Creativity techniques applied to improve product characteristics: study of handicraft products

Creativity, considered a skill that provides innovation, either in the creation of new products or their improvement, needs to be exercised in order to be. Thus, creativity techniques are being increasingly studied; however there are still few empirical studies on the subject. This article aims to evaluate the application of a creativity technique in two communities that produce handicraft products in the state of Rio Grande do Norte. Through a literature review, we found a total of 74 creativity techniques from which we chose the SCAMPER technique. It provides improved products, is easy to apply, and is suitable for target audience with low level of education. The results demonstrated that the technique presented satisfactory performance on improvement of product characteristics. However, the participant's creative knowledge must be taken into account before its application.

[1]  Alessandro Borges Tatagiba CRESWELL, John W. Projeto de pesquisa: métodos qualitativo, quantitativo e misto; tradução Magda Lopes. – 3 ed. – Porto Alegre: ARTMED, 296 páginas, 2010. , 2012 .

[2]  Gerald F. Smith Idea‐Generation Techniques: A Formulary of Active Ingredients , 1998 .

[3]  David Gurteen,et al.  Knowledge, Creativity and Innovation , 1998, J. Knowl. Manag..

[4]  H. Rozenfeld,et al.  Knowledge Management on the Product Development Process , 2001 .

[5]  Barbara Imperatori,et al.  Organizing Individual and Collective Creativity: Flying in the Face of Creativity Clichés , 2011 .

[6]  Mario Orestes,et al.  Creative profile of undergraduate engineering in a Federal University , 2014 .

[7]  Attracta Brennan,et al.  Networked creativity: a structured management framework for stimulating innovation , 2005 .

[8]  H. Chesbrough Open Services Innovation: Rethinking Your Business to Grow and Compete in a New Era , 2010 .

[9]  Arlindo Silva,et al.  Creativity enhancement in a product development course through entrepreneurship learning and intellectual property awareness , 2009 .

[10]  S. Isaksen,et al.  Managing for Innovation: The Two Faces of Tension in Creative Climates , 2010 .

[11]  Frans M. van Eijnatten,et al.  Organizing for creativity, quality and speed in product creation processes , 1999 .

[12]  Mario Orestes Aguirre González,et al.  A integração do cliente no processo de desenvolvimento de produto: revisão bibliográfica sistemática e temas para pesquisa , 2011 .

[13]  M. Bruno-Faria,et al.  Criatividade nas organizações : análise da produção científica nacional em periódicos e livros de Administração e Psicologia , 2008 .

[14]  João Batista Turrioni,et al.  Metodologia de pesquisa em engenharia de produção e gestão de operações , 2010 .

[15]  M. H. D. Ruggeri Criatividade e processos de criação , 2004 .

[16]  Gilla Family Collective Creativity: A Complex Solution for the Complex Problem of the State of Our Planet , 2003, Festschrift for Howard E. Gruber.

[17]  Nico Martins,et al.  An organisational culture model to promote creativity and innovation , 2002 .

[18]  Rodolfo Verano Iozzi A gerência da criatividade , 1997 .

[19]  Masanori Sugimoto,et al.  Beyond binary choices: Integrating individual and social creativity , 2005, Int. J. Hum. Comput. Stud..

[20]  Robert K. Yin,et al.  Estudo de caso: planejamento e métodos , 2005 .

[21]  Dorothy R. Berger,et al.  The Change Management Handbook: A Road Map to Corporate Transformation , 1993 .

[22]  Yasuhiro Yamamoto,et al.  Computational support for collective creativity , 2000, Knowl. Based Syst..

[23]  M. Runco Creativity: Theories and Themes: Research, Development, and Practice , 2006 .

[24]  Ian Roffe,et al.  Innovation and Creativity in Organisations: A Review of the Implications of Training and Development , 1999 .

[25]  Gary R. Schirr,et al.  Growth and Development of a Body of Knowledge: 16 Years of New Product Development Research, 1989-2004 , 2008 .