Curating and annotating a collection of traditional Irish flute recordings to facilitate stylistic analysis
暂无分享,去创建一个
[1] Meabh Ni Fhuarthain,et al. The Irish Flute Player's Handbook: A Comprehensive Guide to the Traditional Flute in Ireland , 1992 .
[2] Nuala O'Connor,et al. Bringing it all back home: The influence of Irish music , 1991 .
[3] Tomás Ó Canainn,et al. Traditional music in Ireland , 1978 .
[4] Fintan Vallely,et al. The Companion to Irish Traditional Music , 2011 .
[5] Simon Dixon,et al. PYIN: A fundamental frequency estimator using probabilistic threshold distributions , 2014, 2014 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP).
[6] S. Oriada. Our Musical Heritage , 1982 .
[7] Vincent Rosinach,et al. Measuring swing in Irish traditional fiddle music , 2006 .
[8] Cham Athwal,et al. Automated Detection of Single- and Multi-Note Ornaments in Irish Traditional Flute Playing , 2014, ISMIR.
[9] Cham Athwal,et al. Quantifying Timbral Variations in Traditional Irish Flute Playing , 2012 .
[10] Björn W. Schuller,et al. Universal Onset Detection with Bidirectional Long Short-Term Memory Neural Networks , 2010, ISMIR.
[11] Xuejing Sun,et al. Pitch determination and voice quality analysis using Subharmonic-to-Harmonic Ratio , 2002, 2002 IEEE International Conference on Acoustics, Speech, and Signal Processing.
[12] Mark B. Sandler,et al. Sonic visualiser: an open source application for viewing, analysing, and annotating music audio files , 2010, ACM Multimedia.
[13] Peter Jancovic,et al. Automatic Transcription of Ornamented Irish Traditional Flute Music Using Hidden Markov Models , 2015, ISMIR.
[14] Helen Brennan,et al. The Story of Irish Dance , 1999 .
[15] Daithi Kearney,et al. Towards a Regional Understanding of Irish Traditional Music , 2009 .
[16] Paul M. Brossier,et al. Automatic annotation of musical audio for interactive applications , 2006 .
[17] Cham Athwal,et al. Towards the creation of digital library content to study aspects of style in Irish traditional music , 2014, DLfM '14.
[18] David Locke,et al. Cantometrics: An Approach to the Anthropology of Music , 1981 .
[19] Justin M. Taillon. Turning the tune: traditional music, tourism, and social change in an Irish village , 2014 .
[20] J. Cowdery,et al. The Melodic Tradition of Ireland , 1990 .
[21] Bryan Duggan,et al. Machine Annotation of Traditional Irish Dance Music , 2009 .
[22] Niall Keegan,et al. Ceol Rince na hÉireann , 1998 .
[23] Niall Keegan. The art of juncture – transformations of Irish traditional music , 2012 .
[24] L. McCullough,et al. Folk music and dances of Ireland , 1981 .
[25] Ciaran Carson,et al. Irish traditional music , 1986 .
[26] Margaret Dean-Smith,et al. PLAYFORD'S ‘DANCING MASTER’ , 1958 .
[27] Daithi Kearney. Beyond location: the relevance of regional identities in Irish traditional music , 2012 .
[28] Simon Dixon,et al. Computer-aided Melody Note Transcription Using the Tony Software: Accuracy and Efficiency , 2015 .
[29] Daithí Kearney. (Re)locating Irish Traditional Music: Urbanising Rural Traditions , 2008 .
[30] D. Mackinnon. The making of Irish traditional music , 2011 .
[31] Dorothea E. Hast,et al. Music in Ireland : experiencing music, expressing culture , 2005 .
[32] Karen Parthun,et al. Our musical heritage , 1999 .
[33] Larry McCullough,et al. Ceol Rince na hEireann, II , 1979 .