Before the introduction of NURBS-based CAD software and optimisation, the design of form-resistant structures was based on the use of either experimental tools (physical form-finding) or analytical surfaces, and architects were challenged in the articulation of spaces from the intrinsic characteristics/rules of structural forms. An outstanding example of this kind is provided by the Church of Longuelo, which was built by architect Pino Pizzigoni in Italy, between 1961-1966. It was conceived as composed by two major elements – an irregular frame and a set of shells suspended to it. The entire design process was based on the calculation of the frame on which the shells have been just added as a dead load. This paper presents one possible way to redesign the church parametrically. Comparison with the original design is not performed at the final formal level, which can logically differ, but around the concepts behind the project. The aim is to show how current digital design and optimisation tools are affecting the way architects design. But, at a higher level, the purpose is also to highlight where conceptual design is now taking place in the process.