Neural representations of the hierarchical scale pitch structure

[1]  S. Handel.  Listening As Introduction to the Perception of Auditory Events , 1989 .

[2]  Peter M. Todd,et al.  Pitch, Harmony, and Neural Nets: A Psychological Perspective , 2003 .

[3]  C. Krumhansl,et al.  The representation of harmonic structure in music: Hierarchies of stability as a function of context , 1983, Cognition.

[4]  D Schön,et al.  Comparison between Language and Music , 2001, Annals of the New York Academy of Sciences.

[5]  Victor Zuckerkandl.  The Sense of Music , 1959 .

[6]  Barbara Tillmann,et al.  Implicit learning of tonality: A self-organizing approach , 2000 .

[7]  C. Krumhansl.  The psychological representation of musical pitch in a tonal context , 1979, Cognitive Psychology.

[8]  J. Mäkelä,et al.  Neuromagnetic responses of the human auditory cortex to on- and offsets of noise bursts. , 1987, Audiology : official organ of the International Society of Audiology.

[9]  H. C. Losguet-Higgins.  The Perception of Music , 1978 .

[10]  R N Shepard,et al.  Auditory Illusions Demonstrating That Tones Are Assimilated to an Internalized Musical Scale , 1984, Science.

[11]  S. Koelsch,et al.  Effects of musical expertise on the early right anterior negativity: an event-related brain potential study. , 2002, Psychophysiology.

[12]  R. Oostenveld,et al.  Increased auditory cortical representation in musicians , 1998, Nature.

[13]  A. Friederici,et al.  Brain Indices of Music Processing: Nonmusicians are Musical , 2000, Journal of Cognitive Neuroscience.

[14]  M. Tervaniemi,et al.  Pitch discrimination accuracy in musicians vs nonmusicians: an event-related potential and behavioral study , 2005, Experimental Brain Research.

[15]  Jordan Grafman,et al.  Handbook of Neuropsychology , 1991 .

[16]  Mireille Besson,et al.  Brain waves associated with musical incongruities differ for musicians and non-musicians , 1994, Neuroscience Letters.

[17]  C C Wood,et al.  Event-related potentials elicited by deviant endings to melodies. , 1992, Psychophysiology.

[18]  Elvira Brattico,et al.  Effects of brief discrimination-training on the auditory N1 wave , 2003, Neuroreport.

[19]  E. Bigand,et al.  Perceiving musical stability: the effect of tonal structure, rhythm, and musical expertise. , 1997, Journal of experimental psychology. Human perception and performance.

[20]  J. Bharucha,et al.  Anchoring effects in music: The resolution of dissonance , 1984, Cognitive Psychology.

[21]  Risto J. Ilmoniemi,et al.  Event-Related Potentials to Expectancy Violation in Musical Context , 2003 .

[22]  J. Bharucha,et al.  Reaction time and musical expectancy: priming of chords. , 1986, Journal of experimental psychology. Human perception and performance.

[23]  J. D. Smith,et al.  What child is this? What interval was that? Familiar tunes and music perception in novice listeners , 1994, Cognition.

[24]  I. Winkler,et al.  ‘Primitive intelligence’ in the auditory cortex , 2001, Trends in Neurosciences.

[25]  W. V. Bingham,et al.  Studies in Melody , 2008 .

[26]  M. Besson,et al.  Different Brain Mechanisms Mediate Sensitivity to Sensory Consonance and Harmonic Context: Evidence from Auditory Event-Related Brain Potentials , 2001, Journal of Cognitive Neuroscience.

[27]  B. Ross,et al.  COGNITIVE NEUROSCIENCE AND NEUROPSYCHOLOGY: Timbre-specific enhancement of auditory cortical representations in musicians , 2022 .

[28]  T W Picton,et al.  The P300 Wave of the Human Event‐Related Potential , 1992, Journal of clinical neurophysiology : official publication of the American Electroencephalographic Society.

[29]  Larry E. Roberts,et al.  Plastic changes in the auditory cortex induced by intensive frequency discrimination training , 2000, Neuroreport.

[30]  C. Krumhansl.  Cognitive Foundations of Musical Pitch , 1990 .

[31]  I. Peretz,et al.  Musical scale properties are automatically processed in the human auditory cortex , 2006, Brain Research.

[32]  W. Jay Dowling,et al.  The perception of music , 1987 .

[33]  J. Bharucha.  Music Cognition and Perceptual Facilitation: A Connectionist Framework , 1987 .

[34]  M. Merzenich,et al.  Plasticity in the frequency representation of primary auditory cortex following discrimination training in adult owl monkeys , 1993, The Journal of neuroscience : the official journal of the Society for Neuroscience.

[35]  Leonard B. Meyer.  Emotion and Meaning in Music , 1957 .

[36]  D. Povel,et al.  Harmonic Factors in the Perception of Tonal Melodies , 2002 .

[37]  K. Reinikainen,et al.  Right hemisphere dominance of different mismatch negativities. , 1991, Electroencephalography and clinical neurophysiology.

[38]  F. Macar,et al.  An event-related potential analysis of incongruity in music and other non-linguistic contexts. , 1987, Psychophysiology.

[39]  E. Bigand,et al.  More About the Musical Expertise of Musically Untrained Listeners , 2003, Annals of the New York Academy of Sciences.

[40]  R. Näätänen.  Attention and brain function , 1992 .

[41]  M. Besson,et al.  AN EVENT-RELATED POTENTIAL (ERP) STUDY OF MUSICAL EXPECTANCY : COMPARISON OF MUSICIANS WITH NONMUSICIANS , 1995 .

[42]  C. Krumhansl,et al.  Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys. , 1982 .

[43]  C. Newman,et al.  The effects of stimulus frequency and recording site on the amplitude and latency of multichannel cortical auditory evoked potential (CAEP) component N1. , 1992, Ear and hearing.

[44]  Petr Janata,et al.  ERP Measures Assay the Degree of Expectancy Violation of Harmonic Contexts in Music , 1995, Journal of Cognitive Neuroscience.

[45]  R. Näätänen.  The role of attention in auditory information processing as revealed by event-related potentials and other brain measures of cognitive function , 1990, Behavioral and Brain Sciences.

[46]  T. Picton,et al.  The N1 wave of the human electric and magnetic response to sound: a review and an analysis of the component structure. , 1987, Psychophysiology.

[47]  Isabelle Peretz,et al.  Book Review: Brain Specialization for Music , 2002 .

[48]  D. Poeppel,et al.  Latency of auditory evoked M100 as a function of tone frequency , 1996, Neuroreport.

[49]  Aniruddh D. Patel,et al.  Processing Syntactic Relations in Language and Music: An Event-Related Potential Study , 1998, Journal of Cognitive Neuroscience.

[50]  M. Tervaniemi,et al.  Development of a memory trace for a complex sound in the human brain. , 1993, Neuroreport.

[51]  R Verleger,et al.  P3-evoking wrong notes: unexpected, awaited, or arousing? , 1990, The International journal of neuroscience.

[52]  I. Peretz.  Brain Specialization for Music , 2001, Annals of the New York Academy of Sciences.