Optical Flow , 1981, Other Conferences.
[26] Nicola Knight,et al. Rowers' high: behavioural synchrony is correlated with elevated pain thresholds , 2010, Biology Letters.
[27] Hideki Kenmochi,et al. VOCALOID - commercial singing synthesizer based on sample concatenation , 2007, INTERSPEECH.
[28] T. Ogata,et al. Robot Musical Accompaniment : Real-time Synchronization using Visual Cue Recognition , 2010 .
[29] A. Williamon,et al. Exploring Co-Performer Communication , 2002 .
[30] Tetsuya Ogata,et al. Human-robot ensemble between robot thereminist and human percussionist using coupled oscillator model , 2010, 2010 IEEE/RSJ International Conference on Intelligent Robots and Systems.
[31] John F. Canny,et al. A Computational Approach to Edge Detection , 1986, IEEE Transactions on Pattern Analysis and Machine Intelligence.
[32] Bob L. Sturm,et al. A Multimodal System for Gesture Recognition in Interactive Music Performance , 2009, Computer Music Journal.
[33] Tetsuya Ogata,et al. Particle-filter based audio-visual beat-tracking for music robot ensemble with human guitarist , 2011, 2011 IEEE/RSJ International Conference on Intelligent Robots and Systems.
[34] L. Barsalou,et al. Embodiment in Attitudes, Social Perception, and Emotion , 2005, Personality and social psychology review : an official journal of the Society for Personality and Social Psychology, Inc.
[35] Kerstin Dautenhahn,et al. What is a robot companion - friend, assistant or butler? , 2005, 2005 IEEE/RSJ International Conference on Intelligent Robots and Systems.
[36] Tetsuya Ogata,et al. Integration of flutist gesture recognition and beat tracking for human-robot ensemble , 2010 .
[37] M. Davies,et al. Complex domain onset detection for musical signals , 2003 .
[38] Rudolf Rasch,et al. Timing and synchronization in ensemble performance. , 1988 .
[39] Tetsuya Ogata,et al. Robot musical accompaniment: integrating audio and visual cues for real-time synchronization with a human flutist , 2010, 2010 IEEE/RSJ International Conference on Intelligent Robots and Systems.
[40] P. Laukka,et al. Communication of emotions in vocal expression and music performance: different channels, same code? , 2003, Psychological bulletin.
[41] David L. Mills,et al. Network Time Protocol (Version 3) Specification, Implementation and Analysis , 1992, RFC.
[42] T. M. Nakra,et al. Synthesizing Expressive Music Through the Language of Conducting , 2002 .
[43] Hiroshi Mizoguchi,et al. Realization of Expressive Mobile Robot , 1997, Proceedings of International Conference on Robotics and Automation.
[44] William H. McNeill,et al. Keeping Together in Time: Dance and Drill in Human History. , 1995 .
[45] Roger B. Dannenberg,et al. The Carnegie Mellon Laptop Orchestra , 2007, ICMC.
[46] W. Andrew Schloss,et al. On the automatic transcription of percussive music , 1985 .
[47] Hiroshi G. Okuno,et al. A beat-tracking robot for human-robot interaction and its evaluation , 2008, Humanoids 2008 - 8th IEEE-RAS International Conference on Humanoid Robots.
[48] Mark B. Sandler,et al. A tutorial on onset detection in music signals , 2005, IEEE Transactions on Speech and Audio Processing.
[49] Richard O. Duda,et al. Use of the Hough transformation to detect lines and curves in pictures , 1972, CACM.