Towards Multisensory Storytelling with Taste and Flavor
暂无分享,去创建一个
[1] John Prescott,et al. Multisensory processes in flavour perception and their influence on food choice , 2015 .
[2] J. Costa. A brave new world , 2018, Virchows Archiv.
[3] Chi Thanh Vi,et al. Multisensory Experiences in HCI , 2017, IEEE MultiMedia.
[4] A. Hirsch,et al. What the Nose Knows: The Science of Scent in Everyday Life , 2009 .
[5] Weisi Lin,et al. Mulsemedia: State of the Art, Perspectives, and Challenges , 2014, TOMM.
[6] C. Spence. Multisensory Flavor Perception , 2015, Cell.
[7] Gabriel-Miro Muntean,et al. Olfaction-Enhanced Multimedia , 2016, ACM Comput. Surv..
[8] Carlos Velasco,et al. Integrating Mid-Air Haptics into Movie Experiences , 2017, TVX.
[9] Rob Comber,et al. Temporal, affective, and embodied characteristics of taste experiences: a framework for design , 2014, CHI.
[10] Chi Thanh Vi,et al. TastyFloats: A Contactless Food Delivery System , 2017, ISS.
[11] Sarah Atkinson,et al. Inside-the-scenes: The rise of experiential cinema , 2016 .
[12] Brian Yecies. Transnational collaboration of the multisensory kind: Exploiting Korean 4D cinema in China , 2016 .
[13] Sergio Casas,et al. ROMOT: A Robotic 3D-Movie Theater Allowing Interaction and Multimodal Experiences , 2016, LSR.
[14] Charles Spence,et al. Colour-taste correspondences: Designing food experiences to meet expectations or to surprise , 2016 .
[15] D. Neumark-Sztainer,et al. Associations between watching TV during family meals and dietary intake among adolescents. , 2007, Journal of nutrition education and behavior.
[16] J. Delwiche,et al. Are there ‘basic’ tastes? , 1996 .
[17] Chi Thanh Vi,et al. Not just seeing, but also feeling art: Mid-air haptic experiences integrated in a multisensory art exhibition , 2017, Int. J. Hum. Comput. Stud..
[18] Gabriel-Miro Muntean,et al. Beyond Multimedia Adaptation: Quality of Experience-Aware Multi-Sensorial Media Delivery , 2015, IEEE Transactions on Multimedia.
[19] Qiong Luo,et al. Data Edibilization: Representing Data with Food , 2016, CHI Extended Abstracts.
[20] Paul J. Laurienti,et al. Semantic congruence is a critical factor in multisensory behavioral performance , 2004, Experimental Brain Research.
[21] Daniela Stehlik,et al. A Brave New World? , 2001 .
[22] P. Bach-y-Rita,et al. Sensory substitution and the human–machine interface , 2003, Trends in Cognitive Sciences.
[23] John A. Bargh,et al. Television Viewing and Unhealthy Diet: Implications for Children and Media Interventions , 2009, Health communication.
[24] Hiroshi Ishida,et al. Smelling screen: Presenting a virtual odor source on a LCD screen , 2013, 2013 IEEE Virtual Reality (VR).
[25] Hiroshi Ishida,et al. Smelling screen: Technique to present a virtual odor source at an arbitrary position on a screen , 2012, 2012 IEEE Virtual Reality Workshops (VRW).
[26] Marianna Obrist,et al. "I Always Wanted to See the Night Sky": Blind User Preferences for Sensory Substitution Devices , 2016, CHI.
[27] Hiroshi Ishida,et al. Smelling Screen: Development and Evaluation of an Olfactory Display System for Presenting a Virtual Odor Source , 2013, IEEE Transactions on Visualization and Computer Graphics.
[28] Takuji Narumi,et al. Meta cookie , 2010, SIGGRAPH Emerging Technologies.
[29] J. E. Steiner,et al. Comparative expression of hedonic impact: affective reactions to taste by human infants and other primates , 2001, Neuroscience & Biobehavioral Reviews.
[30] Rudolf Arnheim. Film as art , 1957 .
[31] M. Beugnet. Film Theory: an Introduction Through the Senses , 2012 .
[32] Carlos Velasco,et al. Digitizing the chemical senses: Possibilities & pitfalls , 2017, Int. J. Hum. Comput. Stud..
[33] T. Elsaesser,et al. Film Theory: An Introduction Through the Senses , 2009 .
[34] C. Montell,et al. Calcium Taste Avoidance in Drosophila , 2018, Neuron.
[35] B. Trivedi,et al. Neuroscience: Hardwired for taste , 2012, Nature.
[36] Laura U. Marks,et al. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses , 2000 .
[37] L. Piatti-Farnell. Approaching Food and Horror , 2017 .