OpenSound Control: State of the Art 2003

OpenSound Control ("OSC") is a protocol for communication among computers, sound synthesizers, and other multimedia devices that is optimized for modern networking technology. OSC has achieved wide use in the field of computer-based new interfaces for musical expression for wide-area and local-area networked distributed music systems, inter-process communication, and even within a single application.

[1]  Norbert Schnell,et al.  jMax: An Environment for Real-Time Musical Applications , 1999, Computer Music Journal.

[2]  David L. Mills Simple Network Time Protocol (SNTP) , 1992, RFC.

[3]  David L. Mills,et al.  Network Time Protocol (Version 3) Specification, Implementation , 1992 .

[4]  Jocelyn Robert,et al.  Circular Optical Object Locator , 2002, NIME.

[5]  Camille Goudeseune,et al.  Resonant Processing of Instrumental Sound Controller by Spatial Position , 2001, NIME.

[6]  James McCartney A New, Flexible Framework for Audio and Image Synthesis , 2000, ICMC.

[7]  Matthew Wright,et al.  Preparation for Interactive Live Computer Performance in Collaboration with a Symphony Orchestra , 2001, ICMC.

[8]  Miller S. Puckette,et al.  Combining Event and Signal Processing in the MAX Graphical Programming Environment , 1991 .

[9]  Mark H. Hansen,et al.  LISTENING POST: GIVING VOICE TO ONLINE COMMUNICATION , 2002 .

[10]  John P. Young Using the Web for Live Interactive Music , 2001, ICMC.

[11]  David Zicarelli,et al.  An Extensible Real-time Signal Processing Environment for Max , 1998, ICMC.

[12]  Tristan Jehan,et al.  An Audio-Driven Perceptually Meaningful Timbre Synthesizer , 2001, ICMC.

[13]  David L. Mills,et al.  Network Time Protocol (Version 3) Specification, Implementation and Analysis , 1992, RFC.

[14]  Camille Goudeseune,et al.  Model based interactive sound for an immersive virtual environment , 1994, ICMC.

[15]  Keith A. McMillen,et al.  The ZIPI Music Parameter Description Language , 1994 .

[16]  Bert Bongers,et al.  Hypermusic and the Sighting of Sound - A Nomadic Studio Report , 2001, ICMC.

[17]  Dan Overholt,et al.  The MATRIX: A Novel Controller for Musical Expression , 2001, NIME.

[18]  Camilo Rueda,et al.  Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic , 1999, Computer Music Journal.

[19]  Matthew Wright Implementation and Performance Issues with OpenSound Control , 1998, ICMC.

[20]  Jeffrey E. F. Friedl Mastering regular expressions - powerful techniques for Perl and other tools , 1997, Powerful techniques for Perl and other tools.

[21]  Amar Chaudhary,et al.  An Open Architecture for Real-Time Audio Processing Software , 1999 .

[22]  Emmanuel Fléty AtoMIC Pro: A Multiple Sensor Acquisition Device , 2002, NIME.

[23]  Ali Momeni,et al.  Managing Complexity with Explicit Mapping of Gestures to Sound Control with OSC , 2001, ICMC.

[24]  Guy E. Garnett,et al.  Technological Advances for Conducting a Virtual Ensemble , 2001, ICMC.