The music is the message

the music being played by her tiny mobile audio appliance. She's standing waiting for a train. Other commuters swarm nearby, headphones on, listening in more muted ways to the soundtracks they've chosen to accompany today's episode of their daily routine. Mobile music players—iPods, Walkmans and the like—are exciting for those of us involved in thinking about the future of mobile devices and services. Like the mobile phone—increasing numbers of which also sport a music player—these are gadgets that people actually desire, and aspire to own. They have vast storage capacities, increasingly sophisticated processors and pleasing, effective mechanisms for users to control their func-tionality. From click and jog wheels to high-resolution color displays, these players are far from being the impoverished devices that typified mobile platforms just a few years ago. And there are hundreds of millions of them in circulation—Apple sold five million in the first quarter of 2006 alone. But at the same time, these marvelous mobiles could be seen as an obstacle to the bright futures dreamt up in the research labs. How will people be able to make use of the ubiquitous computing infrastructure being envisaged, the anytime, everywhere access to information and services, when they are immersed in digital sound bubbles of their own choosing? Some mobile listeners, at first sight, certainly appear cut off. Another scene: A young man stares out of a train window, watching the long green fields flash by. His eyes are bright but still; his gaze betrays a mood of deep reflection. Listening to music on expensive , noise-reducing headphones, what is he thinking? Is he sadly contemplating a lover left or anticipating a longed-for meeting at his destination? How can we design mobile services that will fit this context? The conventional clumsy beeps, vibrations, and attention-seeking displays seem out of place. What opportunities are there to build more emphatic systems , systems to enhance the music and environmental experience or to provide ways for the listener to later reflect on the situations they've lived through in relation to the music they've heard? At other times, though, these sound bubbles seem more permeable, don't they? One of the photos of people listening to music available on a popular image-sharing site is entitled " Listening to Kim's iPod and talking to Joe! " A teenager holds a mobile phone to her left ear while wearing the distinctive white music-player headphones. Chatting and …