Pitch bends and tonguing articulation in clarinet physical modeling synthesis
暂无分享,去创建一个
[1] Davide Rocchesso,et al. Signal Processing for Sound Synthesis: Computer-Generated Sounds and Music for All [From the Guest Editors] , 2007 .
[2] Giovanni De Poli,et al. Representations of musical signals , 1991 .
[3] M. Karjalainen,et al. Discrete-time modelling of musical instruments , 2005 .
[4] B Gazengel,et al. 単リード吹奏楽器の時間領域シミュレーション 入力インピーダンス測定値からの信号合成 わなはどこにあるか , 1995 .
[5] Christophe Vergez,et al. Quasistatic nonlinear characteristics of double-reed instruments. , 2006, The Journal of the Acoustical Society of America.
[6] R. T. Schumacher. Ab initio calculations of the oscillations of a clarinet , 1979 .
[7] Arthur H. Benade,et al. Survey of impedance methods and a new piezo‐disk‐driven impedance head for air columns , 1987 .
[8] R. T. Schumacher,et al. ON THE OSCILLATIONS OF MUSICAL-INSTRUMENTS , 1983 .
[9] Jean-Pierre Dalmont,et al. Nonlinear characteristics of single-reed instruments: quasistatic volume flow and reed opening measurements. , 2003, The Journal of the Acoustical Society of America.
[10] Barry Vercoe,et al. Structured audio: creation, transmission, and rendering of parametric sound representations , 1998, Proc. IEEE.
[11] Mark F. Bocko,et al. Representation of solo clarinet music by physical modeling synthesis , 2008, 2008 IEEE International Conference on Acoustics, Speech and Signal Processing.
[12] Joe Wolfe,et al. How do clarinet players adjust the resonances of their vocal tracts for different playing effects? , 2005, The Journal of the Acoustical Society of America.
[13] A. H. Benade,et al. Interactions between the player's windway and the air column of a musical instrument. , 1986, Cleveland Clinic quarterly.
[14] Murray Campbell,et al. Discrete-time modeling of woodwind instrument bores using wave variables. , 2003, The Journal of the Acoustical Society of America.
[15] Mark D. Plumbley,et al. Matching live sources with physical models , 2003 .
[16] Scott D. Sommerfeldt,et al. Simulation of a player‐clarinet system , 1986 .
[17] J Backus,et al. The effect of the player's vocal tract on woodwind instrument tone. , 1985, The Journal of the Acoustical Society of America.
[18] Julius O. Smith,et al. Physical Modeling Using Digital Waveguides , 1992 .
[19] Thierry Voinier,et al. Real-time synthesis of clarinet-like instruments using digital impedance models. , 2005, The Journal of the Acoustical Society of America.